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LAB12 SUARA POWER AMPLIFIER
LAB12 SUONO POWER AMPLIFIER
• 6550, KT88 compatible (KT150 from factory)
• Manual Bias Adjustment
• Triode / ultra linear selector switch
• No feedback design
• SRSG® implementation
• Fine symmetry® implementation
• Gold plated Teflon RCA connectors
• Gold plated tube sockets
• Analog retro Nissei VU meters
• 5mm aluminum face panel with luxury painting
• Five years guarantee
LAB12 TRUE PRE-AMPLIFIER
True was designed as a mighty and potent passive high-end audio hub with multiple inputs and ultra transparent, yet musical volume control. As all Lab12 products, the true also comes with the choice of multiple luxury paint finishes.
Mono and Stereo Review...Click here to read
Larry Coryell, Badi Assad, John Abercrombie – Three Guitars – Chesky Records – SACD
Lee Morgan – Infinity LP (Blue Note Tone Poet Series) – Blue Note Vinyl
Just two months after recording his exceptional sextet date Cornbread, the prolific trumpeter Lee Morgan was back in Van Gelder Studio in November 1965 with a slightly slimmed down—but no less robust—quintet line-up to record his next session Infinity, which wouldn’t be first released until 1981. Alto saxophonist Jackie McLean and drummer Billy Higgins—both of whom were featured on Cornbread—were at Morgan’s side once again along with pianist Larry Willisand bassist Reggie Workman for a five-song set that ventured to the far reaches of the hard bop tradition and beyond. Four compelling Morgan originals and McLean’s engaging ballad “Portrait of Doll” cover a wide expanse of musical terrain including the probing title track, the laid-back 6/8 groove of “Miss Nettie B,” the intricate interlaced lines of “Growing Pains,” and the hard-charging closer “Zip Code.”
Lee Morgan – Taru – Blue Note Tone Poet Series 180g Vinyl
Lee Morgan’s 1968 album Taru—which wouldn’t be first released until 1980 as part of the LT Series—found the trumpeter at a crossroads exploring a variety of styles. The band on this outstanding date is notable for several reasons including the elevating presence of guitarist George Benson who delivers inspired solos throughout.
The session also marked Morgan’s first recorded collaboration with tenor saxophonist Bennie Maupin who would play an integral role on future Morgan albums including Caramba! and Live at the Lighthouse. Rounding out the sextet were pianist John Hicks, bassist Reggie Workman, and the ever-inspiriting drummer Billy Higgins.
The six-song set covered a range of stylistic ground including modal jazz (“Avotcja One”), hard-charging post-bop (“Get Yourself Together”), beautiful balladry (“Haeschen” and “Taru, What’s Wrong With You?”), gospel-tinged numbers (“Dee Lawd”), and funky boogaloos (“Durem”).
Lee Morgan – The Sidewinder (Blue Note Classic Series) – Blue Note Vinyl
Lee Morgan’s magnum opus The Sidewinder—recorded in 1963 and release in 1964—was both a comeback and a coronation. The prodigious trumpeter had debuted on Blue Note in 1956 at the age of 18, but personal problems in the early-60s forced him off the scene temporarily. His rebound recording turned out to be The Sidewinder, an assured and energetic set of 5 indelible Morgan originals featuring tenor saxophonist Joe Henderson, pianist Barry Harris, bassist Bob Cranshaw, and drummer Billy Higgins. The album became his biggest commercial success fueled by the irrepressible title track.
Legrand Jazz MICHEL LEGRAND AND HIS ORCHESTRA 180G VINYL
100% Analog 180g 33rpm Vinyl
Mastered by Chris Bellman at Bernie Grundman Mastering
Pressed at RTI
The greatest assembly of musical talent ever on one album! Features Performances by John Coltrane, Miles Davis, Bill Evans, Ben Webster & 27 More Jazz Greats! Pressed at Record technology for silent surfaces and true fidelity to the analog source.
