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Amos Lee – Amos Lee – Analogue Productions 45RPM 200g Vinyl
Soundstage, sonic detail enhanced at 45 RPM 2LP!
Mastered by Bernie Grundman from the original master tapes!
Plating and 200-gram pressing by Quality Record Pressings!
Stoughton Printing old-style tip-on gatefold jacket
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Arthur Rubinstein – Highlights From Rubinstein at Carnegie Hall 200g Analogue Productions Vinyl
RCA Living Stereo classical LPs - the gold standard for top quality orchestral performance and sound!
Remastered from the original master tape and cut at 33 1/3 RPM by Ryan Smith at Sterling Sound
Lacquers plated by Gary Salstrom and pressed on 200-gram vinyl at Quality Record Pressings!
RCA Living Stereo Reissue Series No. 2 - 25 newly-remastered classical mainstays!
Charles Mingus – The Black Saint and The Sinner Lady
Analogue Productions 180gram, 45RPM Heavy Vinyl Pressing
In January of 1963, bassist and composer Charles Mingus recorded a very personal and socially conscious work he titled The Black Saint & The Sinner Lady. Each composition, from the opening "Solo Dancer" to the closing "Group and Solo Dance" was a musical expression of Mingus' philosophy of life, love and the world around him.
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Counting Crows – August And Everything After – Analogue Productions 45RPM 200g Vinyl
Counting Crows' 1993 debut album released for the first time as an LP in the U.S.!
Double LP cut at 45 RPM, plated and pressed by Quality Record Pressings — four sides maximize the recording's dynamic range
Deluxe gatefold jacket!
Mastered by Ryan Smith at Sterling Sound
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Dave Brubeck Quartet – Time Out – Analogue Productions 45RPM 200g Vinyl
Analogue Productions and Quality Record Pressings present the definitive Time Out by The Dave Brubeck Quartet
First time reissued as a gatefold jacket, with rare black and white photos from the Columbia Studios recording session. Heavy-duty chipboard shell stock by Stoughton Printing
200-gram, double LP set cut at 45 RPM by Bernie Grundman and pressed at Quality Record Pressings
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Doug MacLeod – Come To Find 2LP 45rpm 200 Gram Analogue Productions Vinyl
200-gram vinyl by Quality Record Pressings! Now a 2LP at 45 RPM!
Doug MacLeod's ode to acoustic blues, a consummate bluesman channeling his focus
Mastered from the original analog tapes by Kevin Gray
Tip-on, thick cardboard gatefold jacket
Spend any time around Doug MacLeod and the stories from his years of road time with the likes of Big Joe Turner and Pee Wee Crayton start to flow as easily as a brook tickled by a breeze. And you know you're getting to the good part, the climax if you will, when Doug's eyes start to twinkle, his grin grows broader and out of his mouth pop the words "Come to find ..."
Dream With Dean – The Intimate Dean Martin 45RPM Vinyl
Now on 45 RPM LP, mastered at Sterling Sound by Ryan Smith from the analog tapes
Plated and pressed by Quality Record Pressings
Deluxe "tip-on" gatefold jackets by Stoughton Printing
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Duke Ellington Masterpieces By Ellington 2LP 45rpm 200 Gram Analogue Productions Vinyl
Recorded in New York on December 1950 these four tracks were Ellington’s first LP in the 12″ format, issued on Columbia’s Masterworks series, and it is among the earliest such LPs released by Columbia (1951). Containing three proven compositions, the fourth The Tattooed Bride was first played in 1948 in concert, and recorded in a studio session only now. An historic reissue and must have album!
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Duke Ellington Meets Coleman Hawkins
Collaborative albums such as this one have always been something of a stunt on the part of the record label, with the artists themselves usually stuck with too little time to work out something that would easily act as a functional compromise. Many of these albums, then, have faded away with time. Impulse, however, had more than its share of solid collaborations. This one is a lot of fun, whether it's the daffy cut-up of "Limbo Jazz" or the slow New Orleans smoke of "Wanderlust." All present turn in nice performances on this set of Ellington numbers.
Dusty Springfield – Dusty In Memphis – Analogue Productions 45RPM 2 x 200g Vinyl
A classic now cut at 45 RPM!
Originally released in 1969, the concept for Dusty In Memphis was to take England's reigning female soul queen to the home of the music which had inspired her. Produced by Atlantic's Jerry Wexler and Arif Mardin and engineered by Tom Dowd, the record's highlights include "Son Of A Preacher Man," "So Much Love," "Breakfast In Bed," "Just One Smile," "I Don't Want To Hear It Anymore" and "Just A Little Lovin'". Springfield is backed by a crack band that had previously worked with Aretha Franklin, Wilson Pickett, King Curtis and Elvis Presley among others. The musicians - collectively known as the Memphis Cats - include guitarist Reggie Young, bassist Tommy Cogbill, drummer Gene Chrismann, pianist Bobby Wood and Bobby Emmons on organ and electric piano. Songwriting contributions came from, among others, Randy Newman, Carole King, Gerry Goffin, Barry Mann and Cynthia Weil. Dusty Springfield is one of the finest white soul singers of her era, and this is the undisputed proof.
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Ella Fitzgerald – Let No Man Write My Epitaph – Analogue Productions 45RPM 200g Vinyl
Considered one of Ella’s greatest recordings, she’s backed on this 1960 release by pianist Paul Smith. Let No Man Write My Epitaph was a 1960 Hollywood movie featuring Fitzgerald. The album hits at a depth of emotional understanding that critics often complained was missing in Ella’s reading of jazz lyrics, and once again establishes her as one of the supreme interpreters of the Great American Songbook.
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Elvis Presley – Elvis is Back 45RPM, 200g 2 LP Analogue Productions Vinyl
Elvis Presley Elvis Is Back! 200-gram 45 RPM double LP set
Mastered from the original analog tapes by George Marino at Sterling Sound
1960 studio album is Presley's best full-length effort
"...His voice was in superb form, he was backed by the most sympathetic line-up in his career - including Scotty Moore, the Jordanaires, Hank Garland and DJ Fontana - and the repertoire included 'Fever,' 'The Girl Of My Best Friend,' 'Reconsider Baby,' 'Such A Night.'" Sound Quality = 95% out of 100% - Ken Kessler, Hi-Fi News, December 2010