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Dusty Springfield – Dusty In Memphis – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
Dusty Springfield shares rarified air with the top soul/R&B queens of the post-WWII era — Aretha Franklin, Etta James, and others.
Originally released in 1969, the concept for Dusty In Memphis was to take England’s reigning female soul queen to the home of the music which had inspired her. Produced by Atlantic’s Jerry Wexler and Arif Mardin and engineered by Tom Dowd, the record’s highlights include “Son Of A Preacher Man,” “So Much Love,” “Breakfast In Bed,” “Just One Smile,” “I Don’t Want To Hear It Anymore” and “Just A Little Lovin'”.
Eagles – On The Border – MoFi Ultradisc 180g 45RPM 2LP Box Set
NOW IN STOCK
MASTERED FROM THE ORIGINAL ANALOG MASTER TAPES, PRESSED AT RTI ON MOFI SUPERVINYL, AND LIMITED TO 10,000 NUMBERED COPIES With its name indicative of the music’s boundary-testing diversity and Southwestern inspiration, On the Border finds the Eagles leaving everything on the table and embracing a harder edge that takes the band out of more relaxed territory and establishes it as a group that knows how – and wants – to rock. Glenn Frey, Don Henley, new member Don Felder, and company immediately announce their intent on the defiant album-opening hit “Already Gone” and never look back, crafting a gem of a record that from start to finish is arguably their most consistent and balanced effort.
Eleanor Mcevoy – Forgotten Dreams – Direct Cut Vinyl
Electric Light Orchestra – Eldorado – MoFi Numbered LTD Edition 180g Supervinyl LP
Electric Light Orchestra leader Jeff Lynne did more than figuratively reach for the sky on Eldorado. Daring to be bold, and creating imaginative worlds that invite the listener to escape the mundane, the visionary composer-musician achieved a multidisciplinary fantasia and, in the process, a prog-rock landmark. Nearly 50 years later, the concept album's brilliance can be experienced like never before in cinematic fashion.
In stock Now
Electric Light Orchestra – Eldorado – MoFi Ultradisc 180g 45RPM 2LP Box Set
NOW IN STOCK
MASTERED FROM THE ORIGINAL MASTER TAPES WITH MOBILE FIDELITY’S ONE-STEP PROCESS: PRESSED ON MOFI SUPERVINYL, LIMITED TO 10,000 COPIES Electric Light Orchestra leader Jeff Lynne did more than figuratively reach for the sky on Eldorado. Daring to be bold, and creating imaginative worlds that invite the listener to escape the mundane, the visionary composer-musician achieved a multidisciplinary fantasia and, in the process, a prog-rock landmark. Nearly 50 years later, the concept album’s brilliance can be experienced like never before in cinematic, IMAX-worthy fashion.
Ella Fitzgerald – Clap Hands, Here Comes Charlie! – Analogue Productions 200g 2LP 45RPM Vinyl LP
“…these are all truly classic Verve titles that you simply don’t want to miss…most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I’d definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen!” Winner of a 2012 Positive Feedback Online Writers’ Choice Award – Danny Kaey, Positive Feedback Online, November/December 2011
Ella Fitzgerald and Louis Armstrong – Ella and Louis (Mono Version) – Analogue Productions 180g 45RPM Vinyl
2013 Stereophile Record To Die For (R2D4)!
Mastered by George Marino at Sterling Sound "If you're a jazz-following audiophile, go buy this right away. Flummoxed by the $90 price tag? How much would you pay for the most palpable illusion you'll ever experience that Pops and the First Lady of Song are back among the living—standing, breathing, singing, and blowing, right in front of you? ... It's the only QRP Verve I've heard so far, but if it's a harbinger of things to come, it's what Satch would call a mitzvah!" — Fred Kaplan, www.stereophile.com, December 2011
Ella Fitzgerald and Louis Armstrong – Ella & Louis – Analogue Productions 180g Stereo Vinyl
It is undeniable that Billie Holiday’s singing changed in her later years. Her voice darkened and shifted to a lower range. Her economy of means distilled her sound to its expressive essence — a kind of heightened speech. The classic LP Songs For Distingue Lovers has also deepened and become burnished with time. Maybe it’s that still-arresting word, “distingue”; maybe it’s that iconic, tinted image of Lady Day on the cover. But now that legendary LP, with the singer’s best studio work of the Fifties, is available through the Acoustic Sounds Series.
