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Blue Horizon Professional Rack System – 2 Tier Double Gloss Black
- Engineered from the ground up
- Unique modular construction
- 2 Tier Double Gloss Black Rack
Blue Horizon Professional Rack System – 2 Tier Double Gloss White
- Engineered from the ground up
- Unique modular construction
- 2 Tier Double Gloss White Rack
Blue Horizon Professional Rack System – 3 Tier Bamboo
- Engineered from the ground up
- Unique modular construction
- 3 Tier Single Bamboo Rack
Blue Horizon Professional Rack System – 3 Tier Gloss Black
- Engineered from the ground up
- Unique modular construction
- 3 Tier Single Gloss Black Rack
Blue Horizon Professional Rack System – 3 Tier Gloss White
- Engineered from the ground up
- Unique modular construction
- 3 Tier Single Gloss White Rack
Blue Horizon Professional Rack System – 4 Tier Bamboo
- Engineered from the ground up
- Unique modular construction
- 4 Tier Single Width Bamboo Rack
Blue Horizon Sanctum Component Platform
Blues Masters Volume Two XRCD24
Bob Dylan – Bob Dylan – Mofi 180g 33RPM SuperVinyl Mono LP
The Understated Debut That Launched A Peerless Career: Bob Dylan Is The Clearest Connection To The Singer-Songwriter's Folk Roots
Pressed On Mofi Supervinyl For Reference Playback: Mobile Fidelity 33Rpm Supervinyl Mono Lp Features The Direct Sound Dylan Intended
1/4" / 15 IPS analog mono master to DSD 256 to analog console to lathe
Bob Dylan – Good As I Been To You – 180g 33RPM Mofi SuperVinyl
BOB DYLAN’S FIRST SOLO ACOUSTIC ALBUM IN NEARLY 30 YEARS REMAINS AN OVERLOOKED GEM: GOOD AS I BEEN TO YOU SERVES AS A PRELUDE TO HIS CELEBRATED LATE-CAREER ARC
1/2" / 30 IPS analog master to DSD 256 to analog console to lathe
Sourced from the Original Master Tapes and Presented in Audiophile Sound for the First Time: Mobile Fidelity’s Numbered-Edition 180g SuperVinyl LP Plays with Riveting Detail
Bob Dylan – Pat Garrett & Billy the Kid Hybrid SACD
Mastered from the original master tapes on Mobile Fidelity's world-renowned mastering system, and strictly limited to 2,500 numbered copies, this hybrid SACD features reference-level instrumental separation and full-bodied tones that allow the songs to blossom amidst soundstages whose dimensions are limited only by the breadth of your stereo system. The flinty, raw acoustic edge of Dylan and Bruce Langhorne's guitars come into immediate relief. Booker T. Jones' relaxed albeit taut bass, Jolly Roger's down-home banjo, Russ Kunkel's textured bongos, and the crucial string accompaniments similarly flourish.
