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Ray Charles – Ray Charles – Analogue Productions Atlantic 75 Series Hybrid Mono SACD
Ray Charles’ self-titled 1957 album was one of the first handful of albums issued by Atlantic (and was later retitled Hallelujah I Love Her So). As AllMusic reviewer Bruce Elder notes, the album is weighted about three to one in favor of Charles’ own compositions, with the hits “Hallelujah I Love Her So” and the pounding, soaring “Ain’t That Love,” which opens the record, its raison d’etre.
Phasemation T-320 MC Step-Up Transformer
An MM/MC switch loaded step-up transformer for high sound quality of the MC cartridge draws out the music’s reality and the artist’s passion.
Pursuing our knowledge for cultivating the T-550, which was highly evaluated after it was released in 2020, we polished its sound quality by adding an MM/MC changing switch making it more convenient. The same 10mm thick aluminum slant panel which was used for the grand model T-550 is adopted and designed it so that it gives out high quality.
Ray Charles – Ray Charles – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
NOW IN STOCK
Ray Charles’ self-titled 1957 album was one of the first handful of LPs issued by Atlantic (and was later retitled Hallelujah I Love Her So). As AllMusic reviewer Bruce Elder notes, the album is weighted about three to one in favor of Charles’ own compositions, with the hits “Hallelujah I Love Her So” and the pounding, soaring “Ain’t That Love,” which opens the LP, its raison d’etre.
Run DMC – King of Rock – Mofi 180g SuperVinyl LP
IN AUDIOPHILE QUALITY FOR THE FIRST TIME: SOURCED FROM THE ORIGINAL MASTER TAPES
1/2″ / 15 IPS analog master to DSD 256 to analog console to lathe
Run-D.M.C. leaves no doubt about its intent on King of Rock. The New York trio’s hard-hitting sophomore album begins with a statement of purpose (“Rock the House”) that serves as a stereophonic primer for the title track, a hybrid warning-anthem-theme song that swarms with justified boasts, heavy metal riffs, booming beats, cowbell accents, and dance-worthy grooves. The back-to-back tunes set the tone for a 1985 record that largely established the blueprint for the hip-hop that would follow for the next two decades — and which helped make rap a mainstream currency via the previously off-limits channels of radio, TV, and the national stage.
Dan Clark Audio E3 Closed Back Headphones
Jazz Vocal Collection Vol. 3 XRCD24
LAB12 AC1 High End Audio Power Cable
LAB12 DIG1 Digital Interconnect
