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Bob Dylan – Good As I Been To You – 180g 33RPM Mofi SuperVinyl
BOB DYLAN’S FIRST SOLO ACOUSTIC ALBUM IN NEARLY 30 YEARS REMAINS AN OVERLOOKED GEM: GOOD AS I BEEN TO YOU SERVES AS A PRELUDE TO HIS CELEBRATED LATE-CAREER ARC
1/2" / 30 IPS analog master to DSD 256 to analog console to lathe
Sourced from the Original Master Tapes and Presented in Audiophile Sound for the First Time: Mobile Fidelity’s Numbered-Edition 180g SuperVinyl LP Plays with Riveting Detail
Bob Dylan – Pat Garrett & Billy the Kid Hybrid SACD
Mastered from the original master tapes on Mobile Fidelity's world-renowned mastering system, and strictly limited to 2,500 numbered copies, this hybrid SACD features reference-level instrumental separation and full-bodied tones that allow the songs to blossom amidst soundstages whose dimensions are limited only by the breadth of your stereo system. The flinty, raw acoustic edge of Dylan and Bruce Langhorne's guitars come into immediate relief. Booker T. Jones' relaxed albeit taut bass, Jolly Roger's down-home banjo, Russ Kunkel's textured bongos, and the crucial string accompaniments similarly flourish.
Bob Dylan – Good As I Been To You – MOBILE FIDELITY SACD
A Visionary Survey of American Music and its Vast Landscapes: Tours Swing, Blues, Country, Folk, and Vaudeville En Route to Becoming a Roots-Rock Landmark
Bob Dylan’s Love and Theft is a visionary train ride through the vast American landscape and all its hills, valleys, mountains, river towns, and urban and rural settlements. As they burrow into villages and barrel across trestle bridges, the 2001 record’s songs introduce us to outlaws, outliers, gamblers, brawlers, tricksters, bootleggers, and scoundrels. It is, in effect, a commanding survey of and plunge into American music. Named the best album of the year by Rolling Stone and the Village Voice‘s Pazz & Jop Critics Poll, anointed the second-best album of the decade by Newsweek, and later declared the 385th Greatest Album of All Time by Rolling Stone, Love and Theft remains the Nobel Laureate’s finest effort since 1975’s Blood on the Tracks – and an extension of the jesting, imagery, and free-form looseness present on his seminal 1960s works. Now, it possess knock-out sound.
Emerson, Lake & Palmer – Mofi Hybrid SACD
Coming Soon - Pre-Order Now
Emerson, Lake & Palmer Lays the Foundations of Progressive Rock with Classical Elements and Features an Uncanny Blend of Vision, Verve, and Virtuosity
Mobile Fidelity’s Numbered-Edition Hybrid SACD Presents the 1970 Album’s Epic Scope, Tonal Depth, and Precision Details in Audiophile Clarity
Supergroups existed before Emerson, Lake & Palmer formed in 1970. And, as we all know well, many came after. But few, if any, matched the English’s trio and its elevated combination of virtuosity, vision, and verve. Having influenced a multitude of followers, ELP’s prowess was obvious from the start. The band’s self-titled debut stands as a towering statement of creative imagination, execution, and discipline more than five decades after its original release.Emerson, Lake & Palmer 180g 33RPM Mofi Vinyl LP
Coming Soon - Pre-Order Now
A Genuine Supergroup Takes Hold with an Extraordinary Blend of Vision, Verve, and Virtuosity: Emerson, Lake & Palmer Lays the Foundations of Progressive Rock
Mobile Fidelity’s Numbered-Edition 180g 33RPM LP Brings to Light the 1970 Album’s Epic Scope, Tonal Depth, and Precision Details
1/4” / 15 IPS analog copy to DSD 256 to analog console to lathe
Supergroups existed before Emerson, Lake & Palmer formed in 1970. And, as we all know well, many came after. But few, if any, matched the English trio’s chemistry and its elevated combination of virtuosity, vision, and verve. Having influenced a multitude of followers, ELP’s prowess was obvious from the start. The band’s self-titled debut stands as a towering statement of creative imagination, execution, and discipline more than five decades after its original release.
Fleetwood Mac – Tango in the Night– Mobile Fidelity 180g 45RPM 2LP Vinyl
IN STOCK STOCK
A UNIVERSE OF POP: FLEETWOOD MAC’S TANGO IN THE NIGHT FEATURES METICULOUS PRODUCTION, INCLUDES THE HITS “BIG LOVE,” “EVERYWHERE,” “SEVEN WONDERS,” AND “LITTLE LIES” Experience the 1987 Album in Audiophile Sound for the First Time: Mobile Fidelity’s Numbered-Edition 180g 45RPM 2LP Set Captures the Perfectionist Details 1/2" / 30 IPS analog master to DSD 256 to analog console to lathe The perfectionism involved in crafting Fleetwood Mac’s Tango in the Night reached a level of intensity experienced by few artists before or since. Commercially and creatively, the painstaking efforts paid off. Recorded over the span of 18 months, the triple-platinum album spawned four hit singles and put Fleetwood Mac back at the center of mainstream conversation. Its demands also ultimately forced its primary architect, guitarist-singer Lindsey Buckingham, to leave the group shortly after its completion. Was it all worth it? A thousand times “yes.”
Jeff Beck – Truth – Mofi Limited Edition SACD
All MoFi SACD's will play in a standard CD player
The core lineup – Jeff Beck, Rod Stewart, Mickey Waller, Ron Wood – responsible for the groundbreaking performances Truth alone qualifies as a watershed accomplishment. That the 1968 landmark predated and impacted Led Zeppelin's debut; involved members of Zeppelin, the Faces, and the Who; continues to be cited by many experts as the blueprint for hard rock; and unspools with indescribable guitar wizardry and primal energy put it into rarefied territory. Among the most influential sets ever released, Beck's solo debut has never spoken with more truth than on this exceptional reissue.
Johnny Cash – At Folsom Prison – 180g 45RPM 2LP Mofi Vinyl
IN STOCK NOW!
The 1968 Album On Which Johnny Cash Became A Legend: At Folsom Prison Among The Most Important And Potent Statements Of The 20Th Century
Mastered on MoFi’s Mastering System: Mobile Fidelity Numbered-Edition 180g 45RPM 2LP Set Plays with Arresting Immediacy, Spaciousness, and Directness
1/4" / 15 IPS analog copy to DSD 256 to analog console to lathe
Johnny Cash already knew his way around Folsom Prison when he and his band stepped inside the institution’s forbidding walls on the morning of January 13, 1968 to record At Folsom Prison. He’d played there two years prior. But this time was different.
