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Philip Catherine & Nicolas Fiszman Live At The Berlin Jazzbühne Festival 1982 – The Lost Recordings 180g Vinyl
Pink Floyd – The Dark Side Of The Moon (50th Anniversary) – Gatefold Vinyl LP
Pink Floyd – Dark Side of the Moon 50th Anniversary – Premium Gatefold Vinyl LP
A clean and engaging 50th Anniversary gatefold edition of Pink Floyd’s legendary album. The warm analogue cut highlights the album’s detail, atmosphere and timeless musical flow. A must-have pressing for any well-curated vinyl collection.
Portishead – Dummy 2014 REMASTER Vinyl LP
Portishead – Dummy (2014 Remaster) – Trip-Hop Classic on Vinyl LP
A warm and atmospheric remaster of Portishead’s landmark debut. The vinyl edition highlights the album’s moody textures and detailed production with clean analogue presence. An essential listen for fans of trip-hop and late-night soundscapes.
Prince – Purple Rain – 180g 33RPM Warner Records One Step Vinyl
Because Sound Matters...
- One-Step pressing
- Sourced from 192kHz/24bit files
- Transferred from the original
- EQ'd analogue master tapes
- Mastered by Levi Seitz at
- Black Belt Mastering
- Limited to 6,000 numbered copies
- One-Step plating and pressing on 180-gram high-definition vinyl at RTI
- Stoughton Printing Old Style tip-on jacket with original artwork
Public Enemy – It Takes A Nation Of Millions To Hold Us Back (Red Vinyl) LP
Radiohead – OK Computer – OKNOTOK 1997 2017 – Black Vinyl 180G – 3LP Vinyl Set
Radiohead – OK Computer OKNOTOK 1997–2017 – 180g 3LP Black Vinyl Set
A premium 3LP 180g edition of Radiohead’s landmark OK Computer era. The expanded set offers the original album, B-sides and rare tracks with warm, detailed analogue clarity. A standout pressing for collectors looking to explore the full depth of this era-defining release.
Rahsaan Roland Kirk: Blacknuss
From its opening bars, with Bill Salter's bass and Rahsaan's flute passionately playing Bill Withers' "Ain't No Sunshine", you know this isn't an ordinary Kirk album (were any of them?). As the string section, electric piano, percussion, and Cornel Dupree's guitar slip in the back door, one can feel the deep soul groove Kirk is bringing to the jazz fore here.
Randy Travis – Storms of Life – MoFi 180g Vinyl
Stock In Now
Mastered From The Original Analog Tapes And Pressed At Rti For Audiophile Sound
1/2″ / 30 IPS analog master to DSD 256 to analog console to lathe Nobody could have predicted the impact Randy Travis’ proper debut would make on country music when it was released in 1986. Recorded by a virtually unknown singer-songwriter who had once been rejected by every major label, and bolstered by production and arrangements that spotlight Travis’ impeccable vocals, Storms of Lifespurred a stylistic sea change that would soon sweep Nashville and place the North Carolina native at the center of the neotraditionalist movement. More than three decades later, the LP’s brilliance looms larger than ever.
Ravi Shankar – Shankar Family & Friends – 180g 33RPM Mofi Vinyl
A Lost Classic: Ravi Shankar And George Harrison's Shankar Family & Friends Weds Eastern And Western Music Sourced From The Original Master Tapes And Limited To 3,000 Numbered Copies: Mobile Fidelity's 180G Vinyl Lp Of 1974 Album Features Remarkable Airiness And Aura 1/4" / 15 IPS analog master to DSD 256 to analog console to lathe
Ray Charles – Genius + Soul = Jazz 180g Analogue Productions Vinyl
"Genius + Soul = Jazz is a winner, now sounding better than ever. I like this reissue so much I'll probably not play my original again since it isn't in quite as nice condition. In fact, I'm not sure if I really need to even keep my original in the collection at this point given the quality of this reissue. And that is probably the best complement I can offer." — Mark Smotroff, Audiophile Review, May 17, 2021.
Ray Charles – Ray Charles – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
NOW IN STOCK
Ray Charles’ self-titled 1957 album was one of the first handful of LPs issued by Atlantic (and was later retitled Hallelujah I Love Her So). As AllMusic reviewer Bruce Elder notes, the album is weighted about three to one in favor of Charles’ own compositions, with the hits “Hallelujah I Love Her So” and the pounding, soaring “Ain’t That Love,” which opens the LP, its raison d’etre.
