The Jam – Snap! 180G – Double LP Gatefold Edition Vinyl LP

£42.50
Mod revival in full analogue force—sharp rhythms, raw energy, and timeless British attitude. Experience the iconic sound of The Jam with Snap! double LP gatefold edition vinyl. Featuring explosive dynamics, crisp guitar work, and rich analogue warmth, this definitive collection is essential for fans of classic British rock and high-fidelity vinyl playback.

The Jimi Hendrix Experience – Axis: Bold As Love (Mono Version) – Analogue Productions UHQR 200G 45RPM Vinyl

£199.95

Now in stock

Double LP cut at 45 RPM
The pinnacle of high-quality vinyl — the Ultra High Quality Record (UHQR™)
Definitive handmade limited run reissue of Jimi Hendrix Axis: Bold As Love Remastered by Bernie Grundman from the original master tapes Mono release limited to 2,500 copies Pressed at Quality Record Pressings using Clarity Vinyl® Purest possible pressing and most visually stunning presentation and packaging! Includes 16-page booklet with recording session info and an essay written by Brad Tolinski, former editor of Guitar World Magazine

The Jimi Hendrix Experience – Axis: Bold As Love (Stereo Version) – Analogue Productions UHQR 200G 45RPM Vinyl

£199.95

Now in stock

Double LP cut at 45 RPM
The pinnacle of high-quality vinyl — the Ultra High Quality Record (UHQR™)
Definitive handmade limited run reissue of Jimi Hendrix Axis: Bold As Love Remastered by Bernie Grundman from the original master tapes Stereo release limited to 4,500 copies Pressed at Quality Record Pressings using Clarity Vinyl® Purest possible pressing and most visually stunning presentation and packaging! Includes 16-page booklet with recording session info and an essay written by Brad Tolinski, former editor of Guitar World Magazine

The Monkees – Good Times! (Rhino Reserve Audiophile Series) 180G Vinyl LP

£47.00
Due: End of June, Pre-Order Now!
Sunshine pop meets audiophile refinement—warm harmonies, rich textures, and analogue nostalgia at its finest. 2026 marks the 10th anniversary of The Monkees’ album, Good Times! Originally recorded to commemorate the band’s 50th anniversary, the album was produced by Fountains of Wayne co-founder Adam Schlesinger and featured new recordings from Monkees members Micky Dolenz, Michael Nesmith & Peter Tork.  

The Ornette Coleman Double Quartet: Free Jazz Speakers Corner 180g Vinyl

£35.00
The term 'free jazz' was already in existence – but it had a quite different meaning, namely jazz without paying for an entrance ticket. The album "Free Jazz", however, was intended to lend its name to a quite different style of jazz. 'Free' playing – now this meant that no one was bound to conventions, you could let your imagination run loose. Free jazz gave one the chance to find new rules for every new composition. And it was to be the greatest boost to innovation in the world of jazz. Ornette Coleman’s album from December 1960 stands at the beginning of the free jazz era like a massive portal.

The Oscar Peterson Trio – West Side Story – Verve 200g 45 RPM Vinyl

£75.00
One of the first Broadway musical scores to be overtly jazz-influenced was Leonard Bernstein’s West Side Story, a tale of rival street gangs in the inner city. In 1962, pianist Oscar Peterson put his light-swing signature on the already popular score, making it, in the words of one critic, “a delight to hear again” and earning him a Grammy nomination.
Originally released in 1962

The Police – Greatest Hits – 2LP Vinyl Record

£43.50
New wave perfection on vinyl—crystal-clear production, dynamic energy, and timeless musical chemistry. Experience the iconic sound of The Police with Greatest Hits on 2LP vinyl. Featuring superb musicianship, rich analogue warmth, and exceptional detail retrieval, this definitive collection is essential for classic rock fans and discerning audiophiles alike.

The Police – Synchronicity Vinyl LP

£36.95
The Police – Synchronicity – Classic 1983 Album on Vinyl LP
A clean and engaging vinyl edition of The Police’s standout 1983 album. The record’s key tracks shine with warm, detailed analogue presence throughout. A must-have title for fans of the band’s polished, late-era sound.

The Rolling Stones – It’s Only Rock ‘N’ Roll – 180G Half Speed Mastered Vinyl LP

£23.95
Bigger Grooves, Harder Hit — The Stones Cut Loud, Half Speed Mastered
It’s Only Rock ‘n Roll finds The Rolling Stones sounding loose, confident and unmistakably themselves. Packed with swagger, grit and sharp hooks, the album balances hard-edged rockers with soulful grooves. This 180g Half Speed Mastered vinyl pressing delivers greater immediacy, punch and dynamic scale than standard editions. Drums hit harder, guitars bite cleaner, and vocals cut through with authority. A high-impact audiophile pressing of a classic Stones album.

The Stooges Fun House – MOFI 2 x180g 45RPM Vinyl LP

£73.00
Available to Pre-Order.
The Stooges Make the Ultimate Rock ‘n’ Roll Statement on Fun House: Primal Punk-Jazz Landmark Is Ranked the 94th Greatest Album of All Time by Rolling Stone
Experience the Band’s 1970 Effort in Definitive Sound on Vinyl: Mobile Fidelity’s Numbered-Edition 180g 45RPM 2LP Set Explodes with Energy, Immediacy, and Force
1/4” / 15 IPS Dolby A analog master to DSD 256 to analog console to lathe
“Do you feel it?” Iggy Pop asks on “Dirt.” The answer is patently obvious for anyone who encounters the Stooges’ Fun House.

The Temptations – Cloud Nine – Mofi 180g 45RPM 2LP Vinyl Records

£75.00
IN STOCK
The Temptations Get High on Psychedelic Soul: Cloud Nine Soars with Ambitious Arrangements and Production, Features Standout Vocal Performances and Instrumentation by the Funk Brothers Experience Motown’s First Grammy-Winning Album in Audiophile Sound: Strictly Limited to 3,000 Numbered Copies, Mobile Fidelity’s 180g 45RPM 2LP Reissue of 1969 Effort Plays with Remarkable Clarity, Separation, and Openness ¼” / 15 IPS analog master to DSD 256 to analog console to lathe

The Thelonious Monk Quartet ‎– Straight No Chaser 180g Audiophile Vinyl

£75.00
180-GRAM 33RPM 2LP SET This mid-period masterwork from jazz piano’s most uncommon voice find Monk and his quartet ( Charlie Rouse on tenor, Ben Riley on drums and Larry Gales on bass) exploring every texture, tone and melodic turn of seven expansive tracks. This group was subtle, mature and confident, easily supporting Monk’s more idiosyncratic side-tracks (check out the solo on “Locomotive” or the restless exposition on “Japanese Folk Song”) while allowing listeners freedom to move through or contemplate all the sublime subtexts Monk conjures from the endless well of his inspiration.