The Doors – The Soft Parade 180g 45RPM 2 LP Analogue Productions Vinyl

£85.00
A 2014 Stereophile 'Record To Die For' Mastered by Doug Sax and overseen by Bruce Botnick, The Doors producer/engineer. Two 45 rpm LPs pressed on 180-gram vinyl at Quality Record Pressings Part of The Doors reissue series proudly presented by Analogue Productions and Quality Record Pressings! About Soft Parade, Rolling Stone described two songs written by guitarist Robby Krieger, ā€œTouch Meā€ and ā€œFollow Me Downā€ as horn-string showpieces for the resonant baritone of Jim Morrison.

Elvis Presley – Elvis is Back 45RPM, 200g 2 LP Analogue Productions Vinyl

£75.00
Elvis Presley Elvis Is Back!Ā 200-gram 45 RPM double LP set Mastered from the original analog tapes by George Marino at Sterling Sound 1960 studio album is Presley's best full-length effort "...His voice was in superb form, he was backed by the most sympathetic line-up in his career - including Scotty Moore, the Jordanaires, Hank Garland and DJ Fontana - and the repertoire included 'Fever,' 'The Girl Of My Best Friend,' 'Reconsider Baby,' 'Such A Night.'" Sound Quality = 95% out of 100% - Ken Kessler, Hi-Fi News, December 2010

Prokofiev: Alexander Nevsky – Lieutenant KijĆ© Suite – Reference Recordings HDCD

£29.95
Utah Symphony Thierry Fischer, music director
ALISA KOLOSOVA, MEZZO-SOPRANO Utah Symphony Chorus University of Utah A Cappella Choir University of Utah Chamber Choir Barlow Bradford, Director

Tchaikovsky: Symphony No. 4 & Leshnoff – Reference Recordings HDCD

£29.95
Tchaikovsky: Symphony No. 4 & Leshnoff: Double Concerto for Clarinet and Bassoon Pittsburgh Symphony Orchestra Manfred Honeck, Music Director
Manfred Honeck and the Pittsburgh Symphony Orchestra Score Again!
Reference RecordingsĀ® proudly presents Tchaikovsky’s Symphony No. 4 in an exquisite interpretation from Manfred Honeck and the Pittsburgh Symphony Orchestra. It is coupled with a World Premiere recording of leading American composer Jonathan Leshnoff’s Double Concerto for Clarinet and Bassoon, featuring the extraordinary talents of the Pittsburgh Symphony’s own Principal Clarinet Michael Rusinek and Principal Bassoon Nancy Goeres. This hybrid SACD release was recorded in beautiful and historic Heinz Hall, home of the Pittsburgh Symphony Orchestra, in superb audiophile sound.

Run DMC – Raising Hell – Limited Edition Mofi Hybrid Stereo SACD

£42.00
Now in stock
Among the Most Influential, Inventive, Invigorating Records Ever Released: Run-D.M.C.’s Raising Hell Brought Hip-Hop to the Mainstream, Includes Crossover Smash ā€œWalk This Wayā€
Mastered from the Original Master Tapes and Strictly Limited to 2,000 Numbered Copies: Mobile Fidelity Hybrid SACD Dramatically Heightens Rick Rubin's Pioneering Production

Run DMC – Raising Hell – Mobile Fidelity 180g SuperVinyl

£85.00
NOW AVAILABLE - LIMITED EDITION SUPERVINYL
Among the Most Influential, Inventive, Invigorating Records Ever Released: Run-D.M.C.’s Raising Hell Brought Hip-Hop to the Mainstream, Includes Crossover Smash ā€œWalk This Wayā€

‘Chasing the Dragon’ – Master Tape Copy – Reel to Reel

£450.00
Master Quality Double Reel To Reel Tape! Exceptional Audiophile Sound as close to the Original Master Reference Quality as possible!

Pink Floyd – Wish You Were Here Hybrid SACD

£55.00
Easily The Biggest SACD Title in The Analogue Productions Catalog! A multitrack masterpiece. Mixed for 5.1 surround sound and stereo from the original analog master tapes by Pink Floyd Producer/Engineer James Guthrie "Back in the quad era, if any band actually delivered worthwhile use of the enveloping experience surround sound offered, it was Pink Floyd. With SACD, we can now have it in true, discrete form, instead of messing about with barely workable quadraphonic vinyl, and while this isn't the first time it's been reissued in a multichannel digital format, this is the best-sounding version I have ever heard. 'Welcome To The Machine' is so massive that I had to switch off the subwoofer and listen in 5.0 for fear of destabilizing the recent underpinning to our home. Along with Dark Side Of The Moon, this is one of the band's most potent releases, presented here with respect." — Sound Quality: 90% — Ken Kessler, Hi Fi News, May 201940

Natalie Merchant – Tigerlily – 2 x 45RPM 180g Mobile Fidelity Vinyl

£81.00
True to its title, Tigerlily balance fierceness and delicacy, creating a rare span of emotional territory. Listening to Tigerlily, a distinct songwriter's voice emerges, one which possesses strength and vulnerability. The lyrics are personal, the arrangements stark and sparse. Tigerlily was engineered by John Holbrook, who has worked with The Band, Peter Tosh, and the Isley Brothers.

The Ultimate Analogue Test LP – Analogue Productions 180g Vinyl

£55.00
"Back in the golden age of vinyl there were many different test LPs available - all rather similar to one another. Analogue Productions decided to create a modern test disc that hasn't been done before, and have succeeded. It specifically addresses the turntable, cartridge and stylus." - John Sunier, Audiophile Audition, February 21, 2010 "The disc is indispensable for anyone who is dedicated to the most accurate adjustment of his LP playback system and thus the best sound." - Harry Pearson, The Absolute Sound Editor

Hall and Oates – H2O 180g Mofi Vinyl

£55.00

1982 Multi-Platinum Smash Both Creatively Ambitious and Commercially Successful

Hall and Oates’ biggest-selling album also stands as their most ambitious. Recorded in 1982, when the duo practically owned the pop market, H20 strikes a keen equilibrium between polish, melody, muscle, and craft. The vocalists expand the emotional reach of their songwriting, and shepherd meticulous production and measured arrangements toward thrilling intersections of blue-eyed soul, edge new wave, soft rock, and dance. Staked to two giant singles, the double-platinum affair lingers as the group’s last masterwork.

The Cars – Shake It Up 180g Mofi Vinyl

£49.95

Numbered Edition 180-gram LP Sourced from Original Master Tapes

A return to form after the departure that was 1980’s muddled Panorama, the Cars’ Shake It Up bursts forth with a rich assembly of synthesizers, drum machines, electronic blips, and catchy melodies that make it an early 80s pop staple. Known the world over, the famous title track proves the band’s arrangement skills were in perfect shape and set the stage for a record overflowing with memorable hooks and complementary rock riffs.