Nagra 70th Year Anniversary Audiophile Collection Album

£99.00
IN STOCK! ORDER NOW. ESSENTIAL ANALOGUE JAZZ RECORDINGS!
Various Artists 2 x 45RPM 200 Gram Vinyl Record
Nagra 70th Year Anniversary Collection Album. 200-gram 45 RPM double LP
Cut by Bernie Grundman AAA all-analog from the master tapes. Plated by Master Craft and pressed at Le Vinylist Quebec

Natalie Merchant – Tigerlily – 2 x 45RPM 180g Mobile Fidelity Vinyl

£81.00
True to its title, Tigerlily balance fierceness and delicacy, creating a rare span of emotional territory. Listening to Tigerlily, a distinct songwriter's voice emerges, one which possesses strength and vulnerability. The lyrics are personal, the arrangements stark and sparse. Tigerlily was engineered by John Holbrook, who has worked with The Band, Peter Tosh, and the Isley Brothers.

New York Dolls – New York Dolls – 180g 45RPM Mofi Vinyl 2 LP

£75.00
Landmark Debut Established Punk and Glam Foundations: New York Dolls Explodes with Raucous, Swaggering Rock ā€˜n’ Roll, Includes ā€œPersonality Crisisā€ and ā€œTrashā€
Hear the 1973 Record Rolling Stone Named the 301st Greatest Album of All Time in Audiophile Sound for the First Time: Mobile Fidelity’s 180g 45RPM 2LP Set Reveals Brilliance of Todd Rundgren’s Production
1/4ā€ / 15 IPS Dolby A analog master to DSD 256 to analog console to lathe

Nina Simone – In Concert (Philips Acoustic Sounds) 180g Vinyl LP

£39.95
"Mississippi Goddam" staked out Nina Simone's support of the Civil Rights movement when this album debuted in 1964, helping make it probably the most personal album that Simone issued during her stay on Philips during the decade. Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve's Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.

Norah Jones – Come Away With Me – Gatefold Vinyl Record

£32.95
Norah Jones – Come Away With Me Vinyl LP: Intimate, Elegant, and Pressed for Analogue Purity
Released in 2002 on Blue Note, Come Away With Me introduced Norah Jones as a genre‑blurring force—merging jazz sensibility with folk, soul, and pop influences. Ā The album features standout tracks such as Don’t Know Why, Cold, Cold Heart, and the title track Come Away With Me.

This vinyl pressing brings out the subtleties of the production—warm mid‑tones, transparent vocals, and a lush acoustic soundstage—ideal for high‑fidelity listening. The combination of Norah’s expressive voice, intimate piano work and layered instrumentation creates an immersive experience that rewards close listening.

For anyone seeking an album that blends musical elegance with sonic refinement, this pressing of Come Away With Me is a must‑have—timeless in both content and delivery.

Opeth – Watershed (Silver/Black Marble Vinyl) – 2LP Gatefold Vinyl Record

£36.50
ā€œA striking 2LP silver/black marble edition of Opeth’s Watershed — rich dynamics, atmospheric detail and a standout gatefold presentation.ā€
A premium 2LP silver/black marble edition of Opeth’s 2008 classic. Dynamic, detailed and confidently presented, with key tracks like ā€œHeir Apparentā€ and ā€œBurden.ā€ A striking, collector-friendly pressing.

Orb – Orb’s Adventures Beyond the Ultraworld – 140G 2LP Vinyl Record

£38.50
ā€œA spacious 140g 2LP edition of The Orb’s ambient-house landmark — expansive soundscapes, deep texture and immersive analogue flow.ā€
A clean 140g 2LP pressing of the Orb’s ambient-house classic. Features ā€œLittle Fluffy Clouds,ā€ ā€œPerpetual Dawn,ā€ and more, with a spacious analogue presentation that suits its atmospheric depth. A strong choice for electronic collectors.

Ornette Coleman – Ornette! – Speakers Corner 180g Vinyl LP

£35.00
Ornette Coleman, who died in June 2015 from cardiac arrest, must be counted as one of the most influential musicians in the jazz genre. His importance does not only lie in his ground-breaking recordings in the late Fifties and early Sixties, but lies more significantly in the educational effect of his work – in the fact that he always went beyond himself to the very end.

Ornette Coleman – Ornette on Tenor – Vinyl LP

£9.99
Ornette Coleman – Ornette on Tenor Vinyl LP: Free Jazz, Fully Unleashed in Analogue Form
Bold, boundary-breaking, and brimming with energy, Ornette on Tenor captures the legendary saxophonist in full creative flight. Shifting from alto to tenor sax, Coleman explores deeper tones and freer forms with his classic quartet. Pressed on vinyl for rich texture and dynamic impact, this is essential listening for adventurous audiophiles and jazz purists alike.

Oscar Peterson Trio with Milt Jackson – Very Tall – Verve Records 180g Vinyl

£39.95
Scott Yanow of AllMusic says in his 4-Star review of Very Tall: ā€œThis first matchup on records between pianist Oscar Peterson and vibraphonist Milt Jackson was so logical that it is surprising it did not occur five years earlier. Originally recorded for Verve and three decades later reissued on this audiophile CD by Mobile Fidelity, the quartet set (which also includes bassist Ray Brown and drummer Ed Thigpen) swings as hard as one might expect. Highlights include ā€˜On Green Dolphin Street,’ ā€˜The Work Song,’ ā€˜John Brown’s Body’ (a jam on ā€˜Battle Hymn of the Republic’) and ā€˜Reunion Blues.’ Fortunately O.P. and Bags would meet up on records many times in the future (particularly during their Pablo years) but this first effort is a particularly strong set.ā€

Otis Redding – The Dock Of The Bay – Analogue Productions Atlantic 75 Series Hybrid Stereo SACD

£45.00
The guts of the story are this: While on tour with the Bar-Kays in August 1967, Otis Redding’s popularity was rising, and he was inundated with fans at his hotel in downtown San Francisco. Looking for a retreat, he accepted rock concert impresario Bill Graham’s offer to stay at his houseboat at Waldo Point in Sausalito, California. Inspired, Redding started writing the lines, ā€œSittin’ in the morning sun, I’ll be sittin’ when the evening comesā€ and the first verse of a song, under the abbreviated title ā€œDock of the Bay.ā€