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DS Audio DS-E3 Optical Cartridge and Phono Amplifier
- ALL DS Audio cartridge systems have their own phono amplifier so there is no need for you to use your existing one.
- "Truly beyond price. The DS-E3 is a revolutionary technology in historic record reproduction."
- Ikuo Tsunoda, Audio Critic
- Latest review from Ken Kessler here
Frank Sinatra – Sing and Dance With Frank Sinatra 1STEP Numbered Limited Edition Impex 180g 45rpm 2LP Mono Vinyl
Now in stock
We are beyond thrilled to announce the release of a very special limited edition of Frank Sinatra’s historic Sing and Dance with Frank Sinatra on Impex 1STEP! Our all-analog 2-LP set adds further narrative substance and sonic greatness to The Voice’s first big-band jazz long-play vinyl “concept” album! Our 33.3 release was a landmark reissue, but this is a whole other level!
Salvatore Accardo – THE BEST OF VIOLIN – Master Music XRCD24
Beautiful Live Recordings On XRCD24! Introducing the second MMXR series of 2021. Said to be the best album and culmination of master Salvatore Accardo, this set includes the most beautiful recordings of violin concertos, solo violin, violin and piano, and quartet. The performances were recorded live at famous Italian theaters, such as Rome and Cremona.
Judee Sill “Heart Food” – Intervention Records 180g Vinyl
The Flying Burrito Bros “The Gilded Palace of Sin” – Intervention Records 180g Vinyl
Is this the album that made country cool? Former Byrds Gram Parsons and Chris Hillman picked up where they left off with Sweetheart of the Rodeo with this stunning masterpiece of a debut album by The Flying Burrito Bros. While Parsons had already pushed rock in a country direction during his brief stint with The Byrds and The International Submarine Band, The Gilded Palace of Sin is why the Burritos are widely viewed as the inventors of country rock. Indeed with this album, Hillman and Parsons carved a substantial place in music history as one of the most influential albums and bands of all time.
Peter Frampton “Frampton’s Camel” – Intervention Records 180g Vinyl
A showcase for Peter Frampton’s growth as a songwriter and guitar player, Frampton’s Camel is named after his touring band, honoring the groove this collective had reached in 1973.
Prominently featuring Mick Gallagher’s superlative keyboards, the hard-rocking hooks and catchy melodies here lay the foundation for the superstardom that would come just a couple albums and tours later with Frampton Comes Alive.
Camel includes the smash hits “Lines On My Face,” “Don’t Fade Away” and a majestic cover of Stevie Wonder’s “I Believe (When I Fall In Love With You It Will Be Forever).”
Steely Dan – Aja – Analogue Productions Hybrid Stereo SACD
A record by Elvis, produced in Tennessee. What’s so special about that? Surely everyone knows that the King sobbed his early songs into the local radio microphones. But From Elvis in Memphis is far more than just one of around 40 albums which he produced during the course of 35 years. “This marks what is probably the most impressive comeback in the entire history of pop music,” enthused the normally reticent New York Times.
Audio Origami – PuraMat Record Platter Mat
The Audio Origami PuraMat is an excellent and affordable upgrade to rubber and felt platter-mats found on entry to mid-level turntables.
If your turntable has a metal or glass platter or a rubber or felt platter mat, upgrading to a PuraMat will improve your mid-range, tighten up your bass and deliver a fuller, more focused sound.
It also helps decrease the amount of static electricity that transfers from your platter to your record.
Johnny Cash – At Folsom Prison – Mofi SACD
IN STOCK NOW!
The 1968 Album On Which Johnny Cash Became A Legend: At Folsom Prison Among The Most Important And Potent Statements Of The 20Th Century
Mastered on MoFi’s Mastering System and Strictly Limited to 3,000 Numbered Copies: Mobile Fidelity's SACD Set Plays with Arresting Immediacy, Spaciousness, and Directness
Johnny Cash already knew his way around Folsom Prison when he and his band stepped inside the institution’s forbidding walls on the morning of January 13, 1968 to record At Folsom Prison. He’d played there two years prior. But this time was different.
