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MCRU Audiophile Grounding Cable
If you are suffering from hum or buzz in your system or just need a simple grounding cable we have available our standard design with spade connectors each end and a ferrite ring fitted to stop the cable acting as an aerial (RFI)
Standard length is 0.5 metres, longer lengths can be ordered using the drop down menu.
Train – Drops of Jupiter – Mofi SACD
Triple-Platinum Train Album Awarded Two Grammy Awards: Drops Of Jupiter Contains The Hits "Drops Of Jupiter (Tell Me)" And "She's On Fire"
Sourced From The Original Master Tapes And Strictly Limited To 2,000 Numbered Copies: Hybrid Sacd Plays With Openness, Airiness, And Smoothness
New Release SACD Very Limited, Only 2,000 Numbered Copies!
There's definitely nothing wrong with echoing classic rock and harmonic pop sounds, especially when it's done this well. Drops of Jupiter, Train's two-time Grammy-winning 2001 album, revels in sweeping hooks and soulful comfort borrowed from proven 70s methods. Remarks of jealous critics aside, the approach resonated with the public and made Train a ubiquitous presence of mainstream radio, a status the group still enjoys.
Miles Davis – A Tribute to Jack Johnson – 180g 33RPM Mofi SuperVinyl
IN STOCK NOW!
The “Greatest Rock And Roll Band You Have Ever Heard”: Miles Davis, John Mclaughlin, And Co. Merge Electric Fusion And Defiant Rock On The Funky, Freeing A Tribute To Jack Johnson
Sourced From The Original Analog Master Tapes: Mobile Fidelity’s Numbered-Edition 180G Supervinyl Lp Presents 1971 Landmark In Exuberant, Full-Range Sound
Miles Davis' A Tribute to Jack Johnson is the best jazz-rock record ever made. Equally inspired by the leader's desire to assemble the "greatest rock and roll band you have ever heard,” his adoration of Johnson, and Black Power politics, Davis created a hard-hitting set that surges with excitement, intensity, majesty, and power. Bridging the electric fusion he'd pursued on earlier efforts with a funkier, dirtier rhythmic approach, Davis zeroes in on concepts of spontaneity, freedom, and identity seldom achieved in the studio — and just as infrequently accepted by the mainstream.
Genesis – Foxtrot – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
Genesis – Nursery Cryme – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
Genesis’ album Nursery Cryme, released in November 1971, marked a significant moment in the band’s evolution and showcased the burgeoning talents of their new drummer and vocalist, Phil Collins, plus guitarist Steve Hackett.
Nursery Cryme saw the band take a more aggressive direction of some songs, with substantially improved drumming. The opening piece, “The Musical Box” combined the band’s trademark mix of twelve-string guitars with harsh electric guitars and keyboards. The song, a macabre fairy story set in Victorian Britain, became the inspiration for the album cover, and went on to be a live favorite.
Stone Temple Pilots – Core – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
IN STOCK
Stone Temple Pilots roared on to the scene in 1992 with their raucous debut Core. A breakout success, the album peaked at No. 3 on the Billboard 200 chart, dominated radio waves with hits like “Sex Type Thing” and “Wicked Garden,” and has been certified 8x platinum by the RIAA. The band also took home the 1994 Grammy Award for Best Hard Rock Performance for their smash single “Plush.”
John Coltrane – My Favorite Things – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
IN STOCK
John Coltrane’s landmark 1961 jazz album My Favorite Things was born of the same recording sessions that yielded a majority of the albums Coltrane Plays the Blues(1962), Coltrane’s Sound (1964), and Coltrane Legacy. That My Favorite Things was recorded in less than three days was in itself, remarkable.
Matchbox Twenty – Yourself Or Someone Like You – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
IN STORE NOW!
Described by AllMusic as the standard-bearer for post-alternative rock 'n' roll because of its '90s production dynamics, while still holding true to its classic rock core, Yourself or Someone Like You — the debut album from Matchbox Twenty — features sturdy songs and fairly strong hooks, all delivered forcefully with lead singer-songwriter Rob Thomas's distinctive bravado.
Critical Mass Systems Center Stage LS 2.25 Loudspeaker Foot
Feet are priced individually
THE ULTIMATE ENHANCEMENT
The Center Stage “LS” Series loudspeaker foot, a breakthrough loudspeaker resonance mitigation system, is the culmination of several years of experimentation developed from our groundbreaking Center Stage footer technology. I can say with high confidence that no matter how good your system is, the Center Stage “LS” Series loudspeaker foot will add a new dimension to your listening experience. In systems already using Center Stage, the addition of Center Stage “LS” Series feet nets a remarkable improvement. Center Stage can make any system sound better top to bottom and the addition of Center Stage “LS” Series loudspeaker feet can be breathtaking. The better the system, the better the results.
Feet are priced individually
Otis Redding – The Dock Of The Bay – Analogue Productions Atlantic 75 Series Hybrid Stereo SACD
The guts of the story are this: While on tour with the Bar-Kays in August 1967, Otis Redding’s popularity was rising, and he was inundated with fans at his hotel in downtown San Francisco. Looking for a retreat, he accepted rock concert impresario Bill Graham’s offer to stay at his houseboat at Waldo Point in Sausalito, California. Inspired, Redding started writing the lines, “Sittin’ in the morning sun, I’ll be sittin’ when the evening comes” and the first verse of a song, under the abbreviated title “Dock of the Bay.”
Ray Charles – Ray Charles – Analogue Productions Atlantic 75 Series Hybrid Mono SACD
Ray Charles’ self-titled 1957 album was one of the first handful of albums issued by Atlantic (and was later retitled Hallelujah I Love Her So). As AllMusic reviewer Bruce Elder notes, the album is weighted about three to one in favor of Charles’ own compositions, with the hits “Hallelujah I Love Her So” and the pounding, soaring “Ain’t That Love,” which opens the record, its raison d’etre.
