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Gregg Allman – Midnight Rider / These Days – Analogue Productions 45 rpm Vinyl Single
Otis Redding – The Dock Of The Bay – Analogue Productions Atlantic 75 Series Hybrid Stereo SACD
The guts of the story are this: While on tour with the Bar-Kays in August 1967, Otis Redding’s popularity was rising, and he was inundated with fans at his hotel in downtown San Francisco. Looking for a retreat, he accepted rock concert impresario Bill Graham’s offer to stay at his houseboat at Waldo Point in Sausalito, California. Inspired, Redding started writing the lines, “Sittin’ in the morning sun, I’ll be sittin’ when the evening comes” and the first verse of a song, under the abbreviated title “Dock of the Bay.”
Ray Charles – Ray Charles – Analogue Productions Atlantic 75 Series Hybrid Mono SACD
Ray Charles’ self-titled 1957 album was one of the first handful of albums issued by Atlantic (and was later retitled Hallelujah I Love Her So). As AllMusic reviewer Bruce Elder notes, the album is weighted about three to one in favor of Charles’ own compositions, with the hits “Hallelujah I Love Her So” and the pounding, soaring “Ain’t That Love,” which opens the record, its raison d’etre.
Alice Cooper – Welcome To My Nightmare – Analogue Productions Atlantic 75 Series Hybrid Stereo SACD
Jazz Vocal Collection Vol. 3 XRCD24
Jazz Vocal Collection Vol. 4 XRCD24
Jazz Vocal Collection 2 XRCD24
Second Collection Of Audiophile Female Vocals On XRCD24!
This 12-song collection features audiophile female vocals by Jenny Evans, Andrea Zonn, Leslie Tucker, Anne Bisson, Yamina and Dave's True Story. Selections include "Sunshine Of Your Love, "Englishman In New York", "Icarus", "Wild Is The Wind" and more.
The sound source used for mastering is original digital master. Mastering uses JVC 24bit / 176.4kHz AD and digital k2. Converted directly at the manufacturing plant and finally K2 laser cutting.
John Prine – John Prine – Analogue Productions Atlantic 75 Series Hybrid Stereo SACD
All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound and cut at 45 RPM. Pressed at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.
