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Chasing The Dragon – Rimsky Korsakov – Scheherazade – CD
Chasing The Dragon – España – A Tribute To Spain – CD
Espana a Tribute to Spain – Rosie Middleton | Debbie Wisemman : National Symphony Orchestra Entitled ‘A Tribute To Spain’ the programme included two pieces from Bizet, concert performances with mezzo-soprano Rosie Middleton, together with Rimsky Korsakov’s Capriccio Espagnol and Chabrier’s Espana, these classical showpieces.
MCRU Audiophile XLR Cables Prototype
MCRU No.1 Digital Cable Prototype
MCRU Pinnacle Digital Cable 0.4 mtr
1 only 0.4 metres long cancelled order
The MCRU Pinnacle Digital Cable
As one of the UK's leading cable makers MCRU know a thing or two about what makes a good wire! We have heard 100's of different designs and our research and development is relentless in the quest to make the best sounding cables we can. The Pinnacle range is our idea of the best sounding cables based on 30+ years experience listening to music in the home. We use the best available materials in our search for the finest performance possible from your hi-fi system.
Ex-Demo MCRU NNC RCA Interconnects
Designed and manufactured in our Yorkshire workshops, the NNC (no name cable) range has now been extended with this new RCA interconnect. Made to our own design and featuring Furutech locking RCA connectors we have established a new benchmark in high end cabling, the popularity of the NNC mains lead has proven this.
Just listen and be amazed, we are!
1 ex-dem x 1 metre stereo pair
Eric Dolphy – At The Five Spot, Vol. 1 (Stereo) Analogue Productions 180 Gram Vinyl Record
Part of the ultimate audiophile Prestige stereo reissues from Analogue Productions — 25 of the most collectible, rarest, most audiophile-sounding Rudy Van Gelder recordings ever made. All cut at 33 1/3 and also released on Hybrid SACD
All mastered from the original analog master tapes by mastering maestro Kevin Gray. 180-gram LPs pressed at Acoustic Sounds' state-of-the-art pressing plant, Quality Record Pressings, plated by Gary Salstrom
Tip-on jackets on thick cardboard stock
First 250 LP copies of each title will be numbered editions and will only be available to series subscribers
Donald Byrd – Byrd Blows On Beacon Hill (Blue Note Tone Poet Series) 180g Vinyl
Recorded in 1956 for producer Tom Wilson’s Boston-based label Transition Records, Byrd Blows On Beacon Hill presented trumpeter Donald Byrd in a relaxed and intimate quartet setting with Doug Watkins on bass along with Boston area musicians Ray Santisi on piano and Jim Zitano on drums.
This mono Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe tip-on jacket with a booklet.
Wayne Shorter – Odyssey of Iska (Blue Note Tone Poet Series) 180g Vinyl
Wayne Shorter’s mesmerizing 1970 album Odyssey of Iska was the last release of the saxophonist’s early Blue Note period.
The album was a tribute to his daughter Iska which found Shorter continuing his own unique explorations into fusion having just left Miles Davis to form his band Weather Report.
This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe tip-on jacket.
Bobby Jaspar – Modern Jazz au Club St Germain – Barclay Records – 1956 180G Vinyl LP
After hitting Paris in 1950, saxophonist Bobby Jaspar enthralled jazz fans and jazzmen alike with his smooth, elegant playing, with the lyricism of his tranquil phrases heavily influenced by Stan Getz in particular. So when Jaspar began regularly performing with a small ensemble at the Club St-Germain five years later, he adopted the same instrumentation as that of his idol’s illustrious quintet, with Sacha Distel on guitar and René Urtreger on piano in the roles of Jimmy Raney and Al Haig, respectively.
Contrary to what its title might suggest, ‘Modern Jazz au Club St-Germain’ was actually recorded in the studio. It features compositions by Milt Jackson, Dizzy Gillespie and Miles Davis along with a handful of standards, in which the angular aridity of bebop gives way to the generous and yet sensitive idiom of cool jazz.
