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John Lee Hooker – Burning Hell (Bluesville/Acoustic Sounds Series) 180g Vinyl
NOW AVAILABLE
Burning Hell was recorded in 1959 in Detroit, MI, but wasn’t released until 1964. Even then, it was only available in the UK. This 180-gram vinyl pressing marks the first official single LP worldwide release the album has seen. Pressed at QRP as part of the Bluesville Records / Acoustic Sounds series, the album features Hooker solo as he plays originals and classics. AllMusic states that, on this album, “Hooker shows himself to be an excellent interpreter who could have held his own with Delta bluesmen of any era.”
Arthur Fiedler / Boston Pops Orchestra – Chopin: Les Sylphides / Prokofieff: Love For Three Oranges – Analogue Productions 200g Vinyl
Cyndi Lauper – True Colors – Mofi Vinyl
Grammy-Nominated Double-Platinum Set Includes Internationally Recognized Title Track Plus “What’s Going On” And “Change Of Heart”
Cyndi Lauper could’ve easily played up the independent wild-child pop persona she established on her breakthrough debut until the trend faded. Instead, on her superb sophomore effort, the charismatic artist opts for a more mature and creatively ambitious program, inviting big-name guests and pursuing deeper instrumental textures on a set that goes far beyond the well-known title track. True Colors is a vocal tour de force, an expressive statement on which Lauper showcases singing steeped in emotion, phrasing, and earnestness.
The Cars – Shake It Up 180g Mofi Vinyl
Numbered Edition 180-gram LP Sourced from Original Master Tapes
A return to form after the departure that was 1980’s muddled Panorama, the Cars’ Shake It Up bursts forth with a rich assembly of synthesizers, drum machines, electronic blips, and catchy melodies that make it an early 80s pop staple. Known the world over, the famous title track proves the band’s arrangement skills were in perfect shape and set the stage for a record overflowing with memorable hooks and complementary rock riffs.
IeGo Pure Copper IEC Connector
- Very good grip force
- Furukawa 99,99 % pure copper contacts
- Also available in a gold, silver or Rhodium plated version
- Cryogenically treated
- Special Japanese PVC housing
- Wire entry up to 6 mm² / 10 AWG
- Cable entry up to 17 mm / 0.7"
- Diameter body 38 mm / 1.5", total length 72 mm / 2.8"
- Available in a black or transparent version
Foreigner Head Games – Mofi Records 180g Vinyl LP
Half-speed mastered from the original master tapes, Mobile Fidelity’s collectible audiophile edition of this longtime favorite classic-rock staple bursts with tremendous dynamics, soaring vocal timbres, punchy dynamics, and newfound instrumental separation. With more emphasis placed on Mick Jones’ guitar riffs and meatier grooves, you may just find yourself investing in a new power amp to get every last degree of detail that’s been uncovered! Longtime fans will be thrilled to hear the subtle nuances now fully discernible amidst a gargantuan soundstage.
Eric Dolphy – At The Five Spot, Vol. 1 (Stereo) Analogue Productions 180 Gram Vinyl Record
Part of the ultimate audiophile Prestige stereo reissues from Analogue Productions — 25 of the most collectible, rarest, most audiophile-sounding Rudy Van Gelder recordings ever made. All cut at 33 1/3 and also released on Hybrid SACD
All mastered from the original analog master tapes by mastering maestro Kevin Gray. 180-gram LPs pressed at Acoustic Sounds' state-of-the-art pressing plant, Quality Record Pressings, plated by Gary Salstrom
Tip-on jackets on thick cardboard stock
First 250 LP copies of each title will be numbered editions and will only be available to series subscribers
Pharoah Sanders – Live – Theresa Records 180 Vinyl 2 LP Gatefold Sleeve
This album features Pharoah Sanders playing some no-nonsense tenor in a quartet with pianist John Hicks, bassist Walter Booker, and drummer Idris Muhammad. Sanders performs “It’s Easy to Remember” (in a style very reminiscent of early-’60s John Coltrane), an original blues, and two of his compositions, including the passionate “You’ve Got to Have Freedom.”
The musicianship is at a high level and, although Sanders does not shriek as much as one might hope (the Trane-ish influence was particularly strong during this relatively mellow period), he is in fine form. Review by Scott Yanow/AMG
