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Analogue Productions UHQR Vinyl Complete Set

  • 1. The Jimi Hendrix Experience - Axis Bold As Love Stereo
  • 2. The Jimi Hendrix Experience - Axis Bold As Love Momo
  • 3. Jethro Tull - Aqualung
  • 4. Miles Davis - Kind Of Blue 33rpm
  • 5. Miles Davis = Kind Of Blue 45rpm
  • 6. The Jimi Hendrix Experience - Are You Experienced
  • 7. Bob Marley + The Wailers - Rastaman Vibration
  • 8. Bob Marley + The Wailers - Exodus
  • 9. John Coltrane - A Love Supreme
  • 10. John Coltrane - Ballads
  • 11. Steely Dan - Aja
  • 12. Steely Dab - Can't Buy A Thrill
  • 13. Steely Dan - Countdown To Ecstacy
  • 14. Steely Dan - Pretzel Logic
  • 15. Steely Dan - Gaucho
  • 16. The White Stripes - Elephant
All brand new and sealed

Arnett Cobb – Ballads By Cobb – Analogue Productions 180g Stereo Vinyl

Originally released in November 1960, Ballads by Cobb, as its title suggests, is all slow ballads, putting the emphasis on the Texas tenor’s warm tone.
A Texas tenor player in the tradition of Illinois Jacquet, Arnett Cobb’s accessible playing was between swing and early rhythm & blues. His stomping, robust style earned him the title “Wild Man of the Tenor Sax.”

Art Blakey & The Jazz Messengers – First Flight To Tokyo: The Lost 1961 Recordings – Analogue Productions 180g Vinyl

A previously unreleased live recording of drum legend Art Blakey with a classic line-up of the Jazz Messengers, featuring trumpeter Lee Morgan, tenor saxophonist Wayne Shorter, pianist Bobby Timmons, and bassist Jymie Merritt. It was captured on January 14, 1961, at Hibiya Public Hall in Tokyo during the band’s first-ever tour of Japan. Co-produced by Zev Feldman and David Weiss, the audio was newly transferred from the original 1/4″ tape reels.

Arthur Fiedler / Boston Pops Orchestra – Chopin: Les Sylphides / Prokofieff: Love For Three Oranges – Analogue Productions 200g Vinyl

Easily the most popular conductor of his era, Arthur Fiedler was classical music’s greatest ambassador since Mozart, and also one of those rare conductors whose records were not only successful, but serious profit centers, both for his orchestra and his record labels.

Benny Golson – Groovin’ with Golson (Stereo) – Analogue Productions 180g Vinyl

Benny Golson, who came to the attention of the jazz public with Tadd Dameron's band and Dizzy Gillespie's orchestra, was a member of the Jazztet — the group he had formed with Art Farmer — at the time of this recording. Farmer is not with him in this recording but another Jazztet-mate, trombonist Curtis Fuller, is. Although this session is not as structured as the three-horn efforts of the Jazztet, there is a balance between blowing and Golson's writing that makes for a felicitous blend, whether on Golson's own "My Blues House," Gene Krupa's old burner, "Drum/Boogie," or Jerome Kern's "Yesterdays." And with Art Blakey on drums things cook when they have to, and simmer at the right moments. With Curtis Fuller, Ray Bryant, Paul Chambers and Art Blakey.

Bill Evans Trio – Sunday At The Village Vanguard – 45 RPM 200G – Analogue Productions UHQR Clarity Vinyl

Available to Pre-Order
Pressed on Clarity Vinyl at Quality Record Pressings
Purest possible pressing and most visually stunning presentation and packaging!
Widely regarded as one of the greatest live jazz recordings of all time, Sunday At The Village Vanguard from the Bill Evans Trio, captures a remarkable performance by pianist Bill Evans, bassist Scott LaFaro, and drummer Paul Motian at the Village Vanguard jazz club in New York City on June 25, 1961.

Bill Evans Trio – Waltz For Debby – 45 RPM 200G – Analogue Productions UHQR Clarity Vinyl

Available to Pre-Order
Purest possible pressing and most visually stunning presentation and packaging! One of the most classic jazz albums and live recordings, a regular on most best-of jazz lists!
The fourth and final album by one of the most influential groups in jazz history, the Bill Evans Trio album Waltz For Debby was originally released in 1962 as a companion to Sunday At The Village Vanguard. It captures the mesmerizing and intimate live performances of Evans and his trio at the Village Vanguard in New York City. The album showcases Evans’ unique approach to jazz piano, characterized by delicate touch, introspective improvisation, and profound musicality.

Billie Holiday – All Or Nothing At All – Analogue Productions – 2 x 180g 45RPM Mono Vinyl

Mastered by George Marino at Sterling Sound
"...the third (Billie Holiday album) to receive the two-disc 45 RPM treatment by Analogue Productions. ... Billie sounds like she's at the microphone in your living room. The instruments are spread out between the speakers and there is plenty of depth. A pristine original has a bit more pronounced vocal sibilance and air, and this reissue smooths that out a bit. That aside, this is a fabulous reissue of essential music. Highest recommendation." — Recording = 9.5/10; Music = 10/10 — Dennis D. Davis, Hi-Fi +, Issue 95

Billie Holiday – Songs For Distingue Lovers – Analogue Productions 180g Stereo Vinyl

It is undeniable that Billie Holiday’s singing changed in her later years. Her voice darkened and shifted to a lower range. Her economy of means distilled her sound to its expressive essence — a kind of heightened speech. The classic LP Songs For Distingue Lovers has also deepened and become burnished with time. Maybe it’s that still-arresting word, “distingue”; maybe it’s that iconic, tinted image of Lady Day on the cover. But now that legendary LP, with the singer’s best studio work of the Fifties, is available through the Acoustic Sounds Series.

Charles Mingus – The Black Saint and The Sinner Lady – Vinyl

Analogue Productions 180gram, Heavy Vinyl Pressing
In January of 1963, bassist and composer Charles Mingus recorded a very personal and socially conscious work he titled The Black Saint & The Sinner Lady. Each composition, from the opening "Solo Dancer" to the closing "Group and Solo Dance" was a musical expression of Mingus' philosophy of life, love and the world around him.

Clark Terry, Freddie Hubbard, Dizzy Gillespie Plus Oscar Peterson – The Alternate Blues – Analogue Productions 180g Vinyl

For The Alternate Blues, producer Norman Granz set aside his rule against issuing what are variously called in the recording business outtakes, breakdowns, or alternate takes.

Coleman Hawkins – Coleman Hawkins and Confreres – Analogue Productions 200g 45 RPM Vinyl

Mastered by George Marino at Sterling Sound “…these are all truly classic Verve titles that you simply don’t want to miss…most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I’d definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen!” Winner of a 2012 Positive Feedback Online Writers’ Choice Award – Danny Kaey, Positive Feedback Online, November/December 2011