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Aaron Neville – Warm Your Heart – 180g 45RPM Analogue Productions Vinyl
Alexander Gibson – Witches’ Brew – Analogue Productions 180g Vinyl
We’ve taken this classic and given it the full Analogue Productions reissue treatment, featuring a remaster by Germany’s Willem Makkee from the original analog tapes, and plating and 180-gram pressing by Quality Record Pressings. Topping it off is a thick cardboard Stoughton Printing tip-on jacket.
If such music didn’t cast the right sort of spell, so many listeners wouldn’t be returning to it on so many occasions, somehow feeling constantly refreshed.
Amos Lee – Amos Lee – Analogue Productions 45RPM 180g Vinyl
Anatole Fistoulari – Walton: Facade/ Lecocq: Mamzelle Angot 200g Analogue Productions Vinyl
Undeniable transparency, snap, detail and body on cymbals, bells and woodblocks. The same virtues, along with the added virtue of harmonic richness extends into the midrange. Strings are sweet, diaphanous, transparent and a bit bright, without being irritating. Brass and woodwinds — which in this piece carry much of the thematic load — are particularly well reproduced.
Art Blakey & The Jazz Messengers – First Flight To Tokyo: The Lost 1961 Recordings – Analogue Productions 180g Vinyl
A previously unreleased live recording of drum legend Art Blakey with a classic line-up of the Jazz Messengers, featuring trumpeter Lee Morgan, tenor saxophonist Wayne Shorter, pianist Bobby Timmons, and bassist Jymie Merritt. It was captured on January 14, 1961, at Hibiya Public Hall in Tokyo during the band’s first-ever tour of Japan. Co-produced by Zev Feldman and David Weiss, the audio was newly transferred from the original 1/4″ tape reels.
Arthur Fiedler – Gershwin: An American In Paris – Rhapsody In Blue – 180 Gram Analogue Productions Vinyl
With Rhapsody in Blue, George Gershwin, a popular songwriter, established himself as a serious composer. His American in Paris tells the story of a trip through the streets and cafes of France. A first rate orchestra (The Boston Pops), a distinguished conductor (Arthur Fiedler), and a superb pianist (Earl Wild) combine to make this landmark recording something to be treasured.
Arthur Fielder – Offenbach: Gaite Parisienne – 200G Vinyl – Analogue Productions
Fiedler’s performance of Offenbach’s Gaite Parisienne combines delightfully lyrical music with spectacular sonics to create an unforgettable listening experience. The fabled acoustics of Boston’s Symphony Hall and the magnificent tonal hues of the Boston Pops are on full display on this fanciful and festive recording.
TAS Super LP List – The Absolut Sound
- Limited Edition
- 33rpm 200 Gram Audiophile Vinyl
- Cut from Original Analog Master Tapes
- Pressed at Quality Record Pressings QRP USA
- Lacquers plated by Gary Salstrom
- Mastered by Ryan K. Smith at Sterling Sound
- Deluxe “tip-on” Cover
Arthur Rubinstein – Highlights From Rubinstein at Carnegie Hall 200g Analogue Productions Vinyl
RCA Living Stereo classical LPs - the gold standard for top quality orchestral performance and sound!
Remastered from the original master tape and cut at 33 1/3 RPM by Ryan Smith at Sterling Sound
Lacquers plated by Gary Salstrom and pressed on 200-gram vinyl at Quality Record Pressings!
RCA Living Stereo Reissue Series No. 2 - 25 newly-remastered classical mainstays!
Audiophile Analog Collection Vol. 1 – 180g Vinyl
Audiophile quality microphone designer and 8 times winner of "Best sound in show" at high-end audio equipment conventions, Laflamme uses his knowledge and unfailing instinct to match various audio components to create the best all-encompassing sound experience. The exclusive 2xHD system is the fruit of Laflamme's total experience and imagination.
Ben Webster – The Soul Of Ben Webster Analogue Productions 180g 45RPM Vinyl
Ben Webster – Gentle Ben Analogue Productions 200g 45RPM Vinyl
“The soundstage is intimate and inviting, Webster’s horn beautifully captured with sweet, rich overtornes, the bass liquid, chugging, and textured, piano and drums easy and natural. As with each title, the music emerges from QRP’s beautifully flat and wonderfully silent surfaces with that much more “there-ness.” Sonics = 4/5; Music = 3.5/5 — Wayne Garcia, The Absolute Sound, January 2013
