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Alexander Gibson – Witches’ Brew – Analogue Productions 180g Vinyl
We’ve taken this classic and given it the full Analogue Productions reissue treatment, featuring a remaster by Germany’s Willem Makkee from the original analog tapes, and plating and 180-gram pressing by Quality Record Pressings. Topping it off is a thick cardboard Stoughton Printing tip-on jacket.
If such music didn’t cast the right sort of spell, so many listeners wouldn’t be returning to it on so many occasions, somehow feeling constantly refreshed.
Arnett Cobb – Ballads By Cobb – Analogue Productions 180g Stereo Vinyl
Originally released in November 1960, Ballads by Cobb, as its title suggests, is all slow ballads, putting the emphasis on the Texas tenor’s warm tone.
A Texas tenor player in the tradition of Illinois Jacquet, Arnett Cobb’s accessible playing was between swing and early rhythm & blues. His stomping, robust style earned him the title “Wild Man of the Tenor Sax.”
Arthur Fiedler / Boston Pops Orchestra – Chopin: Les Sylphides / Prokofieff: Love For Three Oranges – Analogue Productions 200g Vinyl
Bill Evans Trio – Sunday At The Village Vanguard – 45 RPM 200G – Analogue Productions UHQR Clarity Vinyl
NOW IN STOCK
Pressed on Clarity Vinyl at Quality Record Pressings
Purest possible pressing and most visually stunning presentation and packaging!
Widely regarded as one of the greatest live jazz recordings of all time, Sunday At The Village Vanguard from the Bill Evans Trio, captures a remarkable performance by pianist Bill Evans, bassist Scott LaFaro, and drummer Paul Motian at the Village Vanguard jazz club in New York City on June 25, 1961.
Bill Evans Trio – Waltz For Debby – 45 RPM 200G – Analogue Productions UHQR Clarity Vinyl
IN STOCK NOW
Purest possible pressing and most visually stunning presentation and packaging! One of the most classic jazz albums and live recordings, a regular on most best-of jazz lists!The fourth and final album by one of the most influential groups in jazz history, the Bill Evans Trio album Waltz For Debby was originally released in 1962 as a companion to Sunday At The Village Vanguard. It captures the mesmerizing and intimate live performances of Evans and his trio at the Village Vanguard in New York City. The album showcases Evans’ unique approach to jazz piano, characterized by delicate touch, introspective improvisation, and profound musicality.
