Showing all 8 results

Duke Ellington & John Coltrane – Duke Ellington & John Coltrane 180g Analogue Productions Vinyl

£55.00
“The soundstage is intimate and inviting, Webster’s horn beautifully captured with sweet, rich overtornes, the bass liquid, chugging, and textured, piano and drums easy and natural. As with each title, the music emerges from QRP’s beautifully flat and wonderfully silent surfaces with that much more “there-ness.” Sonics = 4/5; Music = 3.5/5 — Wayne Garcia, The Absolute Sound, January 2013
   

John Coltrane – ‘Live’ At The Village Vanguard – Impulse Records Re-Issue

£39.95
"If you get a chance to compare an original A-10 with this reissue you'll appreciate how fine this reissue sounds but you'll also hear greater texture to Coltrane's horn(s), far more 'room sound,' and especially cymbal 'ring'. The original is 'you are there' great, in part thanks to RVG's dozen microphone mixing, but you know what? If you never get to hear the original this reissue is 'you are there' great too."Music = 11/11; Sound = 9/11 — Michael Fremer, AnalogPlanet.com.

John Coltrane – A Love Supreme 180g – Verve Re-Issue Vinyl

£49.95
Acoustic Sounds Series reissues from Verve/Universal Music Enterprises! Monthly releases highlighting the world's most historic and best jazz records! Mastered by Ryan K. Smith at Sterling Sound from the original analogue tapes 180-gram LPs pressed at Quality Record Pressings! Stoughton Printing gatefold old-style tip-on jackets

John Coltrane – Ballads – Accoustic Sounds Verve Re-issue 180g Vinyl

£49.95
Acoustic Sounds Series reissues from Verve/Universal Music Enterprises! Monthly releases highlighting the world's most historic and best jazz records! Mastered by Ryan K. Smith at Sterling Sound from the original analogue tapes 180-gram LPs pressed at Quality Record Pressings! Stoughton Printing gatefold old-style tip-on jackets

John Coltrane – A Love Supreme 45 RPM 200 Gram UHQR Vinyl – Analogue Productions Vinyl

£199.95
You’re about to experience A Love Supreme at its peak of vinyl perfection — in UHQR format on Clarity Vinyl, with the added bonus of a double 45 RPM cut by Ryan K. Smith at Sterling Sound. Ryan’s cut has his characteristic clarity and transparency all set against Quality Record Pressing’s usual noiseless backgrounds on 200-gram flawless records. Each UHQR will be packaged in a deluxe box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection. This will be a truly deluxe, collectible product.

John Coltrane ‎– Coltrane Plays The Blues

£75.00
Only 2500 Numbered Limited Edition Copies Worldwide! Extremely limited double 180gm pressing in numbered laminated gatefold jacket. Mastered by Bernie Grundman from the original analog master tapes and pressed at Gotta Groove. John Coltrane returned to his roots using the blues to explore the boundaries of jazz!  

John Coltrane – Lush Life – Analogue Productions 180g (Mono) Vinyl

£49.95
Lush Life contains Coltrane’s first recordings as sole leader, his initial date fronting a pianoless trio, and one of his first extended readings of a ballad, Billy Strayhorn’s resplendent title track. We also hear him at the helm of a quartet and quintet, featuring pianist Red Garland, with trumpeter Donald Byrd, bassist Paul Chambers and drummer Louis Hayes added to “Lush Life.” Coltrane handles the tune’s delicate complexities with infinite style and finesse.    

John Coltrane – With The Red Garland Trio – Analogue Productions 200g Vinyl

£50.00
For his second long player, John Coltrane (tenor saxophone) joined forces with his Prestige labelmate Red Garland (piano) to command a quartet through a five-song outing supported by a rhythm section of Paul Chambers (bass) and Art Taylor (drums). The absence of any unessential instrumentalists encouraged a decidedly concerted focus from Coltrane, who plays with equal measures of confidence and freedom. The Coltrane original “Traneing In” Is a rousing blues that exemplifies the musical singularity between Coltrane and Garland. Even though Garland, the pianist, takes charge from the start, the structure of the arrangement permits the tenor to construct his solo seamlessly out of Garland’s while incrementally increasing in intensity, yet never losing the song’s underlying swinging bop.