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Furutech Fig.8 Mains Power Lead, 1.5 Metres
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Mains Cables R Us No.11 Power Lead
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Belden 19364 Audio-Grade Mains Cable sold per metre for DIY
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Oyaide PA-2075 DR Tone-Arm Cable
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Oyaide C-037 Rhodium/Silver Plated IEC Connector OFFER
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Tellurium Q Black II Speaker Cables
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Vinyl Essentials
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Oyaide PA-2075 DR Tone-Arm Cable
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Furutech AG-12 Phono Cable
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Alison Krauss + Union Station Live – 180g 3LP Craft Recordings Vinyl
Coming Soon ā Pre-Order Now
Grammy-winning live album returns to triple LP 180-gram vinyl! Twenty-five tracks on 3LP pressed at Quality Record Pressings! Lacquers cut by Matthew Lutthans at The Mastering Lab Reccorded live at The Louisville Palace in 2002 during a two-night appearance
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Bill Evans Trio ā Waltz For Debby ā 45 RPM 200G ā Analogue Productions UHQR Clarity Vinyl
IN STOCK NOW
Purest possible pressing and most visually stunning presentation and packaging! One of the most classic jazz albums and live recordings, a regular on most best-of jazz lists!The fourth and final album by one of the most influential groups in jazz history, the Bill Evans Trio album Waltz For Debby was originally released in 1962 as a companion to Sunday At The Village Vanguard. It captures the mesmerizing and intimate live performances of Evans and his trio at the Village Vanguard in New York City. The album showcases Evansā unique approach to jazz piano, characterized by delicate touch, introspective improvisation, and profound musicality.
Black Sabbath – Black Sabbath ā Rhino Records 180G Vinyl LP
In stock now.Ā
"Black Sabbath's debut album is the birth of heavy metal as we now know it. Compatriots such as Blue Cheer, Led Zeppelin, and Deep Purple were already setting new standards for volume and heaviness in the realms of psychedelia, blues-rock, and prog rock. Yet of these metal pioneers, Sabbath are the only one whose sound today remains instantly recognizable as heavy metal, even after decades of evolution in the genre. Guitarist Tony Iommi's loss of two fingertips, which required him to play slower and to slacken the strings by tuning his guitar down, created Sabbath's signature style. These qualities set the band apart, but they weren't wholly why this debut album transcends its clear roots in blues-rock and psychedelia to become something more. Sabbath's genius was finding the hidden malevolence in the blues, and then bludgeoning the listener over the head with it." ā AllMusic
















