John Prine – John Prine – Analogue Productions 180g 45RPM 2LP Vinyl

£79.95
All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound and cut at 45 RPM. Pressed at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.

Eagles – Hotel California – MoFi Ultradisc 180g 45RPM 2LP Box Set

£180.00
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MASTERED FROM THE ORIGINAL ANALOG MASTER TAPES AND PRESSED ON MOFI SUPERVINYL The moment the instantly recognizable intertwined guitar passage on the title track to the Eagles’ Hotel California begins, the album’s genius becomes obvious all over again. Ranked the 37th Greatest Album of All Time by Rolling Stone, certified by RIAA as the third best-selling record in history, and looked upon as foundation upon which the Golden State’s mid-‘70s rustic music scene was built, the 1976 landmark remains a music staple immune to shifts in trends, generations, and styles. Mastered from the original analog master tapes, pressed on MoFi SuperVinyl, and strictly limited and numbered, Mobile Fidelity’s UltraDisc One-Step 180g 45RPM 2LP vinyl box set ensures you will want to permanently check in and never leave this particular Hotel California.  

Charles Mingus – The Clown (Mono) – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl

Original price was: £75.00.Current price is: £55.00.
IN STOCK NOW
The Clown was Charles Mingus’ second masterpiece in a row, featuring Jean Shepard (yes, that Jean Shepard from the holiday movie A Christmas Story) on the title tune narrating a story about a clown attempting to please the world with his performances. The Clown also introduced two of Mingus’ finest compositions in the driving, determined “Haitian Fight Song” and the ’40s-flavored “Reincarnation of a Lovebird,” a peaceful but melancholy tribute to Charlie Parker; Mingus would return to both throughout his career.

Dizzy Gillespie Live At Singer Concert Hall 1973 – The Lost Recordings 180g Vinyl

£65.00
For Dizzy everything starts and ends with laughter. In the meantime, all paths are possible. That of melancholy, of dance or of political commitment… Dizzy is everywhere at once, always elusive, he is this explorer who, after having been one of the founders of Bebop in the 40’s, will never stop experimenting, surprising and pushing back the borders.

Philip Catherine & Nicolas Fiszman Live At The Berlin Jazzbühne Festival 1982 – The Lost Recordings 180g Vinyl

£65.00
We are privileged to have unearthed this unique concert where two outstanding artists bring together two cultures to create an intense blaze of happiness.

Rimsky Korsakov – Scheherazade Chasing The Dragon Audiophile Vinyl

£60.00
Conducted by Anthony Inglis with Katerina Nazarova as leader, this latest recording from Chasing The Dragon features incredible dynamic range and must be heard to be believed!

Sonny Rollins – Rollins Plays For Bird – Analogue Productions 180g (Mono) Vinyl

£49.95
As the tenor sax is not in the same key as an alto, Sonny Rollins would have to transpose a lot of music to take a tribute to Charlie Parker to a high level. Instead Rollins has chosen standards associated with Parker, and recorded them within a year after Bird’s passing.

Eric Dolphy – Outward Bound (Stereo) – Analogue Productions 180g Vinyl

£49.95
Eric Dolphy has sometimes been described as an iconoclast, but in Outward Bound, he was not overturning his idol, Charlie Parker; he was building on Bird’s legacy. So deep was Dolphy’s musicianship, so free his imagination, that he enchanted trailblazers like John Coltrane and Charles Mingus. Partnering in this collection with the brilliant trumpeter Freddie Hubbard and a stunning rhythm section, Dolphy is at a peak of energy and creativity on alto saxophone, bass clarinet, and flute. He and Hubbard work with empathy reminiscent of the young Parker and Dizzy Gillespie. Pianist Jaki Byard, bassist George Tucker, and drummer Roy Haynes were ideal accompanists and co-conspirators in this widely influential work.

Creedence Clearwater Revival – Mardi Gras – Craft Recordings Half Speed Mastered Vinyl

£34.95
50th anniversary pressing of the final studio album from America’s greatest rock `n’ roll band; first released in 1972. Highlights include a cover of “Hello Mary Lou,” and the Fogerty-penned rocker “Sweet Hitch-Hiker.” The poignant “Someday Never Comes,” marked the group’s final single.

Groove Note – True Analogue: The Best Of Groove Note – One-Step Numbered Limited Edition 180g 45rpm 2LP

£120.00
Announcing the very first Groove Note Best Of One Step LP — True Analogue: The Best of Groove Note Records (25th Anniversary Edition). The program is similar to Groove Note’s existing True Audiophile series of SACDs but features more tracks from the recent releases by Vanessa Fernandez and Jacintha. The program contains 12 tracks spread over 4 x 45 rpm sides and is plated One Step by RTI.
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Buddy Guy & Junior Wells – Going Back To Acoustic – Pure Pleasure Records 180g Vinyl

£39.95
“…These classic songs are matched by an impeccable re-master of the kind of recording which constantly reminds me exactly just why I own a turntable. Fantastic transparency, a jaw dropping presentation of rough hewed vocal dynamic shifts and the kind of inner details that scream ‘intimacy’ recreates the atmospheric roots of the Deep South – making this a must own record from a sonic perspective as well.” Recording = 9.5/10; Music = 9/10 – Reuben Parry, Hi-Fi+, Issue 45

Kirsten Edkins – Shapes & Sound – Cohearent Sound 180g Vinyl

Original price was: £55.00.Current price is: £40.00.
BACK IN STOCK!!
Shapes and Sound by jazz composer/saxophonist Kirsten Edkins Shapes and Sound from jazz saxophonist Kirsten Edkins is the debut LP release from Cohearent Records — the new record label companion to famed mastering engineer Kevin Gray’s latest enterprise, an all-valve (vacuum tube) recording studio (Cohearent Recording) adjoining his home-based mastering facility in California. “It’s the ‘essence of an era’ we are trying to recapture with today’s musicians, not the sound of specific spaces, engineers or recordings,” Gray told music reviewer Michael Fremer.