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The Flying Burrito Bros “The Gilded Palace of Sin” – Intervention Records 180g Vinyl
Is this the album that made country cool? Former Byrds Gram Parsons and Chris Hillman picked up where they left off with Sweetheart of the Rodeo with this stunning masterpiece of a debut album by The Flying Burrito Bros. While Parsons had already pushed rock in a country direction during his brief stint with The Byrds and The International Submarine Band, The Gilded Palace of Sin is why the Burritos are widely viewed as the inventors of country rock. Indeed with this album, Hillman and Parsons carved a substantial place in music history as one of the most influential albums and bands of all time.
Billy Squier “Don’t Say No” – Intervention Records 180g Vinyl
Intervention Records is thrilled to present Billy Squier’s 1981 rock anthem, Don’t Say No in a brilliantly remastered Artist-Approved Edition. The classic rock staple catapulted Squier’s career to new heights. His live shows became arena rock sensations and four tracks from this album became classic rock radio staples in heavy rotation today: “In the Dark,” “The Stroke,” “My Kind of Lover” and “Lonely is the Night.”
Peter Frampton “Frampton’s Camel” – Intervention Records 180g Vinyl
A showcase for Peter Frampton’s growth as a songwriter and guitar player, Frampton’s Camel is named after his touring band, honoring the groove this collective had reached in 1973.
Prominently featuring Mick Gallagher’s superlative keyboards, the hard-rocking hooks and catchy melodies here lay the foundation for the superstardom that would come just a couple albums and tours later with Frampton Comes Alive.
Camel includes the smash hits “Lines On My Face,” “Don’t Fade Away” and a majestic cover of Stevie Wonder’s “I Believe (When I Fall In Love With You It Will Be Forever).”
Dillard & Clark “The Fantastic Expedition of Dillard & Clark” – Intervention Records 180g Vinyl
The Fantastic Expedition of Dillard & Clark is 100% Analog Mastered from the 1/4″ 15-ips Original Master Tapes by Kevin Gray at CoHEARent Audio! The tapes sound beautifully dynamic and alive, with tuneful bass, extended highs and three-dimensional imaging. The IR cut has better separation and punch than ANY previous version of this amazing record!
Peter Frampton “Wind of Change” – Intervention Records 180g Vinyl
John Coltrane – Crescent Acoustic Sounds Series – 180g Impulse Vinyl
Crescent is widely regarded as one of John Coltrane’s finest albums, featuring the talents of McCoy Tyner, Jimmy Garrison and Elvin Jones. During 1964, John Coltrane spent the least amount of time in the recording studio of his entire career as a leader. It wasn’t until April 27th that he, along with Tyner, Garrison and Jones went to the familiar surroundings of Rudy Van Gelder’s Englewood Cliffs studio to record all the tracks that appear on Crescent. In a hint of things to come for the Classic Quartet, both Garrison and Jones are featured on extended solos on the album’s second side.
Genesis – A Trick Of The Tail – Analogue Productions Atlantic 75 Series Hybrid Stereo SACD
Available to Pre-Order
Genesis’ seventh studio album was released in February 1976 on Charisma Records and was the first to feature drummer Phil Collins as lead vocalist after the departure of Peter Gabriel. The album was a critical and commercial success in the U.K. and U.S., reaching No. 3 and No. 31 respectively. A Trick Of The Tail was a landmark album for the band, and it still stands today as one of their best with classics such as “Dance On A Volcano” and “Squonk.”
Gregg Allman – Midnight Rider / These Days – Analogue Productions 45 rpm Vinyl Single
Otis Redding – The Dock Of The Bay – Analogue Productions Atlantic 75 Series Hybrid Stereo SACD
The guts of the story are this: While on tour with the Bar-Kays in August 1967, Otis Redding’s popularity was rising, and he was inundated with fans at his hotel in downtown San Francisco. Looking for a retreat, he accepted rock concert impresario Bill Graham’s offer to stay at his houseboat at Waldo Point in Sausalito, California. Inspired, Redding started writing the lines, “Sittin’ in the morning sun, I’ll be sittin’ when the evening comes” and the first verse of a song, under the abbreviated title “Dock of the Bay.”
Ray Charles – Ray Charles – Analogue Productions Atlantic 75 Series Hybrid Mono SACD
Ray Charles’ self-titled 1957 album was one of the first handful of albums issued by Atlantic (and was later retitled Hallelujah I Love Her So). As AllMusic reviewer Bruce Elder notes, the album is weighted about three to one in favor of Charles’ own compositions, with the hits “Hallelujah I Love Her So” and the pounding, soaring “Ain’t That Love,” which opens the record, its raison d’etre.
Alice Cooper – Welcome To My Nightmare – Analogue Productions Atlantic 75 Series Hybrid Stereo SACD
