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Select options This product has multiple variants. The options may be chosen on the product pageDela S5 Network Switch
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Music
Ray Charles – Genius + Soul = Jazz 180g Analogue Productions Vinyl
"Genius + Soul = Jazz is a winner, now sounding better than ever. I like this reissue so much I'll probably not play my original again since it isn't in quite as nice condition. In fact, I'm not sure if I really need to even keep my original in the collection at this point given the quality of this reissue. And that is probably the best complement I can offer." — Mark Smotroff, Audiophile Review, May 17, 2021.
The Gil Evans Orchestra – Out Of The Cool 180g Analogue Productions Vinyl
"The album is worth getting for the 15 minutes of 'La Nevada' alone but the rest is equally great including the cinematic side closer 'Where Flamingoes Fly.' ... The sonics here with a cut from the master tape by Ryan K. Smith (yes, the master tape- I have a current photo that for some reason I can't share with you) are incredibly transparent, spacious and flat-out thrilling ... and somewhat brighter and less mid-band rich than the long out of print Alto-Analogue edition Bernie Grundman cut in 1997. Both are worth having for different sonic reasons and if you have a clean original Rudy Van Gelder cut (A-4) you may think you are set, but that cut is less spacious, somewhat dynamically compressed, has the RVG lower bass roll-off and is definitely less transparent — not that it's bad and some people do like the more 'in your face' excitement. This one's here now though! Do not miss it!" — Music = 10/11; Sound = 10/11 - Michael Fremer, AnalogPlanet.com.
Jesse Sharps – Sharps and Flats
Horace Tapscott – TAPSCOTT and WINDS
Randy Travis – Storms of Life – MoFi 180g Vinyl
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Mastered From The Original Analog Tapes And Pressed At Rti For Audiophile Sound
1/2″ / 30 IPS analog master to DSD 256 to analog console to lathe Nobody could have predicted the impact Randy Travis’ proper debut would make on country music when it was released in 1986. Recorded by a virtually unknown singer-songwriter who had once been rejected by every major label, and bolstered by production and arrangements that spotlight Travis’ impeccable vocals, Storms of Lifespurred a stylistic sea change that would soon sweep Nashville and place the North Carolina native at the center of the neotraditionalist movement. More than three decades later, the LP’s brilliance looms larger than ever.
Eric Dolphy – Outward Bound (Stereo) – Analogue Productions 180g Vinyl
Eric Dolphy has sometimes been described as an iconoclast, but in Outward Bound, he was not overturning his idol, Charlie Parker; he was building on Bird’s legacy. So deep was Dolphy’s musicianship, so free his imagination, that he enchanted trailblazers like John Coltrane and Charles Mingus. Partnering in this collection with the brilliant trumpeter Freddie Hubbard and a stunning rhythm section, Dolphy is at a peak of energy and creativity on alto saxophone, bass clarinet, and flute. He and Hubbard work with empathy reminiscent of the young Parker and Dizzy Gillespie. Pianist Jaki Byard, bassist George Tucker, and drummer Roy Haynes were ideal accompanists and co-conspirators in this widely influential work.
Sonny Rollins – Rollins Plays For Bird – Analogue Productions 180g (Mono) Vinyl
Roy Haynes – Out Of The Afternoon – Analogue Productions 180g Vinyl
Released in the summer of 1962 on Impulse! Records, Out Of The Afternoon is an album by jazz drummer Roy Haynes. It features multi-instrumentalist Roland Kirk among the musicians in the Haynes Quartet.
Roy Haynes was just about everywhere in the golden age of jazz, recording classic albums with some of the most legendary names of the genre: Miles, Coltrane, Monk, Bud Powell, Sarah Vaughan, Sonny Rollins, Eric Dolphy, Milt Jackson, McCoy Tyner and Jackie McLean. The hard-bop-verging-on-post-bop Out Of The Afternoon is an excellent example of the adventurous spirit that was taking flight in the jazz world in the early 1960s.
Steely Dan – Pretzel Logic – Analogue Productions Hybrid Stereo SACD
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Steely Dan’s gold-selling third studio album Pretzel Logic, charted at No. 8 on the Billboard 200 and restored the group’s radio presence with the single “Rikki Don’t Lose That Number,” which became the biggest pop hit of their career and peaked at No. 4 on the Billboard Hot 100. The 1974 album was produced by Gary Katz and was written primarily by Walter Becker (bass) and bandleader Donald Fagen (vocals, keyboards). The album marked the beginning of Becker and Fagen’s roles as Steely Dan’s principal members.
Steely Dan – Aja – Analogue Productions Hybrid Stereo SACD
A record by Elvis, produced in Tennessee. What’s so special about that? Surely everyone knows that the King sobbed his early songs into the local radio microphones. But From Elvis in Memphis is far more than just one of around 40 albums which he produced during the course of 35 years. “This marks what is probably the most impressive comeback in the entire history of pop music,” enthused the normally reticent New York Times.
