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Miles Davis – Bitches Brew – MoFi Ultradisc 180g 2LP Box Set
NOW IN STOCK
THE AURAL MOUNT RUSHMORE OF JAZZ FUSION: MASTERED FROM THE ORIGINAL MASTER TAPES, PRESSED AT RTI ON MOFI SUPERVINYL, AND HOUSED IN A LAVISH BOX “Listen to This.” As the original working title for Bitches Brew, the instruction and invitation resonates to this day as the best way to approach a record that shattered conventions, altered music history, and, more than 50 years later, still sounds far ahead of its time. The aural Mount Rushmore of jazz fusion, Bitches Brew is rightly ranked by virtually every significant press outlet among the 100 greatest albums ever made. Sewn together with vibrant colors, voodoo textures, and ethereal moods, the 1970 landmark emerges with supreme detail and nonpareil feeling on Mobile Fidelity’s UltraDisc One-Step 180g 2LP vinyl box set. Mastered from the original master tapes, pressed on MoFi SuperVinyl at RTI, and strictly numbered and limited, this definitive reissue enhances every element of a double album that established new possibilities for studio recording techniques. You’ll hear wider and deeper soundstages, more separation between instruments, and a drastically broadened dynamic range. If ever a jazz album can be said to have gone to outer space and back, this is it.
James Taylor – Greatest Hits – MoFi Ultradisc 180g 45RPM 2LP Box Set
AVAILABLE TO PRE-ORDER
THE DISTILLATION OF EVERYTHING THAT MAKES JAMES TAYLOR SPECIAL IS MADE EVEN BETTER One of the most commercially successful compilations ever released, James Taylor’s Diamond-certified Greatest Hits encapsulates the quintessential characteristics – refined acoustic guitar playing, mannered melodies, insightful lyrics, comforting singing – and includes the familiar, honest, emotion-rich songs that made the singer-songwriter an icon. Experience it all with unparalleled detail and intimacy on Mobile Fidelity’s limited and numbered UltraDisc One-Step 180g 45RPM 2LP box set, mastered from the original master tapes and pressed on MoFi SuperVinyl.
Alan Parsons – I Robot – MoFi Ultradisc 180g 45RPM 2LP Box Set
AVAILABLE TO PRE-ORDER
MASTERED FROM THE ORIGINAL MASTER TAPES: ULTRADISC ONE-STEP SET IS THE ULTIMATE ANALOG VERSION OF 1977 AUDIOPHILE STANDARD Audiophiles don’t need any introduction to the Alan Parsons Project’s I Robot. Engineered by Parsons after he performed the same duties on Pink Floyd’s Dark Side of the Moon, the 1977 record reigns as a disc whose taut bass, crisp highs, clean production, and seemingly limitless dynamic range are matched only by the sensational prog-rock fare helmed by the keyboardist. Not surprisingly, it’s been issued myriad times. Can it be improved? Relish Mobile Fidelity’s stupendous UltraDisc One-Step 180g 45RPM 2LP box set and the question becomes irrelevant.
Alan Parsons – I Robot – MoFi Ultradisc 180g 33RPM Vinyl Box Set
IN STOCK NOW!!
MASTERED FROM THE ORIGINAL MASTER TAPES: ULTRADISC ONE-STEP LP ELEVATES THE AUDIOPHILE STANDARD WHILE OFFERING ONE-FLIP CONVENIENCE Most audiophiles know Alan Parsons Project’s I Robot by heart. Engineered by Parsons after he performed the same duties on Pink Floyd’s Dark Side of the Moon, the 1977 record reigns as a disc whose taut bass, crisp highs, clean production, and seemingly limitless dynamic range are matched only by the sensational prog-rock fare helmed by the keyboardist. Not surprisingly, it’s been issued myriad times. Can it be improved? Relish Mobile Fidelity’s stupendous UltraDisc One-Step 180g 33RPM box set and the question becomes moot.
Eagles – On The Border – MoFi Ultradisc 180g 45RPM 2LP Box Set
NOW IN STOCK
MASTERED FROM THE ORIGINAL ANALOG MASTER TAPES, PRESSED AT RTI ON MOFI SUPERVINYL, AND LIMITED TO 10,000 NUMBERED COPIES With its name indicative of the music’s boundary-testing diversity and Southwestern inspiration, On the Border finds the Eagles leaving everything on the table and embracing a harder edge that takes the band out of more relaxed territory and establishes it as a group that knows how – and wants – to rock. Glenn Frey, Don Henley, new member Don Felder, and company immediately announce their intent on the defiant album-opening hit “Already Gone” and never look back, crafting a gem of a record that from start to finish is arguably their most consistent and balanced effort.
Electric Light Orchestra – Eldorado – MoFi Ultradisc 180g 45RPM 2LP Box Set
NOW IN STOCK
MASTERED FROM THE ORIGINAL MASTER TAPES WITH MOBILE FIDELITY’S ONE-STEP PROCESS: PRESSED ON MOFI SUPERVINYL, LIMITED TO 10,000 COPIES Electric Light Orchestra leader Jeff Lynne did more than figuratively reach for the sky on Eldorado. Daring to be bold, and creating imaginative worlds that invite the listener to escape the mundane, the visionary composer-musician achieved a multidisciplinary fantasia and, in the process, a prog-rock landmark. Nearly 50 years later, the concept album’s brilliance can be experienced like never before in cinematic, IMAX-worthy fashion.
Al Di Meola, John McLaughlin & Paco De Lucia SATURDAY Night In San Francisco Limited Edition 180g LP
Now In Stock
Audiophile 180g 33rpm Vinyl LP Never before released!!!
Assembled from the original 16-track analog live session tapes by Al Di Meola with engineers Katsu Naito & Roy Hendrickson Mastered from analog tapes by Bernie Grundman at Bernie Grundman Mastering Pressed at Record Technology Inc. Deluxe new packaging with never-before-seen photos Exclusive essay by Charles L. Granata feat. new interviews with Al Di Meola & original recording engineer Tim Pinch Long-Awaited Follow Up To Friday Night In San Francisco! From Original 16-Track Analog Live Session Tapes by Al Di Meola, Katsu Naito & Roy Hendrickson! Mastered From Analog Tapes by Bernie Grundman! Pressed at RTI!
Horace Tapscott – TAPSCOTT and WINDS
Jesse Sharps – Sharps and Flats
John Coltrane – Coltrane Plays The Blues ORG Records
Only 2500 Numbered Limited Edition Copies Worldwide!
Extremely limited double 180gm pressing in numbered laminated gatefold jacket.
Mastered by Bernie Grundman from the original analog master tapes and pressed at Gotta Groove.
John Coltrane returned to his roots using the blues to explore the boundaries of jazz!
The Ornette Coleman Double Quartet: Free Jazz Speakers Corner 180g Vinyl
The term 'free jazz' was already in existence – but it had a quite different meaning, namely jazz without paying for an entrance ticket. The album "Free Jazz", however, was intended to lend its name to a quite different style of jazz. 'Free' playing – now this meant that no one was bound to conventions, you could let your imagination run loose. Free jazz gave one the chance to find new rules for every new composition. And it was to be the greatest boost to innovation in the world of jazz. Ornette Coleman’s album from December 1960 stands at the beginning of the free jazz era like a massive portal.
