Showing 229–240 of 386 results

Duke Pearson – The Right Touch LP (Blue Note Tone Poet Series) – Blue Note Vinyl

£49.95
Perhaps the perfect starting point for a reappraisal of Duke Pearson’s underrated career is his fantastic and aptly titled 1967 album The Right Touch. The album stands as perhaps the finest in Pearson’s discography and is a showcase of his sublime talents as a pianist, composer, and arranger. The Right Touch is comprised of six memorable Pearson compositions arranged for a dynamic 8-piece band featuring trumpeter Freddie Hubbard, trombonist Garnett Brown, alto saxophonist James Spaulding, alto saxophonist/flutist Jerry Dodgion, tenor saxophonist Stanley Turrentine, bassist Gene Taylor, and drummer Grady Tate.

Peter Frampton Frampton@50: In the Studio 1972-1975 Numbered Limited Edition 180g 3LP Box Set

£195.00
The Frampton@50 premium vinyl reissues sound sensational and are 100% Analog Mastered by Chris Bellman at Bernie Grundman Mastering from the best-sounding analog tape sources available. The flat, heroically quiet 180g vinyl is pressed at boutique press Gotta Groove Records in Cleveland, Ohio.

Fritz Reiner – Spain – Analogue Productions 180g Stereo Vinyl

£55.00
Winner of a Gruvy Award, chosen by AnalogPlanet’s editor, Michael Fremer, for vinyl records that are musically and sonically outstanding and are also well mastered and pressed. — Michael Fremer
     

Ella Fitzgerald and Louis Armstrong – Ella & Louis – Analogue Productions 180g Stereo Vinyl

£55.00
It is undeniable that Billie Holiday’s singing changed in her later years. Her voice darkened and shifted to a lower range. Her economy of means distilled her sound to its expressive essence — a kind of heightened speech. The classic LP Songs For Distingue Lovers has also deepened and become burnished with time. Maybe it’s that still-arresting word, “distingue”; maybe it’s that iconic, tinted image of Lady Day on the cover. But now that legendary LP, with the singer’s best studio work of the Fifties, is available through the Acoustic Sounds Series.
     

Hank Mobley – A Caddy for Daddy – (Blue Note Tone Poet) – Blue Note 180g Vinyl

£39.95
Tenor saxophonist Hank Mobley had been recording for Blue Note for a decade when he made his excellent 1965 album A Caddy for Daddy featuring a first-class sextet with Lee Morgan on trumpet, Curtis Fuller on trombone, McCoy Tyner on piano, Bob Cranshaw on bass, and Billy Higgins on drums.

Sonny Clark Trio – Sonny Clark Trio (Blue Note Tone Poet) – Blue Note 180g Vinyl

£39.95
The supremely swinging pianist Sonny Clark hit the Blue Note scene in 1957 with a burst of creativity recording three albums in three months including the sublime Sonny Clark Trio, a six-song set of bebop themes and standards featuring bassist Paul Chambers and drummer Philly Joe Jones.

Johnny Winter – Johnny Winter – 180G Speakers Corner Vinyl

£39.95
Winter remains pretty cool when people attempt to identify personal afflictions in his music: When I play blues, I feel good he stated recently to a journalist. That the same goes for over 40 years ago is substantiated by both sides of this debut album.

Duke Ellington – Ellington Indigos – Impex Records 180g Stereo Vinyl

£49.95
Winner of a Gruvy Award, chosen by AnalogPlanet’s editor, Michael Fremer, for vinyl records that are musically and sonically outstanding and are also well mastered and pressed.
An all-analog shot of pure Duke at his most soulfully nocturnal. From the cats who brought you Time Further Out and Friday and Saturday Nights At the Blackhawk. Impex Records is making your nights a little cooler.

Billie Holiday – Songs For Distingue Lovers – Analogue Productions 180g 2x 45RPM Vinyl

Original price was: £75.00.Current price is: £65.00.

SKU: AVRJ602145

Barcode: 753088602115

     

Arnett Cobb – Ballads By Cobb – Analogue Productions 180g Stereo Vinyl

£49.95
Originally released in November 1960, Ballads by Cobb, as its title suggests, is all slow ballads, putting the emphasis on the Texas tenor’s warm tone.
A Texas tenor player in the tradition of Illinois Jacquet, Arnett Cobb’s accessible playing was between swing and early rhythm & blues. His stomping, robust style earned him the title “Wild Man of the Tenor Sax.”
 

Sonny Rollins – Rollins Plays For Bird – Analogue Productions 180g (Mono) Vinyl

£49.95
As the tenor sax is not in the same key as an alto, Sonny Rollins would have to transpose a lot of music to take a tribute to Charlie Parker to a high level. Instead Rollins has chosen standards associated with Parker, and recorded them within a year after Bird’s passing.

McCoy Tyner – Time For Tyner Lp (Blue Note Tone Poet Series) – Blue Note Vinyl

£49.95
The great pianist McCoy Tyner made his Blue Note debut with The Real McCoy in 1967 soon after departing John Coltrane’s quartet and returned to the studio months after Coltrane’s death to record Tender Moments with an expanded ensemble featuring a 6-piece horn section. For his 3rd Blue Note date Time For Tyner, recorded in 1968, the pianist went a different direction by assembling a hornless quartet with vibraphonist Bobby Hutcherson, bassist Herbie Lewis, and drummer Freddie Waits. Tyner and Hutcherson’s first recorded encounter came on the vibraphonist’s 1966 Blue Note album Stick-Up, and here their musical comradery deepened even further.