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Art Pepper – Intensity – Contemporary Records (Acoustic Sounds Series) 180g Vinyl
ART PEPPER + Eleven 180g Audiophile Vinyl
Throughout the 1950s, '60s and '70s, Lester Koenig's artist-friendly Los Angeles-based audiophile jazz label documented career-defining performances by some of modern jazz's most influential and accomplished improvisers, including Ornette Coleman, Sonny Rollins, Harold Land and Benny Golson. No musician is more closely identified with Contemporary than Pepper, whose cool tone and simmering lyricism made him one of the very few mid-century alto saxophonists to forge a path independent of bebop patriarch Charlie Parker's pervasive influence.
Produced by Koenig and recorded in 1959, Art Pepper +Eleven: Modern Jazz Classics is one of the saxophonist's masterpieces. Featuring brilliant arrangements by Marty Paich, the album elaborates on the lush but lithe sound introduced by the epochal Birth of the Cool sessions, which Miles Davis started to record almost exactly a decade earlier (like Birth, +Eleven kick offs with Denzil Best's "Move"). Surrounded by the cream of the LA scene, including fellow saxophone masters Herb Geller, Bill Perkins and Med Flory, Pepper brings all his scorching lyricism to a program of modern jazz standards by Horace Silver, Thelonious Monk, Gerry Mulligan and Sonny Rollins.
Arthur Fiedler / Boston Pops Orchestra – Chopin: Les Sylphides / Prokofieff: Love For Three Oranges – Analogue Productions 200g Vinyl
Bad Company – Bad Company – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
From the wreckage of Free came Bad Company, the English hard rock supergroup fronted by singer Paul Rodgers and featuring his drummer bandmate Simon Kirke, Mott the Hoople guitarist Mick Ralphs, and King Crimson bassist Boz Burrell. Peter Grant, who managed the rock band Led Zeppelin, also managed Bad Company until 1982.
Bad Company – Run With The Pack (Atlantic 75 Series) Analogue Productions 180g 2LP 45RPM Vinyl
Released in early 1976, the title track of Bad Company’s third album “Run With The Pack” is, what one critic described as, “a male-bonding type of song” that frontman Paul Rodgers was inspired to write about the group’s non-stop touring adventures.
“Run With The Pack” is notable for its string arrangement, which Rodgers said he had in mind from the outset. “I wrote that song on the piano, and when I played it to the guys they fell right in. In my head, strings were always part of the song.”
Barney Kessel, Ray Brown, and Shelly Manne – The Poll Winners – Acoustic Sounds Series
Craft Recordings and Acoustic Sounds are proud to announce the Contemporary Records Acoustic Sounds series, which begins with six album releases from the Contemporary Records catalog, celebrating 70 years of the legendary jazz label. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world’s largest source for audiophile recordings.
Each title, originally engineered by Roy DuNann and/or Howard Holzer, features all-analog mastering from the original tapes by legendary engineer Bernie Grundman (himself a former employee of the label), as well as unsurpassed audiophile pressing on 180-gram vinyl at Quality Record Pressings, presented in a Stoughton Printing old-style tip-on jacket.
The series highlights gems from Contemporary’s extraordinary catalog and features artists who both defined and expanded the sound of West Coast jazz.
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Ben Webster – See You at the Fair (Acoustic Sounds) 180g Vinyl LP Gatefold Sleeve
Ben Webster's final American recording was one of his greatest. At 55, the tenor saxophonist was still very much in his prime but considered out of style in the U.S. He would soon permanently move to Europe where he was better appreciated. Webster's tone has rarely sounded more beautiful than on "Someone to Watch Over Me" and "Our Love Is Here to Stay."
Ben Webster – At the Renaissance – Concord Records 180g Vinyl
Recorded live at The Renaissance in Hollywood, CA on Oct 14 1960, Ben Webster “At the Renaissance” was released on Contemporary Records.
Featuring with Saxophonist Webster are Jim Hall (guitar), Jimmy Rowles (piano), Red Mitchell (bass), and Frank Butler (drums).
This new edition, released as part of the Acoustic Sounds Series, features (AAA) lacquers cut from the original master tapes by Bernie Grundman and is pressed on 180-gram vinyl at QRP, and presented in a tip-on jacket.
Ben Webster Meets Oscar Peterson (Acoustic Sounds) 180g 1LP Gatefold Sleeve
Ben Webster was, without a doubt, one of the most important and influential tenor saxophonists in jazz.
Ben Webster Meets Oscar Peterson features some of his finest collaborations with Oscar Peterson, who Webster often stated was his favourite accompanist.
Verve’s Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.
Bill Evans and Jim Hall – Undercurrent – Mofi Vinyl
Special Offer While Stocks Last
Diverse Set Encompasses Ballads, Waltzes, Hard-Swinging Bop
Bill Evans catapulted to the top of the jazz world in June 1961 after reeling off three straight masterpiece sessions at New York’s Village Vanguard with his trio. Yet the emotional highs came to a screeching halt shortly thereafter when bassist Scott LaFaro died in a car accident. Devastated, Evans refrained from playing for nearly a year. If not for an inspirational collaboration of tremendous creative outpouring, one wonders what fate may have befallen Evans. Undercurrent, the outcome of two studio sessions with guitarist Jim Hall, is that project.
