John Coltrane ‎– Coltrane Plays The Blues ORG Records

£75.00
Only 2500 Numbered Limited Edition Copies Worldwide! Extremely limited double 180gm pressing in numbered laminated gatefold jacket. Mastered by Bernie Grundman from the original analog master tapes and pressed at Gotta Groove. John Coltrane returned to his roots using the blues to explore the boundaries of jazz!  

John Coltrane – My Favorite Things – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl

£75.00
IN STOCK
John Coltrane’s landmark 1961 jazz album My Favorite Things was born of the same recording sessions that yielded a majority of the albums Coltrane Plays the Blues(1962), Coltrane’s Sound (1964), and Coltrane Legacy. That My Favorite Things was recorded in less than three days was in itself, remarkable.

John Lee Hooker – Burning Hell (Bluesville/Acoustic Sounds Series) 180g Vinyl

£49.96
NOW AVAILABLE
Burning Hell was recorded in 1959 in Detroit, MI, but wasn’t released until 1964. Even then, it was only available in the UK. This 180-gram vinyl pressing marks the first official single LP worldwide release the album has seen. Pressed at QRP as part of the Bluesville Records / Acoustic Sounds series, the album features Hooker solo as he plays originals and classics. AllMusic states that, on this album, “Hooker shows himself to be an excellent interpreter who could have held his own with Delta bluesmen of any era.”

John Legend – Legend – Legend Act 1 + Act II – Double Vinyl LP

£14.99
Soulful R&B Reinvented, Pressed for High‑Fidelity Playback
A bold, ambitious double album that captures John Legend at his most expansive—Legend blends contemporary R&B, soul, funk and sensual groove across 24 tracks. Pressed as a deluxe 2LP, this vinyl edition brings deep bass lines, warm midrange vocals and crisp production clarity to songs like Rounds, Dope, All She Wanna Do and Honey. A must‑own record for fans of modern soul and vinyl-worthy sound.

John Prine – John Prine – Analogue Productions 180g 45RPM 2LP Vinyl

£79.95
All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound and cut at 45 RPM. Pressed at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.

John Prine – John Prine – Analogue Productions Atlantic 75 Series Hybrid Stereo SACD

£45.00
All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound and cut at 45 RPM. Pressed at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.

Johnny Cash – At Folsom Prison – Mofi SACD

£37.00
IN STOCK NOW!
The 1968 Album On Which Johnny Cash Became A Legend: At Folsom Prison Among The Most Important And Potent Statements Of The 20Th Century
Mastered on MoFi’s Mastering System and Strictly Limited to 3,000 Numbered Copies: Mobile Fidelity's SACD Set Plays with Arresting Immediacy, Spaciousness, and Directness
Johnny Cash already knew his way around Folsom Prison when he and his band stepped inside the institution’s forbidding walls on the morning of January 13, 1968 to record At Folsom Prison. He’d played there two years prior. But this time was different.

Johnny Hodges – Blues A Plenty Analogue Productions 200g 45RPM Vinyl

£75.00
One of the giants of the alto saxophone, Johnny Hodges was perhaps the most important soloist and sideman in Duke Ellington's orchestra from 1928 up to Hodges' death in 1970. The self-taught player made many solo forays during his long career - one of his '50s outfits included a young John Coltrane - but history remembers Hodges for his virtuosic sidemanship, particularly his sensitive rendering of ballads.

Johnny Winter – Johnny Winter – 180G Speakers Corner Vinyl

£39.95
Winter remains pretty cool when people attempt to identify personal afflictions in his music: When I play blues, I feel good he stated recently to a journalist. That the same goes for over 40 years ago is substantiated by both sides of this debut album.

Joy Division – Unknown Pleasures – Vinyl LP

£28.95
Joy Division – Unknown Pleasures Vinyl LP: Post-Punk Atmosphere, Pressed for Analogue Depth

Minimal. Iconic. Utterly Immersive.

Released in 1979, Unknown Pleasures stands as one of the most influential debut albums in alternative music. With Martin Hannett’s signature spacious production and Joy Division’s restrained, emotionally charged performances, the album created a blueprint for post-punk that still resonates today. Ian Curtis’s voice cuts through the cold textures with urgent vulnerability, while the band’s tight, pulsing instrumentation builds an unrelenting, hypnotic soundscape.

This vinyl edition honours the stark sonic architecture of the original recording. Peter Hook’s melodic bass lines, Stephen Morris’s crisp drumming, and Bernard Sumner’s sharp guitar tones are rendered with clarity and atmosphere, while the pressing captures every reverb-drenched nuance of Hannett’s production. Played on a revealing system, Unknown Pleasures is not just heard—it’s felt.

A vital record in the evolution of modern music, this pressing is the definitive way to experience Joy Division’s dark brilliance in full analogue form

Judee Sill “Heart Food” – Intervention Records 180g Vinyl

£79.95
"And then I heard "The Kiss" from 1973's Heart Food. If ever there was a song that lived up to the glorious, simultaneous heartbreaking and mending I might expect from a symphony to God, it's this." (August 1, 2017)
– Pitchfork

Julie London – Latin In A Satin Mood – Analogue Productions 200g Vinyl

£60.00
Analogue Productions has brought back Julie London sings Latin In A Satin Mood in dramatic, deserving fashion. Remastered by Kevin Gray at Cohearent Audio, and plated and pressed on 200-gram vinyl at Quality Record Pressings, the crispness and vibrancy of this recording is spectacular.
Exotic and Latin albums were big deals in the 1950s and early ’60s, and singers as diverse as Dean Martin, Lena Horne, and Peggy Lee were recording with castanets and bongo drums. Like Peggy Lee, London combines a restrained vocal approach with jazz phrasing and a cool attitude with icy sex appeal on this album of relaxing Latin standards. Julie does look beautiful on the cover, and the backup male “mariachi-esque” serenade ads to the romantic ambiance.