Showing 169–180 of 334 results

Gregg Allman – Midnight Rider / These Days – Analogue Productions 45 rpm Vinyl Single

£45.00
Gregg Allman's pained, growling voice joins with horns and gospelish backing vocals to add a personal, often mournful feel on songs on Laid Back. Radio response was strong to the opening track, the loping remake of "Midnight Rider." It's a convincing version of the man's music.

Miles Davis – A Tribute to Jack Johnson – 180g 33RPM Mofi SuperVinyl

£85.00
IN STOCK NOW!
The “Greatest Rock And Roll Band You Have Ever Heard”: Miles Davis, John Mclaughlin, And Co. Merge Electric Fusion And Defiant Rock On The Funky, Freeing A Tribute To Jack Johnson
Sourced From The Original Analog Master Tapes: Mobile Fidelity’s Numbered-Edition 180G Supervinyl Lp Presents 1971 Landmark In Exuberant, Full-Range Sound
Miles Davis' A Tribute to Jack Johnson is the best jazz-rock record ever made. Equally inspired by the leader's desire to assemble the "greatest rock and roll band you have ever heard,” his adoration of Johnson, and Black Power politics, Davis created a hard-hitting set that surges with excitement, intensity, majesty, and power. Bridging the electric fusion he'd pursued on earlier efforts with a funkier, dirtier rhythmic approach, Davis zeroes in on concepts of spontaneity, freedom, and identity seldom achieved in the studio — and just as infrequently accepted by the mainstream.

Genesis – Foxtrot – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl

£75.00
Available to Pre-Order
Genesis’ Foxtrot is the band’s fourth studio album, released in 1972. Regarded as one of the seminal albums of the progressive rock genre, it marked a significant milestone in Genesis’ discography.
 

Genesis – Nursery Cryme – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl

£75.00
Genesis’ album Nursery Cryme, released in November 1971, marked a significant moment in the band’s evolution and showcased the burgeoning talents of their new drummer and vocalist, Phil Collins, plus guitarist Steve Hackett.
Nursery Cryme saw the band take a more aggressive direction of some songs, with substantially improved drumming. The opening piece, “The Musical Box” combined the band’s trademark mix of twelve-string guitars with harsh electric guitars and keyboards. The song, a macabre fairy story set in Victorian Britain, became the inspiration for the album cover, and went on to be a live favorite.
 

Stone Temple Pilots – Core – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl

£75.00
IN STOCK
Stone Temple Pilots roared on to the scene in 1992 with their raucous debut Core. A breakout success, the album peaked at No. 3 on the Billboard 200 chart, dominated radio waves with hits like “Sex Type Thing” and “Wicked Garden,” and has been certified 8x platinum by the RIAA. The band also took home the 1994 Grammy Award for Best Hard Rock Performance for their smash single “Plush.”

John Coltrane – My Favorite Things – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl

£75.00
IN STOCK
John Coltrane’s landmark 1961 jazz album My Favorite Things was born of the same recording sessions that yielded a majority of the albums Coltrane Plays the Blues(1962), Coltrane’s Sound (1964), and Coltrane Legacy. That My Favorite Things was recorded in less than three days was in itself, remarkable.

Matchbox Twenty – Yourself Or Someone Like You – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl

£75.00
IN STORE NOW!
Described by AllMusic as the standard-bearer for post-alternative rock 'n' roll because of its '90s production dynamics, while still holding true to its classic rock core, Yourself or Someone Like You — the debut album from Matchbox Twenty — features sturdy songs and fairly strong hooks, all delivered forcefully with lead singer-songwriter Rob Thomas's distinctive bravado.

Otis Redding – The Dock Of The Bay – Analogue Productions Atlantic 75 Series Hybrid Stereo SACD

£45.00
The guts of the story are this: While on tour with the Bar-Kays in August 1967, Otis Redding’s popularity was rising, and he was inundated with fans at his hotel in downtown San Francisco. Looking for a retreat, he accepted rock concert impresario Bill Graham’s offer to stay at his houseboat at Waldo Point in Sausalito, California. Inspired, Redding started writing the lines, “Sittin’ in the morning sun, I’ll be sittin’ when the evening comes” and the first verse of a song, under the abbreviated title “Dock of the Bay.”

Ray Charles – Ray Charles – Analogue Productions Atlantic 75 Series Hybrid Mono SACD

£45.00
Ray Charles’ self-titled 1957 album was one of the first handful of albums issued by Atlantic (and was later retitled Hallelujah I Love Her So). As AllMusic reviewer Bruce Elder notes, the album is weighted about three to one in favor of Charles’ own compositions, with the hits “Hallelujah I Love Her So” and the pounding, soaring “Ain’t That Love,” which opens the record, its raison d’etre.

Alice Cooper – Welcome To My Nightmare – Analogue Productions Atlantic 75 Series Hybrid Stereo SACD

£45.00
Available to Pre-Order
1975 was a banner year for superstar Alice Cooper with the release of the groundbreaking concept album Welcome To My Nightmare. This album showcases Cooper’s theatricality, storytelling prowess, and ability to create an immersive world of horror and fantasy.

Ray Charles – Ray Charles – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl

£75.00
NOW IN STOCK
Ray Charles’ self-titled 1957 album was one of the first handful of LPs issued by Atlantic (and was later retitled Hallelujah I Love Her So). As AllMusic reviewer Bruce Elder notes, the album is weighted about three to one in favor of Charles’ own compositions, with the hits “Hallelujah I Love Her So” and the pounding, soaring “Ain’t That Love,” which opens the LP, its raison d’etre.

Run DMC – King of Rock – Mofi 180g SuperVinyl LP

Original price was: £85.00.Current price is: £65.00.
IN AUDIOPHILE QUALITY FOR THE FIRST TIME: SOURCED FROM THE ORIGINAL MASTER TAPES
1/2″ / 15 IPS analog master to DSD 256 to analog console to lathe
Run-D.M.C. leaves no doubt about its intent on King of Rock. The New York trio’s hard-hitting sophomore album begins with a statement of purpose (“Rock the House”) that serves as a stereophonic primer for the title track, a hybrid warning-anthem-theme song that swarms with justified boasts, heavy metal riffs, booming beats, cowbell accents, and dance-worthy grooves. The back-to-back tunes set the tone for a 1985 record that largely established the blueprint for the hip-hop that would follow for the next two decades — and which helped make rap a mainstream currency via the previously off-limits channels of radio, TV, and the national stage.