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The Beatles – Hand Crafted Vinyl Record Clock
A perfect way to recycle and re-use old and vintage 12" vinyl.
Each vinyl clock is carefully hand crafted in our Yorkshire workshop and cut using a professional industrial grade laser engraver.
Available with or without LED lights. (Requires 1 x AA battery - not supplied)
The clock features a Quartz brand silent clock mechanism for smooth and quiet operation.
Dexter Gordon / Donald Byrd – The Berlin Studio Session 1963 – The Lost Recordings 180g Vinyl
180-gram 45 RPM Remastered from the original analogue tapes New tip-on gatefold jacket printed in Italy Pressed by Marciac Workshop Pressings, France 16-bit album download included
By 1963, Dexter Gordon and Donald Byrd had become two of the leading lights of the Blue Note label, a gleaming showcase and an experimental laboratory for the evolutions and revolutions taking place in the small world of Afro-American jazz stemming from hard bop. Curiously, however, it was not until the autumn of that year that the two musicians made a recording together.
Robert Glasper – In My Element – Blue Note Classic Vinyl Series 180g 2LP Vinyl
Robert Glasper’s 2005 Blue Note debut Canvas signaled the arrival of a singular new voice in jazz and his 2007 follow-up In My Element solidified his status as a rising star who was taking the music someplace new. Featuring bassist Vicente Archer & drummer Damion Reid, the album expanded the possibilities of where a modern jazz piano trio might go by delving further into his hip-hop & gospel roots.
This 2-LP Blue Note Classic Vinyl Edition was mastered by Kevin Gray and pressed on 180g vinyl at Optimal.
Oscar Peterson Trio with Milt Jackson – Very Tall – Verve Records 180g Vinyl
Scott Yanow of AllMusic says in his 4-Star review of Very Tall: “This first matchup on records between pianist Oscar Peterson and vibraphonist Milt Jackson was so logical that it is surprising it did not occur five years earlier. Originally recorded for Verve and three decades later reissued on this audiophile CD by Mobile Fidelity, the quartet set (which also includes bassist Ray Brown and drummer Ed Thigpen) swings as hard as one might expect. Highlights include ‘On Green Dolphin Street,’ ‘The Work Song,’ ‘John Brown’s Body’ (a jam on ‘Battle Hymn of the Republic’) and ‘Reunion Blues.’ Fortunately O.P. and Bags would meet up on records many times in the future (particularly during their Pablo years) but this first effort is a particularly strong set.”
John Coltrane – Ballads – 45 RPM 200G – Analogue Productions UHQR Vinyl
IN STOCK
You're about to experience Ballads at its peak of vinyl perfection — in UHQR format on Clarity Vinyl, with the added bonus of a double 45 RPM cut by Ryan K. Smith at Sterling Sound. Ryan's cut has his characteristic clarity and transparency all set against Quality Record Pressing's usual noiseless backgrounds on 200-gram flawless records. Each UHQR will be packaged in a deluxe box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection. This will be a truly deluxe, collectible product.
For this 45 RPM 2LP edition you'll also receive a !2" x 12" 12-page booklet featuring liner notes by Ashley Kahn and recording session images by Jim Marshall.
Whitney Houston – Whitney Houston – 180g 33RPM Mofi SuperVinyl
NOW IN STOCK!
Landmark Debut Changed Music And Introduced Once-In-A-Generation Vocalist: 14-Times-Platinum Whitney Houston Includes The No. 1 Hits “How Will I Know,” “Greatest Love Of All,” And “Saving All My Love”
Sourced From The Original Master Tapes And Limited To 4,000 Numbered Copies: Mobile Fidelity's 180G Supervinyl Lp Presents 1985 Blockbuster In Audiophile Sound, Plays With Exceptional Clarity.
PCM digital master to analog console to lathe
Bob Dylan – Good As I Been To You – 180g 33RPM Mofi SuperVinyl
BOB DYLAN’S FIRST SOLO ACOUSTIC ALBUM IN NEARLY 30 YEARS REMAINS AN OVERLOOKED GEM: GOOD AS I BEEN TO YOU SERVES AS A PRELUDE TO HIS CELEBRATED LATE-CAREER ARC
1/2" / 30 IPS analog master to DSD 256 to analog console to lathe
Sourced from the Original Master Tapes and Presented in Audiophile Sound for the First Time: Mobile Fidelity’s Numbered-Edition 180g SuperVinyl LP Plays with Riveting Detail
Duke Ellington/Johnny Hodges – Back to Back – Analogue Productions 2x45RPM 200g LP
Several times in his career star alto-saxophone soloist Johnny Hodges struck out on his own, only to return each time to Duke Ellington's band. There seemed to be a constant tension between them, though it was old hat by the time of this recording. In the enclosed notes, critic Michael Ullman examines this complex relationship, suggesting that the blues classics chosen for this program may have been neutral ground. A place where Ellington's unique piano playing could come to the fore and Hodges' irrepressible sensuality could have free rein. This is one of the very best small-group records Ellington ever made — a relaxed, perfectly integrated set of music that truly swings the blues.
Gregg Allman – Midnight Rider / These Days – Analogue Productions 45 rpm Vinyl Single
Genesis – Foxtrot – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
Genesis – Nursery Cryme – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
Genesis’ album Nursery Cryme, released in November 1971, marked a significant moment in the band’s evolution and showcased the burgeoning talents of their new drummer and vocalist, Phil Collins, plus guitarist Steve Hackett.
Nursery Cryme saw the band take a more aggressive direction of some songs, with substantially improved drumming. The opening piece, “The Musical Box” combined the band’s trademark mix of twelve-string guitars with harsh electric guitars and keyboards. The song, a macabre fairy story set in Victorian Britain, became the inspiration for the album cover, and went on to be a live favorite.
