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Wishbone Ash – Argus – Analogue Productions 45RPM 180g Vinyl

£20.00£75.00
Available for Pre-Order (Due August)
Wishbone Ash — Argus 180-gram 45 RPM double LP Mastered from the original analog master tape by Sean Magee at Abbey Road Studios Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket by Stoughton Printing Features the beloved fan favorite "Blowin' Free," plus "The King Will Come," "Time Was," "Warrior" and more! Wishbone Ash reigned supreme through the 1970s — centered on inspired musicianship, joyful spirit and inventive songs. Their concerts were uplifting and their recorded work sublime. Argus remains a stunning high point in the band's startling repertoire.

Lowell Graham & National Symphonic Winds – Center Stage – Analogue Productions (Wilson Audiophile) Vinyl

Original price was: £40.00.Current price is: £30.00.
From Wilson Audiophile Recordings comes Center Stage, featuring Lowell Graham conducting the National Symphonic Winds.
These recordings were made in a historic concert hall on the campus of Hampton University in Hampton Roads, Va. The history of the hall parallels somewhat New York’s Carnegie Hall. The musicians in the National Symphonic Winds come from the premier military bands of the United States as well as the Virginia Symphony Orchestra. The result was a superb mix of seasoned and assured professionals for this single, five-hour recording session.

Daniel Shafran and Lydia Pecherskaya – Shostakovich: Cello Sonata/ Schubert: ‘Arpeggione Sonata’- 180 Gram Analogue Productions Vinyl

Original price was: £45.00.Current price is: £35.00.
Fritz Reiner was unsurpassed at conducting Bartok. This Layton/Mohr recording from 1958 supremely captures Bartok’s melodic beauty, angular rhythms and sense of logic and balance. This gem from the golden age of RCA continues to inspire and amaze!

Ike & Tina Turner – Feel Good – Pure Pleasure Records 180g Vinyl LP

£35.95
“Feel Good” is quintessentially ’70s – the fuzztoned funk practically conjures up platform shoes and mile-wide collars – but it doesn’t belong to any one sound, it casually draws from Southern soul, James Brown funk, black pride, “Superfly” style and juke joint R&B, a sound that is uniquely identified with Ike & Tina. And while this contains no flat-out classics like “Nutbush City Limits” or “Proud Mary” as an album “Feel Good” undoubtedly ranks among their very best: it’s a non-stop party.

John Prine – John Prine – Analogue Productions Atlantic 75 Series Hybrid Stereo SACD

£45.00
All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound and cut at 45 RPM. Pressed at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.

Alice Cooper – Welcome To My Nightmare – Analogue Productions Atlantic 75 Series Hybrid Stereo SACD

£45.00
Available to Pre-Order
1975 was a banner year for superstar Alice Cooper with the release of the groundbreaking concept album Welcome To My Nightmare. This album showcases Cooper’s theatricality, storytelling prowess, and ability to create an immersive world of horror and fantasy.

Ray Charles – Ray Charles – Analogue Productions Atlantic 75 Series Hybrid Mono SACD

£45.00
Ray Charles’ self-titled 1957 album was one of the first handful of albums issued by Atlantic (and was later retitled Hallelujah I Love Her So). As AllMusic reviewer Bruce Elder notes, the album is weighted about three to one in favor of Charles’ own compositions, with the hits “Hallelujah I Love Her So” and the pounding, soaring “Ain’t That Love,” which opens the record, its raison d’etre.

Otis Redding – The Dock Of The Bay – Analogue Productions Atlantic 75 Series Hybrid Stereo SACD

£45.00
The guts of the story are this: While on tour with the Bar-Kays in August 1967, Otis Redding’s popularity was rising, and he was inundated with fans at his hotel in downtown San Francisco. Looking for a retreat, he accepted rock concert impresario Bill Graham’s offer to stay at his houseboat at Waldo Point in Sausalito, California. Inspired, Redding started writing the lines, “Sittin’ in the morning sun, I’ll be sittin’ when the evening comes” and the first verse of a song, under the abbreviated title “Dock of the Bay.”

Gregg Allman – Midnight Rider / These Days – Analogue Productions 45 rpm Vinyl Single

£45.00
Gregg Allman's pained, growling voice joins with horns and gospelish backing vocals to add a personal, often mournful feel on songs on Laid Back. Radio response was strong to the opening track, the loping remake of "Midnight Rider." It's a convincing version of the man's music.

Genesis – A Trick Of The Tail – Analogue Productions Atlantic 75 Series Hybrid Stereo SACD

£45.00
Available to Pre-Order
Genesis’ seventh studio album was released in February 1976 on Charisma Records and was the first to feature drummer Phil Collins as lead vocalist after the departure of Peter Gabriel. The album was a critical and commercial success in the U.K. and U.S., reaching No. 3 and No. 31 respectively. A Trick Of The Tail was a landmark album for the band, and it still stands today as one of their best with classics such as “Dance On A Volcano” and “Squonk.”

Yes – THE YES ALBUM – Analogue Productions Atlantic 75 Series Hybrid SACD

£45.00
Analogue Productions (Atlantic Series) Celebrating the 75th Anniversary of Atlantic Records! One of the finest albums of the classic rock era! Hybrid Stereo SACD
After half a century of crafting an astonishing array of chart-topping albums and embarking on triumphant global tours, Yes’s The Yes Album marks the origin of their meteoric rise, through the recording sessions for this 1971 masterpiece.

Howard McGhee – Maggie’s Back In Town! – Contemporary Records (Acoustic Sounds Series) 180g Vinyl

£45.00
Just in time for summer comes this reissue featuring the criminally unsung Howard McGhee, the dexterous bebop trumpeter who's frequently compared to greats such as Dizzy Gillespie and Fats Navarro. Maggie's Back in Town!! (Maggie was McGhee's nickname), captures the musician's triumphant return to music in 1961. AllMusic rates the album as, "McGhee's finest recording of the period." He overachieves in rhythmic fluidity, a through line that's   particularly potent in seemingly carefree songs such as "Sunset Eyes" and the title track.
This new edition, released as part of the Contemporary Records Acoustic Sounds Series, features (AAA) lacquers cut from the original master tapes by Bernie Grundman and is pressed on 180-gram vinyl at QRP, and presented in a Stoughton Printing tip-on jacket.