Now on 45 RPM LP, mastered at Sterling Sound by Ryan Smith from the analog tapes
Plated and pressed by Quality Record Pressings
Deluxe "tip-on" gatefold jackets by Stoughton Printing
Considered one of Ella’s greatest recordings, she’s backed on this 1960 release by pianist Paul Smith. Let No Man Write My Epitaph was a 1960 Hollywood movie featuring Fitzgerald. The album hits at a depth of emotional understanding that critics often complained was missing in Ella’s reading of jazz lyrics, and once again establishes her as one of the supreme interpreters of the Great American Songbook.
JS Bach's Suites for Unaccompanied Cello Complete performed by Janos Starker Six 200-gram QRP-pressed LPs! Cut directly from the original 3-track, first-generation master tapes at 45 RPM by Ryan K. Smith at Sterling Sound using an AMPEX ATR-100 tape machine customized with 3-track flux magnetic heads!
Janos Starker performs with the London Symphony Orchestra conducted by Antal Dorati performing Dvorak's Cello Concerto in B minor, Op. 104, and Bruch's Kol Nidrei The 2LP classic now mastered and pressed at 45 RPM! Cut directly from the original 3-track, first-generation master tapes! 45 RPM mastering enables full dynamics present on the master tapes! Mastered by Ryan K. Smith at Sterling Sound using an AMPEX ATR-100 Tape Machine customized with 3-track flux magnetics heads Plated and pressed at Quality Record Pressings, makers of the world's finest-sounding LPs!
Analogue Productions’ Blue Note and Nat “King” Cole Reissues WIN A Positive Feedback 2010 Brutus Award! “…if you haven’t picked up every one of the Blue Note and Nat King Cole reissues from Chad Kassem and company at Acoustic Sounds, you’re really missing out!” – David W. Robinson, Positive Feedback, Issue 52
200g Vinyl Mastered by Kevin Gray at Cohearent Audio from the Original Analog Tapes! Pressed at QRP!
- 200g Virgin Vinyl
- Mastered by Kevin Gray at Cohearent Audio from the original analog tapes
- Plasted and pressed at Quality Record Pressings
- Deluxe tip-on gatefold jacket featuring originally unused archival photos
- Meticulous test pressing evaluation and quality control
- Highest-quality jackets and rice paper inner sleeves
200g Vinyl Mastered by Kevin Gray at Cohearent Audio from the Original Analog Tapes! Pressed at QRP! She was the sultry film starlet-turned-torch singer-come-TV actress whose dusky alto captivated a generation. Julie London was “discovered” while running a department store elevator in Hollywood. Just three years earlier the bountiful 15 year old, born Julie Peck to her parents, a song-and-dance duo of the vaudeville era, was singing on her parents’ radio show. When she started working in the movies in the 1940s, she changed her name to London. During the course of a celebrated career in acting and music, she made more than 30 albums.
200-gram vinyl pressing by Quality Record Pressings! Mastered by Kevin Gray at Cohearent Audio from the original analog tapes Sleeved in a deluxe tip-on gatefold jacket
200-gram black vinyl reissue from Analogue Productions Mastered by Kevin Gray at Cohearent Audio from the original analog tape Plated and pressed at Quality Record Pressings Heavyweight tip-on Stoughton Printing jacket Violinist Nathan Milstein is backed by The Concert Arts Orchestra conducted by Walter Susskind for this recording of Violin and Orchestra masterpieces by Mozart, Beethoven, Wieniawski, Novacek, Stravinsky, and Saint-Saens.
- Now cut at 45 RPM on 4LPs!
- Remastered by Ryan Smith at Sterling Sound
- Deluxe box made by Stoughton Printing
- 200-gram LPs pressed at Acoustic Sounds' state-of-the-art pressing plant, Quality Record Pressings
- NOW IN STOCK
Clearly Sam Cooke’s most intimate, most soulful and ultimately most real recording. This one has the feel of a private performance captured after hours when the audience had gone home and the singer was singing purely for the love of his songs. The performance put forth is simply straight from Cooke’s soul. His selection of songs include spiritual, bluesy ballads and gospel classics. Cooke owns these songs, making each interpretation all his own. This is warm music that’s easy to connect with. Mastered by George Marino at Sterling Sound from the original three-track masters. Originally released in 1963.
The late James Harris earned the moniker “Shakey Jake” due to his proficiency at dice, but he was equally adept at the blues game. The Arkansas-born, Chicago-based singer and harmonica blower traveled to Rudy Van Gelder’s New Jersey studio in November 1960 to record Mouth Harp Blues.. Jake brought along Jimmie Lee Robinson, the brilliant, fast-fingered guitarist best known for his work with Little Walter’s band. Also making tasty contributions to the session was Robert Banks, the New York R&B and gospel studio organist who, in this case, ably appointed himself as a two-fisted blues piano stylist. Among the 10 selections is the distinctively loping “Easy Baby,” a tune also associated with Jake’s nephew Magic Sam.