Bob Marley and The Wailers – Kaya – 45 RPM 180G – Analogue Productions 2LP Vinyl

£73.00
Available to Pre-Order
Bob Marley & The Wailers — Kaya Mastered by Ryan K. Smith at Sterling Sound from the original master tape Two 45 RPM LPs pressed on 180-gram vinyl at Quality Record Pressings Deluxe Old-Style Tip-On Stoughton Printing gatefold jacket Kaya, released in 1978, was the tenth studio album by the Jamaican band Bob Marley & The Wailers, comprising tracks recorded alongside those released on the Exodus album. On Kaya, the band continued what has become an unspoken tradition in the evolution of Bob Marley & The Wailers discography — blending western sounds and motifs with the icons and traditions from the very core of Jamaican society.

Bob Marley and The Wailers – Kaya – Analogue Productions SACD

£42.00
Available to Pre-Order
Bob Marley & The Wailers — Kaya Hybrid Multichannel SACD Mastered by Ryan K. Smith at Sterling Sound from the original master tape Plays in all CD and SACD players Kaya, released in 1978, was the tenth studio album by the Jamaican band Bob Marley & The Wailers, comprising tracks recorded alongside those released on the Exodus album. On Kaya, the band continued what has become an unspoken tradition in the evolution of Bob Marley & The Wailers discography — blending western sounds and motifs with the icons and traditions from the very core of Jamaican society.  

Bob Marley and The Wailers – Natty Dread – Analogue Productions SACD

£42.00
Available to Pre-Order
Bob Marley and The Wailers — Natty Dread Hybrid Stereo SACD release from Analogue Productions Mastered Direct To DSD by Ryan K. Smith at Sterling Sound from the original master tape Plays in all CD and SACD players Natty Dread, the seventh album by Bob Marley and The Wailers, released in 1974, was Marley's first recorded without Peter Tosh and Bunny Wailer as the Wailers. Natty Dread was most popularly received in the U.K., where it peaked at No. 43 and sold in excess of 100,000 copies, making it a gold album. Over time it gained popularity in other parts of the world, and in 2003 it was ranked No. 181 on Rolling Stone magazine's list of the 500 greatest albums of all time.

Bob Marley and The Wailers – Rastaman Vibration – Analogue Productions SACD

£42.00
Bob Marley & The Wailers — Rastaman Vibration Hybrid Stereo SACD release from Analogue Productions Mastered Direct To DSD by Ryan K. Smith at Sterling Sound from the original master tape Plays in all CD and SACD players When Rastaman Vibration was first released in America in 1976 it did what some in the music industry considered nearly impossible at the time. It took Bob Marley into the Top Ten alongside disco records and corporate rock, points out Rolling Stone, which rates the album 4 stars. Despite the good cheer of the title track and the upbeat "Roots, Rock, Reggae," Rastaman Vibration contains some of Marley's most intense images of oppression, paranoia and despair. Tracks such as "Who the Cap Fit," "Crazy Baldhead" and "War" are offered by the Wailers with dire urgency as Marley's brutal visions are echoed by his own church choir, the I-Threes. More than four decades later, neither Marley's music nor his message has lost its sting.

Bob Marley and The Wailers – Uprising – 45 RPM 180G – Analogue Productions 2LP Vinyl

£73.00
Available to Pre-Order
Bob Marley & The Wailers — Uprising Mastered by Ryan K. Smith at Sterling Sound from the original master tape Two 45 RPM LPs pressed on 180-gram vinyl at Quality Record Pressings/Also on Hybrid Multichannel SACD Deluxe Old-Style Tip-On Stoughton Printing gatefold jacket Uprising would be the final studio album featuring Bob Marley & the Wailers to be released during Marley's lifetime. Prophetically, it also contains some of the band's finest crafted material, as if they were cognizant that this would be their final outing. For Marley fans, it's more than an album — it's a testament to his enduring spirit. Now, Analogue Productions gives Uprising the deluxe treatment this album, with its rich heritage, deserves. Pressed on 180-gram vinyl pressed at 45 RPM at Quality Record Pressings. Housed in a deluxe Old Style Tip-On Jacket from Stoughton Printing.

Bobby Hutcherson – Total Eclipse – Blue Note Tone Poet Vinyl Series

£45.00
VibraphonistĀ Bobby HutchersonĀ was a defining feature of the sound of Blue Note Records throughout the 1960s, equally at home in hard bop, soul jazz, and avant-garde settings. His 1968 albumĀ Total EclipseĀ was the vibraphonist’s first recording to feature tenor saxophonist and flutistĀ Harold LandĀ who would go on to become a key collaborator in the years to follow. Hutcherson and Land had been co-leading a band on the West Coast and came to New York City for engagements at Slugs’ Saloon and the Village Vanguard before heading into Plaza Sound Studio to record the album.

Bobby Hutcherson – Medina – Blue Note Tone Poet Series 180g Vinyl

£39.95
Bobby Hutcherson’s cutting-edge 1969 session Medina found the vibraphonist with a remarkable band featuring Harold Land on tenor saxophone & flute, Stanley Cowell on piano, Reggie Johnson on bass, and Joe Chambers on drums. The set presents original compositions by Hutcherson, Cowell, and Chambers.

Bruce Springsteen – Born In The U.S.A. (Red) Vinyl LP

£32.50
Bruce Springsteen – Born In The U.S.A. – Limited Red Vinyl LP with Bold, Energetic Analogue Presence
This limited red vinyl edition of Born In The U.S.A. presents Springsteen’s 1984 classic with bold, engaging analogue clarity. The album’s standout tracks — from ā€œDancing in the Darkā€ to ā€œGlory Daysā€ — sound warm, focused and full of energy. The pressing offers smooth dynamics that suit both the anthemic rock songs and the more reflective moments. Springsteen’s vocal presence and the E Street Band’s detail are delivered with confidence. A must-have for anyone building a classic rock vinyl collection.

Bruce Springsteen – Greetings from Asbury Park, N.J. – 180g 33RPM 1 LP SuperVinyl LP Box Set

£149.00
NOW AVAILABLE.
Ultradisc One-Step Box Set Of Bruce Springsteen's 1973 Debut Plays With Audiophile Sound: Limited To 7,500 Numbered Copies
1/4" / 15 IPS analog master to DSD 256 to analog console to lathe
Teeming with identifiable characters, youthful romanticism, vivid narratives, and sophisticated arrangements, Greetings from Asbury Park, N.J. is a personal postcard from the heart, soul, and mind of a rock ’n’ roll lifer bent on discovering his world and what lays beyond it. The 1973 album establishes many of the signature themes and sounds Bruce Springsteen would embrace throughout his unparalleled career. No wonder a majority of the songs — ā€œBlinded by the Light,ā€ ā€œLost in the Flood,ā€ ā€œSpirit in the Nightā€ included — remain staples of the New Jersey native’s fabled concerts.

Bruce Springsteen – Greetings from Asbury Park, N.J. Mofi SACD

£42.00
SOURCED FROM THE ORIGINAL ANALOG MASTER TAPES: HYBRID SACD PLAYS WITH AUDIOPHILE SOUND
Teeming with identifiable characters, youthful romanticism, vivid narratives, and sophisticated arrangements, Greetings from Asbury Park, N.J. is a personal postcard from the heart, soul, and mind of a rock 'n' roll lifer bent on discovering his world and what lays beyond it. The 1973 album establishes many of the signature themes and sounds Bruce Springsteen would embrace throughout his unparalleled career. No wonder a majority of the songs – "Blinded by the Light," "Lost in the Flood," "Spirit in the Night" included – remain staples of the New Jersey native's fabled concerts.

Bryan Ferry – Let’s Stick Together – 180g Virgin EMI Vinyl

£19.95
Let’s Stick Together by Bryan Ferry was his third solo release, his first following the disbanding of Roxy Music earlier in the year of 1976. Unlike Ferry’s two previous solo recordings, Let’s Stick Together was not a dedicated album project, instead being made up of material released as singles, B-sides and an EP.

Buckingham Nicks – Buckingham Nicks (Rhino High Fidelity) 180G Vinyl LP

£55.00
Buckingham Nicks, the only studio album by Lindsey Buckingham and Stevie Nicks as a duo, will be reissued for the first time.
Originally released in 1973 and unavailable for decades, the album has been sourced from the original analog master tapes for its long-awaited return to vinyl. Released on September 5, 1973, Buckingham Nicks quickly faded from commercial view but never disappeared from the cultural conversation. Recorded at Sound City Studios in Los Angeles and produced by Keith Olsen, the album introduced Nicks and Buckingham’s tightly wound harmonies and sharply contrasting songwriting voices across 10 tracks—ranging from the folk-rock shimmer of ā€œCrystalā€ to the sunbaked strut of ā€œDon’t Let Me Down Again.ā€