Herbie Nichols Trio ā Herbie Nichols Trio (Mono) ā Blue Note (Tone Poet) 180g Vinyl
Herbie Nichols was one of the most original pianists and composers in jazz history. Blue Note founder Alfred Lion considered him to be as unique and important a voice as Thelonious Monk, another singular talent who Lion was the first to record a few years before he signed Nichols in 1955. Little-known during his lifetime, recognition has begun to grow in recent decades for Nicholsā incredibly hip, angular compositions, each of which were miniature marvels built with their own sturdy inner logic.
Miles Davis ā Sorcerer ā MOFI 2 x 180g 45RPM Vinyl
MOOD, INFLECTION, AND NUANCE TAKE CENTER STAGE ON COMPOSITIONS STEEPED IN SOPHISTICATED EXPRESSIONISM
1/4ā³ / 15 IPS analog master to DSD 256 to analog console to lathe
Filled with aural magic and enchanting musical spells, Sorcerer is true to its name. The third of five albums devised by Miles Davisā legendary second quintet ā and the second record in a still-unprecedented string of eight consecutive releases within a four-year period that forever changed the face of jazz ā the 1967 magnum opus mesmerizes with instrumental colors, subdued musings, and subtle details.Big John Patton – Let ‘Em Roll ā Blue Note (Tone Poet) 180g Vinyl
On 1967's Schizophrenia Shorter arrived at the pinnacle of post-bop and gazed out at the horizons around him. A current of the avant-garde already coursed through his music and the next time he would enter the studio for Blue Note would be for his 1969 fusion exploration Super Nova. But in this moment, he produced one of his most complete and stylistically diverse artistic statements with a sextet of like-minded musical adventurers, including James Spaulding on alto saxophone and flute, Curtis Fuller on trombone, Herbie Hancock on piano, Ron Carter on bass, and Joe Chambers on drums. The six-song set of original compositions includes several of Shorter's most enduring themes including the unforgettable groove of "Tom Thumb," the evocative "Go," and the beautiful ballad "Miyako," as well as Spaulding's churning piece "Kryptonite."
Dizzy Gillespie Live At Singer Concert Hall 1973 ā The Lost Recordings 180g Vinyl
For Dizzy everything starts and ends with laughter. In the meantime, all paths are possible. That of melancholy, of dance or of political commitment⦠Dizzy is everywhere at once, always elusive, he is this explorer who, after having been one of the founders of Bebop in the 40ās, will never stop experimenting, surprising and pushing back the borders.
Lee Morgan ā Infinity LP (Blue Note Tone Poet Series) ā Blue Note Vinyl
Just two months after recording his exceptional sextet dateĀ Cornbread, the prolific trumpeter Lee Morgan was back in Van Gelder Studio in November 1965 with a slightly slimmed downābut no less robustāquintet line-up to record his next sessionĀ Infinity, which wouldnāt be first released until 1981. Alto saxophonist Jackie McLean and drummer Billy Higginsāboth of whom were featured onĀ Cornbreadāwere at Morganās side once again along with pianist Larry Willisand bassist Reggie Workman for a five-song set that ventured to the far reaches of the hard bop tradition and beyond. Four compelling Morgan originals and McLeanās engaging ballad āPortrait of Dollā cover a wide expanse of musical terrain including the probing title track, the laid-back 6/8 groove of āMiss Nettie B,ā the intricate interlaced lines of āGrowing Pains,ā and the hard-charging closer āZip Code.ā
Duke Pearson ā The Right Touch LP (Blue Note Tone Poet Series) ā Blue Note Vinyl
Perhaps the perfect starting point for a reappraisal of Duke Pearsonās underrated career is his fantastic and aptly titled 1967 albumĀ The Right Touch. The album stands as perhaps the finest in Pearsonās discography and is a showcase of his sublime talents as a pianist, composer, and arranger.Ā The Right TouchĀ is comprised of six memorable Pearson compositions arranged for a dynamic 8-piece band featuring trumpeter Freddie Hubbard, trombonist Garnett Brown, alto saxophonist James Spaulding, alto saxophonist/flutist Jerry Dodgion, tenor saxophonist Stanley Turrentine, bassist Gene Taylor, and drummer Grady Tate.
Peter Frampton Frampton@50: In the Studio 1972-1975 Numbered Limited Edition 180g 3LP Box Set
Sonny Clark Trio ā Sonny Clark Trio (Blue Note Tone Poet) ā Blue Note 180g Vinyl
Dizzy Reece ā Star Bright Lp (Blue Note Classic Series) Blue Note Vinyl
Born in Kingston, Jamaica, the trumpeter Dizzy Reece moved to London at age 17 and began working across Europe, frequently in Paris, where he played with the likes of Don Byas and Kenny Clarke. Reece also made fans of Miles Davisand Sonny Rollinswho spread the word about a hot new trumpeter on the European scene. So when Donald Byrd and Art Taylor came through Paris on tour in 1958 they sought out Reece and even found their way into the recording studio together for what would become Reeceās Blue Note debut Blues In Trinity.
Creedence Clearwater Revival ā Pendulum – Craft Recordings Half Speed Mastered Vinyl
50th anniversary pressing of the penultimate studio album from Americaās greatest rock `nā roll band; first released in 1970 at the peak of Creedenceās prolific caree. Includes the hits āHave You Ever Seen The Rain,ā āHey Tonightā and more. The album was mastered at half-speed at Abbey Road Studios, benefiting from an exacting process that allows for an exceptional level of sonic clarity and punch. This 180-gram vinyl comes housed in a tip-on jacket replicating the original pressing packaging.
Creedence Clearwater Revival ā Mardi Gras – Craft Recordings Half Speed Mastered Vinyl
50th anniversary pressing of the final studio album from Americaās greatest rock `nā roll band; first released in 1972. Highlights include a cover of āHello Mary Lou,ā and the Fogerty-penned rocker āSweet Hitch-Hiker.ā The poignant āSomeday Never Comes,ā marked the groupās final single.