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Select options This product has multiple variants. The options may be chosen on the product pageVincent Belanger – Pure Cello – Audio Note Vinyl or CD
£19.99
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Select options This product has multiple variants. The options may be chosen on the product pageVincent Belanger – Pure Cello – Audio Note Vinyl or CD
£19.99 
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Select options This product has multiple variants. The options may be chosen on the product pageVincent Belanger – Pure Cello – Audio Note Vinyl or CD
£19.99
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Steely Dan – Countdown to Ecstasy Vinyl LP
Steely Dan – Countdown to Ecstasy – Analogue Warmth & Studio Precision on Vinyl LP
A clean, balanced vinyl edition of Steely Dan’s 1973 jazz-rock classic. Key tracks like “Bodhisattva” and “My Old School” benefit from warm analogue depth. The pressing handles the album’s detailed arrangements with ease. Smooth instrumentation and sharp songwriting shine throughout. A refined addition to any classic rock or audiophile collection.
Steely Dan – Katie Lied – 45 RPM 200G – Analogue Productions UHQR Vinyl
- Katy Lied — Steely Dan's gold-selling fourth studio album now on UHQR!
- Definitive reissue Ultra High Quality Record, the pinnacle of high-quality vinyl!
- 45 RPM LP release limited to 20,000 numbered copies
- Mastered directly from the original master tape by Bernie Grundman
- Pressed at Quality Record Pressings using 200-gram Clarity Vinyl®
- Purest possible pressing and most visually stunning presentation and packaging!
- Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing
Steely Dan – The Royal Scam – 45 RPM 200G – Analogue Productions UHQR Vinyl
- The Royal Scam — Steely Dan’s gold-selling fifth studio album now on UHQR!
- Definitive reissue Ultra High Quality Record, the pinnacle of high-quality vinyl!
- 45 RPM LP release limited to 20,000 numbered copies
- Mastered directly from the original master tape by Bernie Grundman
- Pressed at Quality Record Pressings using 200-gram Clarity Vinyl®
- Purest possible pressing and most visually stunning presentation and packaging!
- Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing
Stevie Nicks – Rock a Little – Mofi 180g 45RPM 2LP Box Set
Available to Pre-Order
Stevie Nicks Sings for the Things Money Can’t Buy on Rock a Little: Platinum Album Features Extravagant Production, Includes the Hits “Talk to Me” and “I Can’t Wait”
Mobile Fidelity’s 180g 45RPM 2LP Set Presents the 1985 Record in Audiophile Sound for the First Time: Strictly Limited to 4,000 Numbered Copies, 40th Anniversary Reissue Plays with Exceptional Balance and Clarity 1/4” / 15 IPS Dolby A analog copy to DSD 256 to analog console to lathe Looking back on her career in the early 90s, Stevie Nicks described the first track of Rock a Little as “the most exciting song that I had ever heard.” This coming from a superstar who was already closely affiliated with several bajillion-selling Fleetwood Mac albums — to say nothing of her own benchmark solo debut. Her remarks attest to the enthusiasm and effort she invested in her third record, a 1985 work that quickly furthered Nicks’ profile and cemented itself as a piece of 80s pop lore.
Stevie Nicks – Rock a Little – Mofi Hybrid SACD
Available To Pre-Order
Stevie Nicks Sings for the Things Money Can’t Buy on Rock a Little: Platinum Album Features Extravagant Production, Includes the Hit Singles “Talk to Me” and “I Can’t Wait”
Mobile Fidelity’s Hybrid SACD Presents the 1985 Record in Audiophile Sound: Strictly Limited to 3,000 Numbered Copies, 40th Anniversary Reissue Plays with Exceptional Balance and Clarity
Stevie Nicks Bella Donna – Mofi Hybrid SACD
Coming Soon - Pre-Order Now
Stevie Nicks Breaks Out as a Solo Force on Bella Donna: 1981 Album Features Extraordinary Vocal Performances and Four Hits, Including “Edge of Seventeen” and “Stop Draggin’ My Heart Around”
Experience the Record’s Spontaneous Feel, Raw Emotions, and Organic Arrangements in Transparent Sound on Mobile Fidelity’s Numbered-Edition Hybrid SACD
Stevie Nicks had much to prove when she stepped out on her own for the first time and crafted Bella Donna. Despite attaining superstar success with Fleetwood Mac, the singer often took a back seat to the band’s other members — and, due to the group’s approach, faced limitations in getting her songs on an album. Along with Nicks’ status as a significant artistic force in her own right, that all changed with the timeless Bella Donna.
Stevie Nicks Bella Donna 45RPM 2LP Mofi Vinyl Box Set
Stevie Nicks Breaks Out as a Solo Force on Bella Donna: 1981 Album Features Extraordinary Vocal Performances and Four Hits, Including “Edge of Seventeen” and “Stop Draggin’ My Heart Around”
Experience the Record’s Spontaneous Feel and Raw Emotions in Definitive Sound on Mobile Fidelity’s UltraDisc One-Step 180g 45RPM 2LP Box Set: Strictly Limited to 4,000 Numbered Copies
1/4” / 30 IPS analog master to DSD 256 to analog console to lathe Stevie Nicks had much to prove when she stepped out on her own for the first time and crafted Bella Donna. Despite attaining superstar success with Fleetwood Mac, the singer often took a back seat to the band’s other members — and, due to the group’s approach, faced limitations in getting her songs on an album. Along with Nicks’ status as a significant artistic force in her own right, that all changed with the timeless Bella Donna.
Stone Temple Pilots – Tiny Music… Songs from the Vatican Gift Shop – Mofi 180g 45 RPM 2LP
IN STOCK NOW
Stone Temple Pilots Go Glam and Get Psychedelic on Tiny Music… Songs from the Vatican Gift Shop: Includes “Big Bang Baby” and “Trippin’ on a Hole in a Paper Heart"
Experience the Double-Platinum 1996 Album in Audiophile Sound for the First Time: Mobile Fidelity’s Numbered-Edition 180g 45RPM 2LP Set Is Sourced from the Original Analog Tapes
1/2” / 30 IPS analog master to DSD 256 to analog console to lathe
If great art, as many believe, is inherently polarizing, then the Stone Temple Pilots’ Tiny Music… Songs from the Vatican Gift Shop easily ranks as the California-based band’s finest album. Simultaneously celebrated and castigated upon release in spring 1996, the group’s third full-length finds vocalist Scott Weiland and company expanding their “grunge” palette with a smart blend of glam rock, psychedelia, jangle pop, and other related styles. Having benefited from long-view reassessments that shed the biases and meanness of initial criticisms, the double-platinum effort is now largely and rightly seen as a creative masterwork. All the more reason why it deserves reference-grade production.
