Bach Cello Suites – PS Audio Gold SACD
Bad Company – Bad Company – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
From the wreckage of Free came Bad Company, the English hard rock supergroup fronted by singer Paul Rodgers and featuring his drummer bandmate Simon Kirke, Mott the Hoople guitarist Mick Ralphs, and King Crimson bassist Boz Burrell. Peter Grant, who managed the rock band Led Zeppelin, also managed Bad Company until 1982.
Badfinger – Badfinger at the BBC 1969-1970 – Rhythm and Blues Records Vinyl
The Iveys had been a moderately successful Swansea-based beat group in the mid-sixties performing cover versions of the latest pop and soul records before they engaged Liverpudlian Bill Collins as their manager.
Collins had known the Beatles back in 1962-63 and was chummy with their road manager Mal Evans, who came along to an Iveys gig in January 1968. This led to the group being signed by Apple Records for a three-year deal. Tom Evans’ composition Maybe Tomorrow was the first single.
Although it bombed in the UK and USA, it was an international smash released in 20 countries worldwide.
Barney Kessel, Ray Brown, and Shelly Manne – The Poll Winners – Acoustic Sounds Series
Craft Recordings and Acoustic Sounds are proud to announce the Contemporary Records Acoustic Sounds series, which begins with six album releases from the Contemporary Records catalog, celebrating 70 years of the legendary jazz label. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world’s largest source for audiophile recordings.
Each title, originally engineered by Roy DuNann and/or Howard Holzer, features all-analog mastering from the original tapes by legendary engineer Bernie Grundman (himself a former employee of the label), as well as unsurpassed audiophile pressing on 180-gram vinyl at Quality Record Pressings, presented in a Stoughton Printing old-style tip-on jacket.
The series highlights gems from Contemporary’s extraordinary catalog and features artists who both defined and expanded the sound of West Coast jazz.
.Beethoven Egmont Overture – Symphony No.5 – Chasing the Dragon – Reel To Reel 1/2 Track 7 1/2 ips
Master Quality 7″ Spool, 1/2 Track, 7 1/2 IPS Reel To Reel Tape!
Exceptional Audiophile Sound as close to the Original Master Reference Quality as possible!
Chasing The Dragon had the opportunity of recording a live Beethoven concert performed at St. Martin-in-the-Fields. From this event, they have been able to release 2 new recordings featuring the Locrian Ensemble of London, conducted by Rimma Sushanskaya.
Also recorded on the same day was a Piano Concerto No 5 performance by the Locrian Ensemble of London.
Beethoven Egmont Overture – Symphony No.5 – Chasing the Dragon – Reel To Reel 1/4″ 15 ips
Master Quality 1/4" 15 ips Reel To Reel Tape!
Exceptional Audiophile Sound as close to the Original Master Reference Quality as possible!
Chasing The Dragon had the opportunity of recording a live Beethoven concert performed at St. Martin-in-the-Fields. From this event, they have been able to release 2 new recordings featuring the Locrian Ensemble of London, conducted by Rimma Sushanskaya.
Also recorded on the same day was a Piano Concerto No 5 performance by the Locrian Ensemble of London.
Beethoven Piano Concerto No.5 – Emperor – Chasing the Dragon – Reel To Reel 1/2 Track 7 1/2 ips
Master Quality 7″ Spool, 1/2 Track, 7 1/2 IPS Reel To Reel Tape!
Exceptional Audiophile Sound as close to the Original Master Reference Quality as possible!
Known as the "Emperor", John Lenehan gives a superb performance with the Locrian Ensemble. It is a live concert recorded at St Martins in the Field. Only four microphones were used to capture the orchestra within this superb acoustical space.
Beethoven Piano Concerto No.5 – Emperor – Chasing the Dragon – Reel To Reel 1/4″ 15 ips
Master Quality 1/4" 15 ips Reel To Reel Tape!
Exceptional Audiophile Sound as close to the Original Master Reference Quality as possible!
Known as the "Emperor", John Lenehan gives a superb performance with the Locrian Ensemble. It is a live concert recorded at St Martins in the Field. Only four microphones were used to capture the orchestra within this superb acoustical space.