Bud Shank ā Barefoot Adventure ā Impex Records 180g Vinyl LP
Bob Dylan – Bob Dylan – Mofi 180g 33RPM SuperVinyl Mono LP
The Understated Debut That Launched A Peerless Career: Bob Dylan Is The Clearest Connection To The Singer-Songwriter's Folk Roots
Pressed On Mofi Supervinyl For Reference Playback: Mobile Fidelity 33Rpm Supervinyl Mono Lp Features The Direct Sound Dylan Intended
1/4" / 15 IPS analog mono master to DSD 256 to analog console to lathe
Charles Mingus ā Pithecanthropus Erectus (Mono) ā Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
Sonny Rollins – East Broadway Run Down – Impulse (Acoustic Sounds Series) 180g Vinyl
Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve's Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets.
The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.
Wilson Pickett ā The Exciting Wilson Pickett – Analogue Productions (Atlantic 75 Series) 180g 45rpm 2 LP Vinyl
Limited edition clear vinyl LP Wilson Pickett's The Exciting Wilson Pickett Part of Atlantic Records' 75th Anniversary vinyl collection
The Exciting Wilson Pickett! launched four crossover hit singles (including 2 No. 1s!) for the artist on its way to landing at No. 3 on the Billboard R&B charts and No. 21 on the Popular Albums chart in 1966. The chart-toppers are "In The Midnight Hour," "Land of a Thousand Dances" "634-5789 (Soulsville, USA)" and "Ninety-nine and a Half (Won't Do)." The deeper album cuts hold significant appeal as well and include standards "Something You Got," "Barefootin'" and "Mercy Mercy" as well as several original tunes with Memphis Soul greats Steve Cropper, Eddie Floyd, and David Porter.
Charlie Mingus ā Oh Yeah ā Analogue Productions (Atlantic 75 Series) 180g 45rpm 2 LP Vinyl
Analogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! A powerful, passionate and expressive album! 180-gram 45 RPM double LP Mastered by Kevin Gray at Cohearent Audio from the original analog master tape Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket by Stoughton Printing
After several sessions with Columbia and Candid, Charles Mingus briefly returned to Atlantic and cut the freewheeling Oh Yeah, which AllMusic says has to rank as the wildest of all his classic albums. Mingus displays all of his vigorous jazz feeling on this album; he plays no bass whatsoever, hiring Doug Watkins to fill in while he accompanies the group on piano and contributes bluesy vocals to several tracks (while shouting encouragement on nearly all of them).Stan Getz ā Sweet Rain ā (Verve Records ā Acoustic Sounds Series ) 180g 1LP Gatefold Sleeve
Verveās Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.
Rediscover the smooth, lyrical sound of Stan Getz with Sweet Rain, beautifully remastered on this Acoustic Sounds Vinyl LP.
Originally released in 1967, this iconic album showcases Getz at his finest, delivering soulful, expressive performances alongside a stellar lineup including Chick Corea on piano, Ron Carter on bass, and Grady Tate on drums.
The Acoustic Sounds edition brings out every subtle nuance of the recording, offering a rich, warm sound that truly captures the essence of Getzās tenor saxophone.
From the swinging rhythms of āLithaā to the hauntingly beautiful title track, Sweet Rain is a must-have for jazz lovers and vinyl enthusiasts alike. This high-quality pressing ensures an immersive listening experience, bringing the magic of Getzās timeless music to your turntable.
Howard McGhee – Maggieās Back In Town! – Contemporary Records (Acoustic Sounds Series) 180g Vinyl
Just in time for summer comes this reissue featuring the criminally unsung Howard McGhee, the dexterous bebop trumpeter who's frequently compared to greats such as Dizzy Gillespie and Fats Navarro. Maggie's Back in Town!! (Maggie was McGhee's nickname), captures the musician's triumphant return to music in 1961. AllMusic rates the album as, "McGhee's finest recording of the period." He overachieves in rhythmic fluidity, a through line that'sĀ Ā particularly potent in seemingly carefree songs such as "Sunset Eyes" and the title track.
This new edition, released as part of the Contemporary Records Acoustic Sounds Series, features (AAA) lacquers cut from the original master tapes by Bernie Grundman and is pressed on 180-gram vinyl at QRP, and presented in a Stoughton Printing tip-on jacket.
Run DMC ā Run DMC ā Mofi 180g 33RPM SuperVinyl LP
The Album That Invented Hardcore Hip-Hop: Run-D.M.C. Changed The Sound Of Music And Popular Culture
Run-D.M.C.'S 1984 Debut Benefits From Restorative Treatment On Mobile Fidelity's 180G Supervinyl 33Rpm Lp: Limited To 3,000 Numbered Copies, Includes New Liner Notes
1/2" / 15 IPS analog master to DSD 256 to analog console to lathe
The impact, influence, and importance of Run-D.M.C.'s self-titled debut ā the album that invented hardcore hip-hop and bridged rap, rock, and funk in then-unparalleled ways ā cannot be measured. The first full-length record released by Profile Records, the 1984 set permanently changed the sound of music, broadcast streetwise wisdom to every corner of the country, and made the notion of a one-man band a distinct reality. Bolstered by an incendiary blend of staccato deliveries, stark beats, aggressive exchanges, evocative hooks, and socially conscious messages, Run-D.M.C. still hits listeners in the jaw with the same intensity it did nearly 40 years ago when it could be heard booming from ghetto blasters carried around city blocks nationwide.