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John Prine – John Prine – Analogue Productions 180g 45RPM 2LP Vinyl
All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound and cut at 45 RPM. Pressed at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.
Tchaikovsky / Monteux / Boston Symphony – Symphony No 4 – Analogue Products 200g Vinyl
Analogue Productions’ RCA Living Stereo Reissue Series No. 2, with 25 newly remastered mainstay classical albums, will delight and astound your ears with their clarity and warm, rich tone. As with our first highly-regarded LSC series, shortcomings of previous editions have been improved upon — from the mastering, to the LP pressing, to the sharp-looking glossy heavyweight Stoughton Printing tip-on jackets that faithfully duplicate the original artwork, “Living Stereo” logo, “Shaded Dog” label and all!
HUGH MASEKELA ‘HOPE’ ANALOGUE PRODUCTIONS 4LP, 200g Box Set
The best just got better! This will sell out fast, so get your orders in quickly.
The ultimate ‘dem disc’ is now available as a 200g 4LP 45rpm boxset!
Mastered by Kevin Gray at Cohearent Audio from the original analogue tape
45 RPM mastering enables full dynamics present on the tape
Plating and 200-gram pressing by Quality Record Pressings!
Gatefold tip-on jacket by Stoughton Printing
Packaged in a custom-designed slipcase
Includes insert containing interview with David Hewitt, original recording engineer for Hope
Dizzy Gillespie Live At Singer Concert Hall 1973 – The Lost Recordings 180g Vinyl
For Dizzy everything starts and ends with laughter. In the meantime, all paths are possible. That of melancholy, of dance or of political commitment… Dizzy is everywhere at once, always elusive, he is this explorer who, after having been one of the founders of Bebop in the 40’s, will never stop experimenting, surprising and pushing back the borders.
Philip Catherine & Nicolas Fiszman Live At The Berlin Jazzbühne Festival 1982 – The Lost Recordings 180g Vinyl
Rimsky Korsakov – Scheherazade Chasing The Dragon Audiophile Vinyl
Lee Morgan – Infinity LP (Blue Note Tone Poet Series) – Blue Note Vinyl
Just two months after recording his exceptional sextet date Cornbread, the prolific trumpeter Lee Morgan was back in Van Gelder Studio in November 1965 with a slightly slimmed down—but no less robust—quintet line-up to record his next session Infinity, which wouldn’t be first released until 1981. Alto saxophonist Jackie McLean and drummer Billy Higgins—both of whom were featured on Cornbread—were at Morgan’s side once again along with pianist Larry Willisand bassist Reggie Workman for a five-song set that ventured to the far reaches of the hard bop tradition and beyond. Four compelling Morgan originals and McLean’s engaging ballad “Portrait of Doll” cover a wide expanse of musical terrain including the probing title track, the laid-back 6/8 groove of “Miss Nettie B,” the intricate interlaced lines of “Growing Pains,” and the hard-charging closer “Zip Code.”
Duke Pearson – The Right Touch LP (Blue Note Tone Poet Series) – Blue Note Vinyl
Perhaps the perfect starting point for a reappraisal of Duke Pearson’s underrated career is his fantastic and aptly titled 1967 album The Right Touch. The album stands as perhaps the finest in Pearson’s discography and is a showcase of his sublime talents as a pianist, composer, and arranger. The Right Touch is comprised of six memorable Pearson compositions arranged for a dynamic 8-piece band featuring trumpeter Freddie Hubbard, trombonist Garnett Brown, alto saxophonist James Spaulding, alto saxophonist/flutist Jerry Dodgion, tenor saxophonist Stanley Turrentine, bassist Gene Taylor, and drummer Grady Tate.
Peter Frampton Frampton@50: In the Studio 1972-1975 Numbered Limited Edition 180g 3LP Box Set
Fritz Reiner – Spain – Analogue Productions 180g Stereo Vinyl
Ella Fitzgerald and Louis Armstrong – Ella & Louis – Analogue Productions 180g Stereo Vinyl
It is undeniable that Billie Holiday’s singing changed in her later years. Her voice darkened and shifted to a lower range. Her economy of means distilled her sound to its expressive essence — a kind of heightened speech. The classic LP Songs For Distingue Lovers has also deepened and become burnished with time. Maybe it’s that still-arresting word, “distingue”; maybe it’s that iconic, tinted image of Lady Day on the cover. But now that legendary LP, with the singer’s best studio work of the Fifties, is available through the Acoustic Sounds Series.
