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Duke Ellington – Ellington Indigos – Impex Records 180g Stereo Vinyl
Winner of a Gruvy Award, chosen by AnalogPlanet’s editor, Michael Fremer, for vinyl records that are musically and sonically outstanding and are also well mastered and pressed.
An all-analog shot of pure Duke at his most soulfully nocturnal. From the cats who brought you Time Further Out and Friday and Saturday Nights At the Blackhawk. Impex Records is making your nights a little cooler.
Arnett Cobb – Ballads By Cobb – Analogue Productions 180g Stereo Vinyl
Originally released in November 1960, Ballads by Cobb, as its title suggests, is all slow ballads, putting the emphasis on the Texas tenor’s warm tone.
A Texas tenor player in the tradition of Illinois Jacquet, Arnett Cobb’s accessible playing was between swing and early rhythm & blues. His stomping, robust style earned him the title “Wild Man of the Tenor Sax.”
Sonny Rollins – Rollins Plays For Bird – Analogue Productions 180g (Mono) Vinyl
McCoy Tyner – Time For Tyner Lp (Blue Note Tone Poet Series) – Blue Note Vinyl
The great pianist McCoy Tyner made his Blue Note debut with The Real McCoy in 1967 soon after departing John Coltrane’s quartet and returned to the studio months after Coltrane’s death to record Tender Moments with an expanded ensemble featuring a 6-piece horn section. For his 3rd Blue Note date Time For Tyner, recorded in 1968, the pianist went a different direction by assembling a hornless quartet with vibraphonist Bobby Hutcherson, bassist Herbie Lewis, and drummer Freddie Waits. Tyner and Hutcherson’s first recorded encounter came on the vibraphonist’s 1966 Blue Note album Stick-Up, and here their musical comradery deepened even further.
Alan Parsons Project – Eye in the Sky – MOFI SACD
Mastered From The Original Master Tapes: Sacd Presents The Music’s Hallmark Smoothness, Lushness, And Detail In Reference Sound
The opening track to the Alan Parsons Project’s Eye in the Sky remains the most recognized instrumental in sports – fanfare inseparably tied with introducing NBA legend Michael Jordan and his six-time world-champion Chicago Bulls mates before games, and still used by many teams as an energy-raising prelude. Indeed, the subdued grandiosity, cosmic bluster, and lights-out wonder of “Sirius” also sets the table for the band’s smash 1982 album, whose hallmark smoothness, lushness, and balance reach epic heights on Mobile Fidelity’s reissue.
Whitney Houston – Whitney – 180g 33RPM Mofi SuperVinyl
Mastered From The Original Master Tapes And Pressed At Rti On Mofi Supervinyl For Spectacular Sound 1/2″ / 30 IPS analog master to DSD 256 to analog console to lathe
NOW IN STOCK!!
Whitney did more than turn Whitney Houston into a pioneering sensation known around the world by her first name. Originally released in June 1987, the singer’s blockbuster sophomore record became the first album by a female artist to debut at No. 1 on the Billboard 200 chart — a position it claimed for a total of 11 weeks en route to selling more than 10 million copies in the U.S. The Diamond platinum effort also contains four No. 1 Hot 100 hits that, when combined with the three chart toppers from her 1985 debut, gave her seven consecutive No. 1 singles — an accomplishment that no other artist has accomplished. Commercially and creatively, Whitneystands on hallowed ground — especially now that the record plays with a sound that puts into perspective just how extraordinary, engaging, and vital Houston’s music remains.
Julie London – Latin In A Satin Mood – Analogue Productions 200g Vinyl
Analogue Productions has brought back Julie London sings Latin In A Satin Mood in dramatic, deserving fashion. Remastered by Kevin Gray at Cohearent Audio, and plated and pressed on 200-gram vinyl at Quality Record Pressings, the crispness and vibrancy of this recording is spectacular.
Exotic and Latin albums were big deals in the 1950s and early ’60s, and singers as diverse as Dean Martin, Lena Horne, and Peggy Lee were recording with castanets and bongo drums. Like Peggy Lee, London combines a restrained vocal approach with jazz phrasing and a cool attitude with icy sex appeal on this album of relaxing Latin standards. Julie does look beautiful on the cover, and the backup male “mariachi-esque” serenade ads to the romantic ambiance.
Warren Zevon – Excitable Boy – 180g 45RPM 2LP Mofi Vinyl
Sourced From The Original Analog Tapes For Definitive Sound 1/4″ / 15 IPS Dolby A analog master to DSD 256 to analog console to lathe
Excitable Boy established Warren Zevon as rock’s gonzo figurehead – or, as Jackson Browne aptly called him, “the first and foremost proponent of song noir.” A supreme collision of over-caffeinated energy, acerbic wit, dark humor, irreverent reporting, bittersweet romance, swept-under-the-rug truth, and illicit desire sent up with booze, pills, and therapist confessions, the breakthrough album zeroes in on frightening aspects of American culture with an incisiveness that’s even sharper today than upon the effort’s release in 1978. And the music has never sounded so excitable.
Ernest Ansermet – The Royal Ballet Gala Performances (2 LP + Book) – Analogue Productions 180g Vinyl
Analogue Productions is proud and excited to be bringing back such a classic. Not just for the music, which is superb, but also for the detailed packaging, which in this case takes the form of a 22-page lavishly illustrated book that’s integrated into the tip-on gatefold jacket. If you’re new to ballet, this pictorial history will introduce you to some of its most famous productions — old favorites such as The Nutcracker, Swan Lake and The Sleeping Beauty, for example — but also less familiar tales such as Carnaval, Les Sylphides and Coppélia. You’ll also make the aquaintance of famous ballerinas of the Royal company, such as Margot Fonteyn, Nadia Nerina and Beryl Grey. as well as choreographers such as Jules Perrot and male dancers Alexis Rassine and Michael Somes.
Eric Dolphy – Outward Bound (Stereo) – Analogue Productions 180g Vinyl
Eric Dolphy has sometimes been described as an iconoclast, but in Outward Bound, he was not overturning his idol, Charlie Parker; he was building on Bird’s legacy. So deep was Dolphy’s musicianship, so free his imagination, that he enchanted trailblazers like John Coltrane and Charles Mingus. Partnering in this collection with the brilliant trumpeter Freddie Hubbard and a stunning rhythm section, Dolphy is at a peak of energy and creativity on alto saxophone, bass clarinet, and flute. He and Hubbard work with empathy reminiscent of the young Parker and Dizzy Gillespie. Pianist Jaki Byard, bassist George Tucker, and drummer Roy Haynes were ideal accompanists and co-conspirators in this widely influential work.
