Herbie Nichols Trio ā Herbie Nichols Trio (Mono) ā Blue Note (Tone Poet) 180g Vinyl
Herbie Nichols was one of the most original pianists and composers in jazz history. Blue Note founder Alfred Lion considered him to be as unique and important a voice as Thelonious Monk, another singular talent who Lion was the first to record a few years before he signed Nichols in 1955. Little-known during his lifetime, recognition has begun to grow in recent decades for Nicholsā incredibly hip, angular compositions, each of which were miniature marvels built with their own sturdy inner logic.
Miles Davis ā Sorcerer ā MOFI 2 x 180g 45RPM Vinyl
MOOD, INFLECTION, AND NUANCE TAKE CENTER STAGE ON COMPOSITIONS STEEPED IN SOPHISTICATED EXPRESSIONISM
1/4ā³ / 15 IPS analog master to DSD 256 to analog console to lathe
Filled with aural magic and enchanting musical spells, Sorcerer is true to its name. The third of five albums devised by Miles Davisā legendary second quintet ā and the second record in a still-unprecedented string of eight consecutive releases within a four-year period that forever changed the face of jazz ā the 1967 magnum opus mesmerizes with instrumental colors, subdued musings, and subtle details.Grateful Dead ā Workingmanās Dead Mofi 180g 45RPM 2LP
#264 On Rolling Stoneās 500 Greatest Albums Of All Time: Airy Harmonies, Simple Structures, Concise Arrangements, And Burnished Tones 1/4ā³ / 15 IPS / Dolby A analog master direct to lathe
Workingmanās Dead defies the erroneous belief that the Grateful Dead never attained brilliance in the recording studio. Forever prized for natural sonics, Workingmanās Dead attains audiophile reference status courtesy of this first-ever 45RPM version. As flawless as any rustic album ever released, the 1970 set now brims with soaring harmonies, organic execution, intertwined textures, and uncomplicated structures that furnish the songs a transcendence associated with timeless American music. Colorful, relatable characters seemingly torn from working-class histories and old-time fables inhabit the narratives.Joni Mitchell ā Blue ā MoFi 180g 45RPM SuperVinyl 2LP Box Set
In Stock
Blue Reaches New Audiophile Heights On Ultradisc One-Step
1/4" / 15 IPS Dolby A analog master to DSD 256 to analog console to lathe
Deemed the third Greatest Album of All Time by Rolling Stone; universally celebrated by critics, fans, artists, and educators; and defined by a spell of disarmingly vulnerable songs at once confessional, intense, spare, honest, painful, hopeful, and exquisite, Blue charts love, spiritualism, independence, and loss like no record before or since. It is the epitome of brilliance ā and sounds more intimate, involving, and inescapable than ever on MoFi SuperVinyl via Mobile Fidelityās UltraDisc One-Step 180g 45RPM 2LP box set.Big John Patton – Let ‘Em Roll ā Blue Note (Tone Poet) 180g Vinyl
On 1967's Schizophrenia Shorter arrived at the pinnacle of post-bop and gazed out at the horizons around him. A current of the avant-garde already coursed through his music and the next time he would enter the studio for Blue Note would be for his 1969 fusion exploration Super Nova. But in this moment, he produced one of his most complete and stylistically diverse artistic statements with a sextet of like-minded musical adventurers, including James Spaulding on alto saxophone and flute, Curtis Fuller on trombone, Herbie Hancock on piano, Ron Carter on bass, and Joe Chambers on drums. The six-song set of original compositions includes several of Shorter's most enduring themes including the unforgettable groove of "Tom Thumb," the evocative "Go," and the beautiful ballad "Miyako," as well as Spaulding's churning piece "Kryptonite."
John Prine ā John Prine ā Analogue Productions 180g 45RPM 2LP Vinyl
All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound and cut at 45 RPM. Pressed at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.
Tchaikovsky / Monteux / Boston Symphony ā Symphony No 4 ā Analogue Products 200g Vinyl
Analogue Productionsā RCA Living Stereo Reissue Series No. 2, with 25 newly remastered mainstay classical albums, will delight and astound your ears with their clarity and warm, rich tone. As with our first highly-regarded LSC series, shortcomings of previous editions have been improved upon ā from the mastering, to the LP pressing, to the sharp-looking glossy heavyweight Stoughton Printing tip-on jackets that faithfully duplicate the original artwork, āLiving Stereoā logo, āShaded Dogā label and all!
HUGH MASEKELA āHOPEā ANALOGUE PRODUCTIONS 4LP, 200g Box Set
The best just got better! This will sell out fast, so get your orders in quickly.
The ultimate ādem discā is now available as a 200g 4LP 45rpm boxset!
Mastered by Kevin Gray at Cohearent Audio from the original analogue tape
45 RPM mastering enables full dynamics present on the tape
Plating and 200-gram pressing by Quality Record Pressings!
Gatefold tip-on jacket by Stoughton Printing
Packaged in a custom-designed slipcase
Includes insert containing interview with David Hewitt, original recording engineer for Hope
Dizzy Gillespie Live At Singer Concert Hall 1973 ā The Lost Recordings 180g Vinyl
For Dizzy everything starts and ends with laughter. In the meantime, all paths are possible. That of melancholy, of dance or of political commitment⦠Dizzy is everywhere at once, always elusive, he is this explorer who, after having been one of the founders of Bebop in the 40ās, will never stop experimenting, surprising and pushing back the borders.
Philip Catherine & Nicolas Fiszman Live At The Berlin Jazzbühne Festival 1982 ā The Lost Recordings 180g Vinyl
Rimsky Korsakov – Scheherazade Chasing The Dragon Audiophile Vinyl
Lee Morgan ā Infinity LP (Blue Note Tone Poet Series) ā Blue Note Vinyl
Just two months after recording his exceptional sextet dateĀ Cornbread, the prolific trumpeter Lee Morgan was back in Van Gelder Studio in November 1965 with a slightly slimmed downābut no less robustāquintet line-up to record his next sessionĀ Infinity, which wouldnāt be first released until 1981. Alto saxophonist Jackie McLean and drummer Billy Higginsāboth of whom were featured onĀ Cornbreadāwere at Morganās side once again along with pianist Larry Willisand bassist Reggie Workman for a five-song set that ventured to the far reaches of the hard bop tradition and beyond. Four compelling Morgan originals and McLeanās engaging ballad āPortrait of Dollā cover a wide expanse of musical terrain including the probing title track, the laid-back 6/8 groove of āMiss Nettie B,ā the intricate interlaced lines of āGrowing Pains,ā and the hard-charging closer āZip Code.ā