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Select options This product has multiple variants. The options may be chosen on the product pageWBT-0705Ag Nextgen Pole Terminal
Price range: £196.00 through £392.00
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Select options This product has multiple variants. The options may be chosen on the product pageWBT-0705Ag Nextgen Pole Terminal
Price range: £196.00 through £392.00 
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Select options This product has multiple variants. The options may be chosen on the product pageWBT-0705Ag Nextgen Pole Terminal
Price range: £196.00 through £392.00
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Music
John Coltrane – Coltrane Jazz – Analogue Productions (Atlantic 75 Series) 180g Vinyl
The first album to hit the shelves after Giant Steps, Coltrane Jazz was recorded in November and December 1959, although one of the eight tracks ("Villiage Blues") was recorded in late 1960. On everything save the aforementioned "Village Blues," Coltrane used the Miles Davis rhythm section of pianist Wynton Kelly, bassist Paul Chambers, and drummer Jimmy Cobb
AllMusic describes Coltrane Jazz as the saxophone legend's preparation for his launch into his peak years of the 1960s. There are three standards aboard, but the group reaches their peak on Coltrane's original material, particularly "Harmonique" with its melodic leaps and upper-register saxophone strains and the winding, slightly Eastern-flavored principal riffs of "Like Sonny," dedicated to Sonny Rollins. The moody "Village Blues" features the lineup of McCoy Tyner on piano, Elvin Jones on drums, and Steve Davis on bass; with the substitution of Jimmy Garrison on bass, that personnel would play on Coltrane's most influential and beloved 1960s albums.
John Coltrane – Coltrane Jazz – Stereo ORG Vinyl LP
"Coltrane Jazz" is the sixth studio album by jazz musician John Coltrane, released in 1961 on Atlantic Records, catalogue number SD 1354. The song "Village Blues" is noted as a landmark recording, as it marks the first session date of the early John Coltrane Quartet on record. Featured alongside Coltrane are pianist McCoy Tyner, drummer Elvin Jones, and bassist Steve Davis (who would within 18 months have been replaced by first Reggie Workman and then Jimmy Garrison who would stay with 'Trane until his death).
John Coltrane – Coltrane Plays The Blues ORG Records
Only 2500 Numbered Limited Edition Copies Worldwide!
Extremely limited double 180gm pressing in numbered laminated gatefold jacket.
Mastered by Bernie Grundman from the original analog master tapes and pressed at Gotta Groove.
John Coltrane returned to his roots using the blues to explore the boundaries of jazz!
John Coltrane – My Favorite Things – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
IN STOCK
John Coltrane’s landmark 1961 jazz album My Favorite Things was born of the same recording sessions that yielded a majority of the albums Coltrane Plays the Blues(1962), Coltrane’s Sound (1964), and Coltrane Legacy. That My Favorite Things was recorded in less than three days was in itself, remarkable.
John Lee Hooker – Burning Hell (Bluesville/Acoustic Sounds Series) 180g Vinyl
NOW AVAILABLE
Burning Hell was recorded in 1959 in Detroit, MI, but wasn’t released until 1964. Even then, it was only available in the UK. This 180-gram vinyl pressing marks the first official single LP worldwide release the album has seen. Pressed at QRP as part of the Bluesville Records / Acoustic Sounds series, the album features Hooker solo as he plays originals and classics. AllMusic states that, on this album, “Hooker shows himself to be an excellent interpreter who could have held his own with Delta bluesmen of any era.”
John Prine – John Prine – Analogue Productions 180g 45RPM 2LP Vinyl
All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound and cut at 45 RPM. Pressed at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.
John Prine – John Prine – Analogue Productions Atlantic 75 Series Hybrid Stereo SACD
All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound and cut at 45 RPM. Pressed at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.
Johnny Cash – At Folsom Prison – 180g 45RPM 2LP Mofi Vinyl
IN STOCK NOW!
The 1968 Album On Which Johnny Cash Became A Legend: At Folsom Prison Among The Most Important And Potent Statements Of The 20Th Century
Mastered on MoFi’s Mastering System: Mobile Fidelity Numbered-Edition 180g 45RPM 2LP Set Plays with Arresting Immediacy, Spaciousness, and Directness
1/4" / 15 IPS analog copy to DSD 256 to analog console to lathe
Johnny Cash already knew his way around Folsom Prison when he and his band stepped inside the institution’s forbidding walls on the morning of January 13, 1968 to record At Folsom Prison. He’d played there two years prior. But this time was different.
Johnny Cash – At Folsom Prison – Mofi SACD
IN STOCK NOW!
The 1968 Album On Which Johnny Cash Became A Legend: At Folsom Prison Among The Most Important And Potent Statements Of The 20Th Century
Mastered on MoFi’s Mastering System and Strictly Limited to 3,000 Numbered Copies: Mobile Fidelity's SACD Set Plays with Arresting Immediacy, Spaciousness, and Directness
Johnny Cash already knew his way around Folsom Prison when he and his band stepped inside the institution’s forbidding walls on the morning of January 13, 1968 to record At Folsom Prison. He’d played there two years prior. But this time was different.
Johnny Hodges – Blues A Plenty Analogue Productions 200g 45RPM Vinyl
One of the giants of the alto saxophone, Johnny Hodges was perhaps the most important soloist and sideman in Duke Ellington's orchestra from 1928 up to Hodges' death in 1970. The self-taught player made many solo forays during his long career - one of his '50s outfits included a young John Coltrane - but history remembers Hodges for his virtuosic sidemanship, particularly his sensitive rendering of ballads.
