Showing 145–156 of 507 results

Charlie Mingus – Oh Yeah – Analogue Productions (Atlantic 75 Series) 180g 45rpm 2 LP Vinyl

£75.00
Analogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! A powerful, passionate and expressive album! 180-gram 45 RPM double LP Mastered by Kevin Gray at Cohearent Audio from the original analog master tape Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket by Stoughton Printing
After several sessions with Columbia and Candid, Charles Mingus briefly returned to Atlantic and cut the freewheeling Oh Yeah, which AllMusic says has to rank as the wildest of all his classic albums. Mingus displays all of his vigorous jazz feeling on this album; he plays no bass whatsoever, hiring Doug Watkins to fill in while he accompanies the group on piano and contributes bluesy vocals to several tracks (while shouting encouragement on nearly all of them).

Stan Getz – Sweet Rain – (Verve Records – Acoustic Sounds Series ) 180g 1LP Gatefold Sleeve

£39.95
Verve’s Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging. Rediscover the smooth, lyrical sound of Stan Getz with Sweet Rain, beautifully remastered on this Acoustic Sounds Vinyl LP. Originally released in 1967, this iconic album showcases Getz at his finest, delivering soulful, expressive performances alongside a stellar lineup including Chick Corea on piano, Ron Carter on bass, and Grady Tate on drums. The Acoustic Sounds edition brings out every subtle nuance of the recording, offering a rich, warm sound that truly captures the essence of Getz’s tenor saxophone. From the swinging rhythms of “Litha” to the hauntingly beautiful title track, Sweet Rain is a must-have for jazz lovers and vinyl enthusiasts alike. This high-quality pressing ensures an immersive listening experience, bringing the magic of Getz’s timeless music to your turntable.

Howard McGhee – Maggie’s Back In Town! – Contemporary Records (Acoustic Sounds Series) 180g Vinyl

£45.00
Just in time for summer comes this reissue featuring the criminally unsung Howard McGhee, the dexterous bebop trumpeter who's frequently compared to greats such as Dizzy Gillespie and Fats Navarro. Maggie's Back in Town!! (Maggie was McGhee's nickname), captures the musician's triumphant return to music in 1961. AllMusic rates the album as, "McGhee's finest recording of the period." He overachieves in rhythmic fluidity, a through line that's   particularly potent in seemingly carefree songs such as "Sunset Eyes" and the title track.
This new edition, released as part of the Contemporary Records Acoustic Sounds Series, features (AAA) lacquers cut from the original master tapes by Bernie Grundman and is pressed on 180-gram vinyl at QRP, and presented in a Stoughton Printing tip-on jacket.

Stealers Wheel – Stealers Wheel – Intervention Records 180g Vinyl LP

£46.00
One of two releases from Intervention Records’ (Re)Discover Series. (Re)Discover Series launches with Stealers Wheel, plus Ferguslie Park. Includes “Stuck in the Middle (With You)”. 180-gram vinyl pressed at RTI!
100% analog mastering by Kevin Gray at Cohearent Audio!
Intervention Records is a new premium vinyl reissue label headed by hi-fi industry veteran Shane Buettner. Buettner manages marketing and business development for Vandersteen Audio, and before that he was vice president of communication at AudioQuest.

Run DMC – Run DMC – Mofi 180g 33RPM SuperVinyl LP

Original price was: £85.00.Current price is: £65.00.
The Album That Invented Hardcore Hip-Hop: Run-D.M.C. Changed The Sound Of Music And Popular Culture Run-D.M.C.'S 1984 Debut Benefits From Restorative Treatment On Mobile Fidelity's 180G Supervinyl 33Rpm Lp: Limited To 3,000 Numbered Copies, Includes New Liner Notes 1/2" / 15 IPS analog master to DSD 256 to analog console to lathe The impact, influence, and importance of Run-D.M.C.'s self-titled debut – the album that invented hardcore hip-hop and bridged rap, rock, and funk in then-unparalleled ways – cannot be measured. The first full-length record released by Profile Records, the 1984 set permanently changed the sound of music, broadcast streetwise wisdom to every corner of the country, and made the notion of a one-man band a distinct reality. Bolstered by an incendiary blend of staccato deliveries, stark beats, aggressive exchanges, evocative hooks, and socially conscious messages, Run-D.M.C. still hits listeners in the jaw with the same intensity it did nearly 40 years ago when it could be heard booming from ghetto blasters carried around city blocks nationwide.

Diana Krall – When I Look Into Your Eyes (Acoustic Sounds) 180g 2LP Gatefold Sleeve

£55.00
Krall’s fifth studio album made a mark as the first jazz album in 25 years to garner a Grammy nomination for Album of the Year. Tommy LiPuma elevates Krall’s sound along the lines of Nat King Cole with an orchestral stamp on eight out of 12 tracks. It doesn’t take strings, though, to showcase Diana Krall as a hopeless romantic. She does that well enough on her own. Verve’s Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.

Michael Jackson – Off the Wall – MoFi 1 Step 180g 2 x 45RPM SuperVinyl Box Set

£180.00
IN STOCK NOW!
Michael Jackson’s Reign As The King Of Pop Starts Here: Riaa-Certified Nine-Times-Platinum Off The Wall Blends Funk, Disco, Soul And R&B In Visionary Ways, Features “Don’t Stop ‘Til You Get Enough” And “Rock With You”
1979 Landmark Presented in Audiophile Sound for the First Time: Mobile Fidelity’s UltraDisc One-Step 180g 45RPM 2LP Box Set Explodes with Energy, Plays with Superb Clarity and Detail
1/4" / 30 IPS analog master to DSD 256 to analog console to lathe

Simon & Garfunkel – Bookends – 180g 33RPM Mofi SuperVinyl LP

£79.95
A Timeless Reflection On America And Ourselves: Simon & Garfunkel’s Searching Bookends Searches And Asks Big Questions, Includes “Mrs. Robinson” And “A Hazy Shade Of Winter”
Mastered on MoFi’s Renowned System and Limited to 4,000 Numbered Copies: Mobile Fidelity’s 180g SuperVinyl 33RPM LP Magnifies the Brilliance of the Original Recording Sessions
1/4" / 15 IPS analog copy to DSD 256 to analog console to lathe
 

Santana – Abraxas – 180g 33RPM Mofi SuperVinyl LP

£79.95
BACK IN STOCK
Abraxas Remains The Consummate Latin Rock Record: Sophomore Santana Effort Includes “Black Magic Woman,” Ranks #334 On Rolling Stone’s List Of The Greatest Albums Of All Time
Sourced from the Original Analog Master Tapes for Exceptional Sound: Mobile Fidelity’s Numbered-Edition 180g 33RPM SuperVinyl LP Plays with Remarkable Clarity, Depth, Detail, and Presence
1/4" / 15 IPS analog master to DSD 64 to analog console to lathe
 

Flying Burrito Brothers – Burrito Deluxe – Intervention Records 180g Vinyl LP

£45.00
The Flying Burrito Brothers’ album “Burrito Deluxe,” reissued by Intervention Records on 180g vinyl, is a significant piece of country rock history, featuring the work of pioneers like Gram Parsons.
This reissue enhances the original 1970 recordings with superior sound quality, making classic tracks like “Wild Horses” resonate with newfound clarity and depth.
Intervention Records is known for their meticulous attention to detail, using all-analog mastering from the original tapes to preserve the authentic sound.
“Burrito Deluxe” stands as a testament to the band’s influence in blending country with rock elements, making it a valuable addition for both new listeners and long-time fans.

Bobby Hutcherson – Medina – Blue Note Tone Poet Series 180g Vinyl

£39.95
Bobby Hutcherson’s cutting-edge 1969 session Medina found the vibraphonist with a remarkable band featuring Harold Land on tenor saxophone & flute, Stanley Cowell on piano, Reggie Johnson on bass, and Joe Chambers on drums. The set presents original compositions by Hutcherson, Cowell, and Chambers.

Lee Morgan – Taru – Blue Note Tone Poet Series 180g Vinyl

£39.95
Lee Morgan’s 1968 album Taru—which wouldn’t be first released until 1980 as part of the LT Series—found the trumpeter at a crossroads exploring a variety of styles. The band on this outstanding date is notable for several reasons including the elevating presence of guitarist George Benson who delivers inspired solos throughout.
The session also marked Morgan’s first recorded collaboration with tenor saxophonist Bennie Maupin who would play an integral role on future Morgan albums including Caramba! and Live at the Lighthouse. Rounding out the sextet were pianist John Hicks, bassist Reggie Workman, and the ever-inspiriting drummer Billy Higgins.
The six-song set covered a range of stylistic ground including modal jazz (“Avotcja One”), hard-charging post-bop (“Get Yourself Together”), beautiful balladry (“Haeschen” and “Taru, What’s Wrong With You?”), gospel-tinged numbers (“Dee Lawd”), and funky boogaloos (“Durem”).