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Teddy Edwards and Howard McGhee – Together Again!!!! – Contemporary Records (Acoustic Sounds Series) 180g Vinyl
Another Howard McGhee cut, Together Again!!!! (recorded just before Maggie's Back in Town!!), is a collaboration between McGhee and his old friend, saxophonist Teddy Edwards. Also featuring Phineas Newborn, Jr on piano, the sultry, otherworldly "Misty" is a spectacular entwining of each musician's superpowers and the golden mean of musicianship led the Penguin Guide to Jazz Recordings to declare that Together Again!!!! is "one of the best mainstream albums of its day."
This new edition, released as part of the Contemporary Records Acoustic Sounds Series, features (AAA) lacquers cut from the original master tapes by Bernie Grundman and is pressed on 180-gram vinyl at QRP, and presented in a Stoughton Printing tip-on jacket.
Wilson Pickett – The Exciting Wilson Pickett – Analogue Productions (Atlantic 75 Series) 180g 45rpm 2 LP Vinyl
Limited edition clear vinyl LP Wilson Pickett's The Exciting Wilson Pickett Part of Atlantic Records' 75th Anniversary vinyl collection
The Exciting Wilson Pickett! launched four crossover hit singles (including 2 No. 1s!) for the artist on its way to landing at No. 3 on the Billboard R&B charts and No. 21 on the Popular Albums chart in 1966. The chart-toppers are "In The Midnight Hour," "Land of a Thousand Dances" "634-5789 (Soulsville, USA)" and "Ninety-nine and a Half (Won't Do)." The deeper album cuts hold significant appeal as well and include standards "Something You Got," "Barefootin'" and "Mercy Mercy" as well as several original tunes with Memphis Soul greats Steve Cropper, Eddie Floyd, and David Porter.
Santana – Lotus – 180g 33RPM 3LP Mofi Vinyl
IN STOCK NOW
ONE OF THE MOST EXHILARATING LIVE ALBUMS EVER RELEASED: SANTANA’S LOTUS DOCUMENTS INDISPENSABLE 1973 PERFORMANCES DISTINGUISHED BY PASSIONATE SOULFULNESS, CHEMISTRY, AND INVENTIVENESS Mobile Fidelity’s 180g 33RPM 3LP Set Features Reference Sound and Deluxe Trifold Packaging Faithful to That of the Original Japanese Import: Strictly Limited to 5,000 Numbered Copies, Includes Four Photo Inserts and Two Fold-Out Posters 1/2″ / 15 IPS / four-track analog master to two-track DSD 256 to analog console to lathe
Carmen Sandim – Mini Brazilian Beasts – PS Audio Gold SACD
A marvel of modern jazz
In her first album recorded in Pure DSD, Brazilian pianist Carmen Sandim is a master of storytelling through her thoughtfully-crafted piano melodies and sophisticated harmonic structures.
Accompanied in expert fashion by Gilad Hekselman on electric and acoustic guitar, Greg Garrison on bass and Colin Stranahan drums, Mini Brazilian Beasts is a marvel of modern jazz that’s warm and bright, and one of Octave’s crispest, clearest DSD recordings to date.
Jeff Beck – Jeff Beck with the Jan Hammer Group Live –Mofi Hybrid Stereo SACD
Now in STOCK
Available in Audiophile Sound for the First Time and Limited to 2,000 Numbered Copies: Sourced from the Original Master Tapes, Mobile Fidelity’s Hybrid SACD Presents Collaborative Effort with Generous Sound-staging and Incredible Clarity
Jeff Beck with the Jan Hammer Group Live seldom appears on lists of the greatest live albums of all time. Amid an age where it seems every hidden or overlooked gem has already been rediscovered, this 1977 set remains a well-kept secret — a record filled with virtuoso performances, tremendous chemistry, high-wire improvisations, and explosive jazz-rock combinations. No wonder many listeners who came upon the effort in the late ‘70s admit to wearing out multiple copies and standing in awe of its powers. Wait ’til they hear this version.
The Cry! Prince Lasha Quintet – Contemporary Records (Acoustic Sounds Series) 180g Vinyl
Contemporary Records Acoustic Sounds Series continues in 2024! Twelve standout albums from the Contemporary Records catalog reissued on 180-gram vinyl Titles featuring Art Pepper, Sonny Rollins, Helen Humes, Ben Webster and many more! Mastered AAA by Bernie Grundman from the original analog tapes 180-gram LPs pressed at Quality Record Pressings! Stoughton Printing gatefold old-style tip-on jackets Series supervised by Chad Kassem CEO of Acoustic Sounds
Continuing Craft Recordings’ celebration of seminal jazz artists from Contemporary Records
Diana Krall – All For You – Acoustic Sounds Series 180g 2LP Gatefold Sleeve
The two-time 1996 Grammy-winning album All For You is a tribute to the Nat King Cole Trio by a woman who is better equipped than any other jazz musician of her generation to evoke the spirit of Nat Cole.
Diana Krall, who listened eagerly to Cole’s records as a child, grew up to be that rarest of birds: a singer-pianist as comfortable and distinctive in one role as the other.
Release Date: 27.09.24
Booker Little & Max Roach – Blue Note Tone Poet Series 180g Vinyl
Trumpeter Booker Little made only a few albums during his tragically short life including his astounding debut Booker Little 4 & Max Roach recorded in 1958 for United Artists. Little came to prominence in Max Roach’s band and the drummer joins him here along with George Coleman, Tommy Flanagan, and Art Davis.
This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe tip-on jacket.
Fleetwood Mac – Tango in the Night– Mobile Fidelity 180g 45RPM 2LP Vinyl
IN STOCK STOCK
A UNIVERSE OF POP: FLEETWOOD MAC’S TANGO IN THE NIGHT FEATURES METICULOUS PRODUCTION, INCLUDES THE HITS “BIG LOVE,” “EVERYWHERE,” “SEVEN WONDERS,” AND “LITTLE LIES” Experience the 1987 Album in Audiophile Sound for the First Time: Mobile Fidelity’s Numbered-Edition 180g 45RPM 2LP Set Captures the Perfectionist Details 1/2" / 30 IPS analog master to DSD 256 to analog console to lathe The perfectionism involved in crafting Fleetwood Mac’s Tango in the Night reached a level of intensity experienced by few artists before or since. Commercially and creatively, the painstaking efforts paid off. Recorded over the span of 18 months, the triple-platinum album spawned four hit singles and put Fleetwood Mac back at the center of mainstream conversation. Its demands also ultimately forced its primary architect, guitarist-singer Lindsey Buckingham, to leave the group shortly after its completion. Was it all worth it? A thousand times “yes.”
Santana – Inner Secrets – 180g 33RPM Mofi Vinyl LP
Now in Stock
SANTANA MOVES TOWARD THE ROCK MAINSTREAM: INNER SECRETS FEATURES THREE TOP 100 SINGLES, PASSIONATE PERFORMANCES, AND TIGHTENED-UP FRAMEWORKS Sourced from the Original Analog Master Tapes and Strictly Limited to 3,000 Numbered Copies: Mobile Fidelity’s 180g 33RPM LP Exposes Critical Details and Tones That Make the 1978 Album Soar 1/4″ / 15 IPS analog master to DSD 256 to analog console to lathe Carlos Santana refused to sit still or commit to one style during his fantastically adventurous stretch in the 1970s. That prolific decade witnessed his namesake band release nine studio albums, one hybrid live-studio double album, and a triple live set. The group’s penchant for exploration and mutation — and adopting those constructs into appealing songs that surprise, delight, and inspire — flares throughout Inner Secrets, a gold-certified effort that finds the collective reaching heights it would not again realize for another 10 years.
Santana – Blues for Salvador – 180g 33RPM Mofi Vinyl LP
IN STOCK NOW
BLUES FOR SALVADOR EARNED CARLOS SANTANA HIS FIRST GRAMMY AWARD: 1987 “SOLO” ALBUM PURSUES JAZZ, FUSION, AND ROCK DIRECTIONS Sourced from the Original Master Tapes and Strictly Limited to 3,000 Numbered Copies: Mobile Fidelity’s 180g 33RPM Vinyl LP Presents the Largely Instrumental Record in Audiophile Quality for First Time Domestically 1/2” / 30 IPS / Dolby SR analog master to DSD 256 to analog console to lathe Few artists were more prolific than Carlos Santana during the 1970s and 80s. By the time he released Blues for Salvador, the fourth album billed to the Rock and Roll Hall of Famer as a lone solo artist, he kept a pace that saw him release LPs at a more than one record-per-year clip ever since the launch of his group’s 1969 debut. No wonder this 1987 effort would be Santana’s last work until 1990; he deserved the rest. And with the largely instrumental Blues for Salvador, he entered into the break on a high note — one that earned him his first Grammy Award.
