Showing 1825–1836 of 1990 results

THE MCRU ULTIMATE BNC CABLE

£300.00£550.00
  • 7N OCC Silver Cable
  • Oyaide BNC Connectors
  • Carbon Infused Braiding

The MCRU Ultimate DIY Mains Lead Kit

£1,500.00
  • Furutech DPS-4.1 power cable
  • Synergistic Purple fuse
  • Furutech FI-1363R NCF plug
  • Furutech FI-50 NCF IEC
  • 1.5 mtr as standard (other lengths available)
  • FREE ASSEMBLY LTD OFFER

The MCRU Ultimate In Line DC Blocker

£450.00£600.00
Designed in the UK, the MCRU is a tried and tested design able to improve sound quality by removing harmful DC from your mains, reduce transformer hum from your system, proven by existing customer feedback. New model with in-line capability, simply plug your existing power cable into the unit and plug the other end to your equipment.

The MCRU Ultimate Mains Lead MK6

£995.00£1,395.00
  • New 2024 design
  • Furutech NCF Connectors
  • Now includes SR PINK fuse no extra charge
  • Developed with Puritan Audio Labs

The MCRU Ultimate Mains Lead MKV

£750.00£1,090.00
  • New 2019 design
  • 5.6mm2 conductors
  • Quantum technology
  • Filtered plug and IEC
  • Carbon braiding
  • SR Orange fuse

The MCRU Ultimate USB Cable

£636.00£1,236.00
  • Designed in the UK
  • No technical jargon
  • No mumbo jumbo
  • Let yours ears decide

The MCRU Vinyl Maintenance Kit

£99.95
All you need to keep your vinyl clean and maintain sound quality and reduce stylus wear.

The Ornette Coleman Double Quartet: Free Jazz Speakers Corner 180g Vinyl

£35.00
The term 'free jazz' was already in existence – but it had a quite different meaning, namely jazz without paying for an entrance ticket. The album "Free Jazz", however, was intended to lend its name to a quite different style of jazz. 'Free' playing – now this meant that no one was bound to conventions, you could let your imagination run loose. Free jazz gave one the chance to find new rules for every new composition. And it was to be the greatest boost to innovation in the world of jazz. Ornette Coleman’s album from December 1960 stands at the beginning of the free jazz era like a massive portal.

The Oscar Peterson Trio – West Side Story – Verve 200g 45 RPM Vinyl

£75.00
One of the first Broadway musical scores to be overtly jazz-influenced was Leonard Bernstein’s West Side Story, a tale of rival street gangs in the inner city. In 1962, pianist Oscar Peterson put his light-swing signature on the already popular score, making it, in the words of one critic, “a delight to hear again” and earning him a Grammy nomination.
Originally released in 1962

The Right One Record Cleaning Fluid

£15.00£48.00
MCRU are the only authorized seller of this fluid which we regard as the best there is. Available in 500ml, 1 litre and 5 litre containers. Starting at £15 for 500ml.

The Spinners – Spinners 180g Mofi Vinyl

£49.50
Sweeping Strings, Funk Rhythms, Brassy Rejoinders, Immaculate Harmonies, and Satiny Lead Singing Fill Thom Bell’s Melodic Arrangements: Few Albums Sound Creamier Than This Watershed Effort
The timeless music and expert arrangements are about the only things smoother than the powder-blue suits sported by the Spinners on the cover of their resplendent self-titled 1972 record. The band’s first album for Atlantic after departing Motown, Spinners ranks as an all-time soul classic – a filler-free set boasting immaculate harmonies, sweet melodies, and impeccably matched vocals. Thom Bell’s flawless production puts it all over the top. Yielding an ideal balance of lushness and grit, the collaboration between the Detroit-based group and studio veteran yielded a record that birthed the celebrated Philadelphia Sound. Now, you can finally experience it in audiophile-grade sonics.

The Thelonious Monk Quartet ‎– Straight No Chaser 180g Audiophile Vinyl

£75.00
180-GRAM 33RPM 2LP SET This mid-period masterwork from jazz piano’s most uncommon voice find Monk and his quartet ( Charlie Rouse on tenor, Ben Riley on drums and Larry Gales on bass) exploring every texture, tone and melodic turn of seven expansive tracks. This group was subtle, mature and confident, easily supporting Monk’s more idiosyncratic side-tracks (check out the solo on “Locomotive” or the restless exposition on “Japanese Folk Song”) while allowing listeners freedom to move through or contemplate all the sublime subtexts Monk conjures from the endless well of his inspiration.