Hexmat Zero is an isolator foot that works on magnetic principle. Patented technology that uses the attractive force of magnets to reverse the action of gravity.
A suspension in which the force field of the magnetic system creates a reverse microgravity, which is adjusted using a sphere. This sphere is what neutralises the vibrations and balances the magnets at the right distance so that the points of contact of the sphere and the pressure on it can approach zero.
This ability is the reason why there is almost no physical connection between the device and the support shelf, so vibrations have no chance to affect our devices, so they can show all their capabilities.
We believe that all audio industry equipment, whether digital or analog, requires the same conditions around it as the largest and most accurate industrial equipment for the best performance, which is based on a stable support that also absorbs vibrations. Think of a skyscraper in Tokyo, or a milling machine with micron precision in watchmaking.
If these objects were not separated from environmental influences as much as possible, they would not be able to provide the comfort, precision and beauty they were designed for. The Hexmat Zero technology ensures stable and “pulling” support for our devices, with approximately zero contact. In contrast to legs based on magnetic repulsion, whose lateral stability is not ensured, the Hexmat Zero principle based on the attraction of magnets ensures the best possible controlled support.
We recommend Hexmat Zero for all types of equipment, including turntables, CD players, digital source devices, speakers and amplifiers. – Zsolt Fajt
Turntable Mats & Record Clamps
Acoustical Systems HELOX Reflex Record Clamp
Black Ravioli Record Ground
- The Black Ravioli Record Ground dissipates the energy created by the stylus travelling through the record groove. Essentially grounding it, which results in improved sound quality.
- Effective on most turntables including Linn LP12, Technics SL series, Garrards, and many more.
- Read Alan Sircom's review in HiFi + Magazine
- Read Jeff Dorgay's review in Tone Magazine
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