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Impex’s all-analog LP is cut from original masters–something a certain recent international LP cannot claim–and you’ll know it when you play it. George Massenberg’s recording is clean, punchy and full of low-down bass goodness. Kevin Gray and Robert Pincus needed to do little to the stellar Sony vaulted master tapes and with RTI’s meticulous pressing and our strict quality control, this is the ultimate expression of a seminal funk record. A VERY funky record.
Track Listing
Side 1
1. Shining Star
2. That’s the Way of the World
3. Happy Feelin’
4. All About Love
Side 2
1. Yearnin’ Learnin’
2. Reasons
3. Africano
4. See the Light
Music Vinyl LP's
Al Di Meola, John McLaughlin & Paco De Luca – Friday Night In San Francisco Impex 2LP, 180G, 45RPM Vinyl
Al Di Meola, John McLaughlin & Paco De Lucia SATURDAY Night In San Francisco Limited Edition 180g LP
Now In Stock
Audiophile 180g 33rpm Vinyl LP Never before released!!!
Assembled from the original 16-track analog live session tapes by Al Di Meola with engineers Katsu Naito & Roy Hendrickson Mastered from analog tapes by Bernie Grundman at Bernie Grundman Mastering Pressed at Record Technology Inc. Deluxe new packaging with never-before-seen photos Exclusive essay by Charles L. Granata feat. new interviews with Al Di Meola & original recording engineer Tim Pinch Long-Awaited Follow Up To Friday Night In San Francisco! From Original 16-Track Analog Live Session Tapes by Al Di Meola, Katsu Naito & Roy Hendrickson! Mastered From Analog Tapes by Bernie Grundman! Pressed at RTI!
Beethoven: Violin Sonatas NO. 8 & 10 – Impex Records 180g Vinyl
For many classical music lovers, Beethoven’s eighth violin sonata lives in the long, fiery shadow of the ninth, better known as the “Kreutzer”. This is easy to understand, as the Kreutzer is a prime example of the stormy side of Beethoven—the one many listeners see as his most exciting and revealing trait. However, just as his eighth symphony is the kinder, gentler companion to his towering, formidable ninth, the eighth violin sonata, shorter and less aggressive than the ninth, shows a more lyrical side of Beethoven.
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