There are hit records. And then there are blockbusters. One of the world’s best-selling records, a winner of two Grammy Awards, an era-defining reference statement, an MTV favorite, and a set that catapulted an already-acclaimed band to arena status, Brothers in Arms is the kind of epic spectacular that comes around only once or twice a decade. Surpassed only in fame and visibility during the period by Michael Jackson’s Thriller, the 1985 album remains idiosyncratic for its covetable combination of adventurous songwriting, precision-based performances, and reference-caliber fidelity.
Mastered from the original master tapes, and possessing a richness befitting the album’s stellar reputation, our numbered edition hybrid SACD of Brothers in Arms breathes with transparent highs, atmospheric heft, and lifelike tonalities. The sense of realism this edition delivers will leave slack-jawed even the most hard-to-please audiophiles. As the recipient of the Grammy for Best-Engineered Recording, the album has always been a go-to sonic standard, but never has it sounded so reach-out-and-touch-it realistic as it does here. All of the hallmark characteristics – ample spaciousness, ideal balances, widescreen dynamics, immersive depth, lush production – are here in spades. As is music-making of enviable proportions.
While it’s easy to speculate that the colossal success of Brothers in Arms relates to its timing – its release during an era obsessed with catchy singles, flashy MTV videos, and whistle-friendly melodies – reasons for the album’s chart-busting success primarily owe to the expertly crafted songs and memorable playing turned in by a group hitting its creative peak. Not to mention the spatial dimensions that cause instruments and vocals to naturally float in a fixed area.
Anchored by “Money for Nothing,” a caustically themed smash immediately identifiable via Mark Knopfler’s resonant finger-picked guitar riff and Sting’s “I want my MTV” vocal refrain, Dire Straits’ fifth album is stuffed with bluesy signatures, jazz-rock motifs, clever lyrics, and organic accents. Diversity and consistency also extend to the songs’ moods. Singing with his trademark light-to-the-touch timbre, Knopfler conjures feelings of poignancy, peacefulness, and mellowness, channeling wistfulness on the Top 10 single “So Far Away” and somber assurance on “Why Worry.”
Perfection abounds, not only in the manner in which the band nails its pop hooks and uptempo boogies with debonair flair – but also in the control room. Iconic session jazz drummer Omar Hakim supplies fluid beats and solid rhythmic foundations while Knopfler and Co. comb over grooves so smooth it seems that they’re made of honey butter. Dire Straits would never play with such effortless again.
- So Far Away
- Money for Nothing
- Walk of Life
- Your Latest Trick
- Why Worry
- Ride Across the River
- The Man’s Too Strong
- One World
- Brothers in Arms
Easygoing Portrait of Down-Home Soul Singer Coming into His Own and Establishing an Indelible Bond Between Performer and Audience"One more time?" Withers asks in response to a request for another stanza during "Use Me," and like the snap of fingers, his musicians are right back on cue, the crowd clapping along on every beat. This classic, as well as the instantly familiar "Ain't No Sunshine," poignant "Grandma's Hands," and all-time favorite "Lean On Me" are delivered with utmost soulfulness, passion, and electricity. Few, if any, live albums demonstrate such a bond between the crowd and artist as Live at Carnegie Hall. You'll definitely want to be there.
- Numbered Limited Edition Hybrid SACD.