Marking a shift from the looseness and comedy that pepper the preceding The Freewheelin’ Bob Dylan, The Times They are a-Changin’ skirts any attempt at humor, sarcasm, or goofiness in favor of utmost seriousness and severity. Seemingly anticipating the dark events surrounding President Kennedy’s assassination and the turmoil that followed, Dylan eliminates with conjecture and disguise. Akin to dispatches from the typewriter of literary icons John Steinbeck and William Faulkner, his songs give voices to the voiceless, challenge cultural precepts, upend traditional beliefs with rapier wit and truths, and underline tragedies swept under the rug.
In doing so, Dylan creates stinging protest music that rallies against unchecked authority, discrimination, brutality, and division. A testament to the power of great art, The Times They are a-Changin’ is a righteous assault on ignorance and agent for sweeping action, a necessary impetus for transformation and enlightenment. Via bold originals such as the nonfiction “The Lonesome Death of Hattie Carroll,” assertive “Restless Farewell,” and semi-autobiographical “North Country Blues,” Dylan casts hardships, greed, and victimization in such relatable terms it’s impossible to turn away and ignore their implications.
As correctly relayed by Dylan expert and cultural critic Greil Marcus, “[The record] forever fixed Bob Dylan in the popular imagination: the protest singer, the young man ‘able to see through metal’ (again, from Chronicles), to see through the lie and find the truth, then to hammer the truth into words and send them out with a voice that would never break.”
The Times They are a-Changin’
Ballad of Hollis Brown
With God on Our Side
One Too Many Mornings
North Country Blues
Only a Pawn in Their Game
Boots of Spanish Leather
When the Ship Comes In
The Lonesome Death of Hattie Carroll
Now on 45 RPM LP, mastered at Sterling Sound by Ryan Smith from the analog tapes
Plated and pressed by Quality Record Pressings
Deluxe "tip-on" gatefold jackets by Stoughton Printing
JS Bach's Suites for Unaccompanied Cello Complete performed by Janos Starker Six 200-gram QRP-pressed LPs! Cut directly from the original 3-track, first-generation master tapes at 45 RPM by Ryan K. Smith at Sterling Sound using an AMPEX ATR-100 tape machine customized with 3-track flux magnetic heads!
- 200g Virgin Vinyl
- Mastered by Kevin Gray at Cohearent Audio from the original analog tapes
- Plasted and pressed at Quality Record Pressings
- Deluxe tip-on gatefold jacket featuring originally unused archival photos
- Meticulous test pressing evaluation and quality control
- Highest-quality jackets and rice paper inner sleeves