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Titles Included: New Jazz Conceptions, Everybody Digs Bill Evans, Portrait In Jazz, Explorations, Sunday At The Village Vanguard, Waltz For Debby, Moonbeams, Know What I Mean?, Interplay, How My Heart Sings! and At Shelly’s Manne-Hole.
Now pressed on 180-gram vinyl at RTI!
Mastered by Steve Hoffman & Kevin Gray at AcousTech Mastering AAA analog from original master tapes
Everybody Digs Bill Evans
Side 1
MINORITY (5:20) (Gigi Gryce)
YOUNG AND FOOLISH (5:48)
(Horwit-Hague)
Side 2
LUCKY TO BE ME (3:35)
(Comden, Green-Bernstein)
NIGHT AND DAY (7:12)
(Cole Porter)
EPILOGUE (:38)
(Bill Evans)
Side 3
TENDERLY (3:29) (Walter Gross)
PEACE PIECE (6:37)
(Bill Evans)
Side 4
WHAT IS THERE TO SAY? (4:49)
(Harburg-Duke)
OLEO (4:04)
(Sonny Rollins)
EPILOGUE (:38)
(Bill Evans)
Explorations
Side 1
ISRAEL (6:08)
(John Carisi)
HAUNTED HEART (3:25)
(Deitz-Schwartz)
Side 2
BEAUTIFUL LOVE (5:03)
(Gillespie-King-Van Alstyne-Young)
ELSA (5:05)
(Earl Zindars)
Side 3
NARDIS (5:48)
(Miles Davis)
HOW DEEP IS THE OCEAN? (3:30)
(Irving Berlin)
Side 4
I WISH I KNEW (4:39)
(Gordon-Warren)
SWEET AND LOVELY (5:50)
(Arnheim-Tobias-Lemare)
Portrait In Jazz
Side 1
COME RAIN OR COME SHINE (3:17)
(Mercer-Arlen)
AUTUMN LEAVES (5:22)
(Mercer-Kosmo-Prevert)
Side 2
WITCHCRAFT (4:30)
(Leigh-Coleman)
WHEN I FALL IN LOVE (4:50)
(Heyman-Young)
PERI’S SCOPE (3:11)
(Bill Evans)
Side 3
WHAT IS THIS THING CALLED LOVE? (4:33)
(Cole Porter)
SPRING IS HERE (5:01)
(Rodgers & Hart)
Side 4
SOME DAY MY PRINCE WILL COME (4:48)
(Morey-Churchill)a
BLUE IN GREEN (5:18)
(Davis-Evans)
At Shelly’s Manne-Hole, Hollywood
Side 1
ISN’T IT ROMANTIC (4:34)
(Rodgers, Hart)
THE BOY NEXT DOOR (5:14)
(Youmans, Harbach, Greene)
Side 2
WONDER WHY (5:05)
(Brodszky, Cahn)
SWEDISH PASTRY (5:35)
(Barney Kessel)
Side 3
OUR LOVE IS HERE TO STAY (4:41)
(G & I Gershwin)
‘ROUND MIDNIGHT (8:50)
(Monk, Williams)
Side 4
STELLA BY STARLIGHT (4:50)
(Young, Washington)
BLUES IN “F” (5:05)
(Chuck Israels)
How My Heart Sings!
Side 1
HOW MY HEART SINGS (4:56)
(Earl Zindars) Zindars Publ. Co.-BMI
I SHOULD CARE (4:53)
(Cahn-Stordahl-Weston) Cahn Music/
Hanover Music/Stordahl Music-ASCAP
Side 2
IN YOUR OWN SWEET WAY (6:57)
(Dave Brubeck) Derry Music Co.-BMI
WALKING UP (4:54)
(Bill Evans) TRO-Acorn-BMI
Side 3
SUMMERTIME (5:56)
(Gershwin-Heyward-Gershwin) Chappell
& Co., Inc./Gershwin Publ.-ASCAP
34 SKIDOO (6:19)
(Bill Evans) TRO-Acorn-BMI
Side 4
EV’RYTHING I LOVE (4:11)
(Cole Porter) Chappell Music-ASCAP
SHOW-TYPE TUNE (4:23)
(Bill Evans) TRO-Acorn-BMI
Interplay
Side 1
YOU AND THE NIGHT AND THE MUSIC (7:03)
(Dietz-Schwartz) (ASCAP)
Side 2
WHEN YOU WISH UPON A STAR (5:42)
(Washington-Harline) (ASCAP)
I’LL NEVER SMILE AGAIN (6:30)
(Ruth Lowe) (ASCAP)
Side 3
INTERPLAY (8:11)
(Bill Evans) (BMI)
Side 4
YOU GO TO MY HEAD (5:02)
(Gillespie-Coots) (ASCAP)
WRAP YOUR TROUBLES IN DREAMS (6:24)
(Moll-Koehler-Barris) (ASCAP)
Moonbeams
Side 1
RE: PERSON I KNEW (5:42)
(Bill Evans) TRO-Acorn-BMI
POLKA DOTS AND MOONBEAMS (4:57)
(Burke-Van Heusen) Bourne Co./Music Sales Corp.-ASCAP
Side 2
I FALL IN LOVE TOO EASILY (2:39)
(Styne-Cahn) SBK Feist Catalog-ASCAP
STAIRWAY TO THE STARS (4:48)
(Parish-Malneck-Signorelli) SBK Robbins Catalog-ASCAP
Side 3
IF YOU COULD SEE ME NOW (4:24)
(Dameron-Sigman) SBK Robbins Catalog-
ASCAP
IT MIGHT AS WELL BE SPRING (6:03)
(Rodgers-Hammerstein) Williamson Music
ASCAP
Side 4
IN LOVE IN VAIN (4:56)
(Kern-Robin) T.B. Harms, Inc.-ASCAP
VERY EARLY (5:04)
(Bill Evans) TRO-Acorn-BMI
Waltz for Debby
Side 1
MY FOOLISH HEART (4:56)
WALTZ FOR DEBBY (6:54)
Side 2
DETOUR AHEAD (7:35)
Side 3
MY ROMANCE (7:11)
Side 4
SOME OTHER TIME (5:02)
MILESTONES (6:37)
Sunday at the Village Vanguard
Side 1
GLORIA’S STEP (6:05)
(Scott LaFaro) Orpheum Music-BMI
MY MAN’S GONE NOW (6:21)
(G. & I. Gershwin) Chappell Music-ASCAP
Side 2
SOLAR (8:51)
(Miles Davis) Prestige Music-BMI
Side 3
ALICE IN WONDERLAND (8:32)
(Fain-Hilliard) Walt Disney Music-ASCAP
Side 4
ALL OF YOU (8:20)
(Cole Porter) Chappell Music-ASCAP
JADE VISIONS (3:46)
(Scott LaFaro) Orpheum Music-BMI
Know What I Mean?
Side 1
WALTZ FOR DEBBY (5:14)
GOODBYE (6:12)
Side 2
WHO CARES? (take 5) (5:53)
VENICE (2:51)
Side 3
TOY (5:05)
ELSA (5:48)
Side 4
NANCY (WITH THE LAUGHING FACE) (4:07)
KNOW WHAT I MEAN? (re-take 7) (4:55)
New Jazz Conceptions
Side 1
I Love You
Five
I Got It Bad and That Ain’t Good
Side 2
Conception
Easy Living
Displacement
Side 3
Speak Low
Waltz for Debby
Our Delight
Side 4
My Romance
No Cover, No Minimum
Music Vinyl
Aaron Neville – Warm Your Heart – 180g 45RPM Analogue Productions Vinyl
Alexander Gibson – Witches’ Brew – Analogue Productions 180g Vinyl
Amos Lee – Amos Lee – Analogue Productions 45RPM 180g Vinyl
Art Blakey & The Jazz Messengers – First Flight To Tokyo: The Lost 1961 Recordings – Analogue Productions 180g Vinyl
Arthur Fiedler – Gershwin: An American In Paris – Rhapsody In Blue – 180 Gram Analogue Productions Vinyl
With Rhapsody in Blue, George Gershwin, a popular songwriter, established himself as a serious composer. His American in Paris tells the story of a trip through the streets and cafes of France. A first rate orchestra (The Boston Pops), a distinguished conductor (Arthur Fiedler), and a superb pianist (Earl Wild) combine to make this landmark recording something to be treasured.
Arthur Fielder – Offenbach: Gaite Parisienne – 200G Vinyl – Analogue Productions
- Limited Edition
- 33rpm 200 Gram Audiophile Vinyl
- Cut from Original Analog Master Tapes
- Pressed at Quality Record Pressings QRP USA
- Lacquers plated by Gary Salstrom
- Mastered by Ryan K. Smith at Sterling Sound
- Deluxe “tip-on” Cover
Arthur Rubinstein – Highlights From Rubinstein at Carnegie Hall 200g Analogue Productions Vinyl
Audiophile Analog Collection Vol. 1 – 180g Vinyl
Audiophile quality microphone designer and 8 times winner of "Best sound in show" at high-end audio equipment conventions, Laflamme uses his knowledge and unfailing instinct to match various audio components to create the best all-encompassing sound experience. The exclusive 2xHD system is the fruit of Laflamme's total experience and imagination.
Bad Company – Bad Company – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
DUE SOON
From the wreckage of Free came Bad Company, the English hard rock supergroup fronted by singer Paul Rodgers and featuring his drummer bandmate Simon Kirke, Mott the Hoople guitarist Mick Ralphs, and King Crimson bassist Boz Burrell. Peter Grant, who managed the rock band Led Zeppelin, also managed Bad Company until 1982.
Ben Webster – The Soul Of Ben Webster Analogue Productions 180g 45RPM Vinyl
Ben Webster – Gentle Ben Analogue Productions 200g 45RPM Vinyl
“The soundstage is intimate and inviting, Webster’s horn beautifully captured with sweet, rich overtornes, the bass liquid, chugging, and textured, piano and drums easy and natural. As with each title, the music emerges from QRP’s beautifully flat and wonderfully silent surfaces with that much more “there-ness.” Sonics = 4/5; Music = 3.5/5 — Wayne Garcia, The Absolute Sound, January 2013
Benny Golson – Groovin’ with Golson (Stereo) – Analogue Productions 180g Vinyl
Benny Golson, who came to the attention of the jazz public with Tadd Dameron's band and Dizzy Gillespie's orchestra, was a member of the Jazztet — the group he had formed with Art Farmer — at the time of this recording. Farmer is not with him in this recording but another Jazztet-mate, trombonist Curtis Fuller, is. Although this session is not as structured as the three-horn efforts of the Jazztet, there is a balance between blowing and Golson's writing that makes for a felicitous blend, whether on Golson's own "My Blues House," Gene Krupa's old burner, "Drum/Boogie," or Jerome Kern's "Yesterdays." And with Art Blakey on drums things cook when they have to, and simmer at the right moments. With Curtis Fuller, Ray Bryant, Paul Chambers and Art Blakey.
Bill Evans – Riverside Recordings 180g 45RPM Analogue Productions Vinyl 22 Disc Box Set
Here it is: THE Audiophile Jazz Fan's box set to end all box sets - All Of Bill Evans' Riverside releases cut at 45 RPM PLUS The Cannonball Adderley Know What I Mean? release for which Evans was such an important contributor!
"These are, for the most part, extraordinary-sounding recordings, better than any you're likely to find. If you love the music, you should consider the purchase." — Fred Kaplan, Stereophile, Nov. 1, 2017
Of everything Analogue Productions has reissued, nothing has come close in sales or accolades to the 45-RPM versions of Bill Evans titles from his Riverside catalog. And now we've compiled all of them into one irresistible box set package. Includes facsimiles of each original jacket along with an 18-page booklet detailing Evans' career and Riverside era.
Titles Included: New Jazz Conceptions, Everybody Digs Bill Evans, Portrait In Jazz, Explorations, Sunday At The Village Vanguard, Waltz For Debby, Moonbeams, Know What I Mean?, Interplay, How My Heart Sings! and At Shelly's Manne-Hole.
Bill Evans At The Montreux Jazz Festival – Analogue Productions – 200g 45RPM Vinyl
Bill Evans At The Montreux Jazz Festival – Verve Reissue – 180G Vinyl
Winner of the 1969 Grammy for Best Jazz Instrumental Album, Individual or Group!
As others have noted, this album occupies a unique place in the Bill Evans discography. It's the only album to document drummer Jack deJohnette's too-short stay in the trio. The trio's performance on this album won them the 1969 Grammy for Best Jazz Instrumental Album, Individual or Group.
Billie Holiday – Lady In Satin – 180G 45 RPM Analogue Productions 2 Disc Vinyl
- 180-gram 45 RPM double LP from Analogue Productions!
- Mastered by Bernie Grundman from the original analog tape
- Plated and pressed at Quality Record Pressings!
- Gatefold old-style “tip-on” jacket by Stoughton Printing
Lady in Satin was released in 1958 on Columbia Records, catalog CL 1157 in mono and CS 8048 in stereo. It is legendary singer Billie Holiday’s penultimate album completed by the singer and released in her lifetime (her final album, Billie Holiday, being recorded in March 1959 and released just after her death).
Billie Holiday – Songs For Distingue Lovers – Analogue Productions 180g Stereo Vinyl
It is undeniable that Billie Holiday’s singing changed in her later years. Her voice darkened and shifted to a lower range. Her economy of means distilled her sound to its expressive essence — a kind of heightened speech. The classic LP Songs For Distingue Lovers has also deepened and become burnished with time. Maybe it’s that still-arresting word, “distingue”; maybe it’s that iconic, tinted image of Lady Day on the cover. But now that legendary LP, with the singer’s best studio work of the Fifties, is available through the Acoustic Sounds Series.
Blood, Sweat & Tears – Bloodlines Analogue Productions 200g Vinyl Box Set
Analogue Productions box set tells the story behind the groundbreaking horn band!
Four album 33 RPM set includes
Child Is Father To The Man Blood, Sweat & Tears Self-Titled Blood, Sweat & Tears 3 B, S & T 4
In-depth essay by lead singer David Clayton-Thomas highlights booklet with rare photos
LPs mastered by Ryan K. Smith at Sterling Sound from the original master tapes
Quality Record Pressings plating by Gary Salstrom, pressed on 200-gram audiophile vinyl
Housed in a custom designed deluxe hinged box
Charles Mingus – The Black Saint and The Sinner Lady – Vinyl
Analogue Productions 180gram, Heavy Vinyl Pressing
In January of 1963, bassist and composer Charles Mingus recorded a very personal and socially conscious work he titled The Black Saint & The Sinner Lady. Each composition, from the opening "Solo Dancer" to the closing "Group and Solo Dance" was a musical expression of Mingus' philosophy of life, love and the world around him.
Charles Mingus – Blues & Roots – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
In Stock and Ready to Ship
AllMusic marks Charles Mingus’ Blues & Roots as a rejoinder to the critical carping that the virtuoso bass player and accomplished jazz pianist and bandleader and his evocative music “somehow didn’t swing enough.” For this album Mingus turned to the earthiest and earliest sources of black musical expression — blues, gospel, and old-time New Orleans jazz. The resulting album ranks arguably as Mingus’ most joyously swinging outing.
Charles Mingus – Blues & Roots – Analogue Productions Atlantic 75 Series Hybrid SACD
In Stock and Ready to Ship
AllMusic marks Charles Mingus’ Blues & Roots as a rejoinder to the critical carping that the virtuoso bass player and accomplished jazz pianist and bandleader and his evocative music “somehow didn’t swing enough.” For this album Mingus turned to the earthiest and earliest sources of black musical expression — blues, gospel, and old-time New Orleans jazz. The resulting album ranks arguably as Mingus’ most joyously swinging outing.
Clifford Brown & Max Roach – Study In Brown 180g Analogue Productions Vinyl
Coleman Hawkins – Coleman Hawkins and Confreres – Analogue Productions 200g 45 RPM Vinyl
Counting Crows – August And Everything After – Analogue Productions 45RPM 180g Vinyl
Creedence Clearwater Revival – Bayou Country (HalfSpeed Mastered) – Analogue Productions 180g Vinyl
A bona fide rock classic, Bayou Country (released in January 1969) broke CCR wide open nationally and worldwide, containing the group's first big hits, "Proud Mary" and "Born On The Bayou." These two tracks, along with "Bootleg," "Graveyard Train" and "Keep On Chooglin'," were pure CCR — gritty vocals, tight leads and infectious rhythm.
Daniel Shafran and Lydia Pecherskaya – Shostakovich: Cello Sonata/ Schubert: ‘Arpeggione Sonata’- 180 Gram Analogue Productions Vinyl
Dave Brubeck Quartet – Time Out – Analogue Productions 45RPM 180g Vinyl
Donald Byrd & Bobby Jaspar – Cannes ’58 – Sam Records 180g Vinyl
Dr. John – Dr. John’s Gumbo – Analogue Productions 200g Vinyl
Dr. John – In The Right Place – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
IN STOCK!
In The Right Place is the sixth, and biggest-selling album of the late iconic music legend, six-time Grammy-winner, and Rock And Roll Hall of Fame inductee, Dr. John. Dr. John, the stage name of Malcolm John Rebennack, Jr., was one of the most original, distinctive and influential voices to ever come out of New Orleans. His career spanned six decades as a songwriter, composer, producer and performer. His unique blend of music carried his hometown of New Orleans at its heart.
Duke Ellington – Jazz Party 180g Analogue Productions Vinyl
Duke Ellington – Blues In Orbit – 180G Analogue Productions Vinyl
It’s tempting for Blues in Orbit to be overlooked when Duke Ellington’s best albums are discussed, but truly it’s an undisputed gem. There are 11 tracks, none of them is longer than 4:50 and it is all good stuff. There are some familiar favorites such as “In a Mellotone” and “C Jam Blues” as well as less often heard gems like “Blues in Blueprint and “Sweet and Pungent.” It is also in stereo, and the arrangements are superb.
Duke Ellington & John Coltrane – Duke Ellington & John Coltrane 180g Analogue Productions Vinyl
“The soundstage is intimate and inviting, Webster’s horn beautifully captured with sweet, rich overtornes, the bass liquid, chugging, and textured, piano and drums easy and natural. As with each title, the music emerges from QRP’s beautifully flat and wonderfully silent surfaces with that much more “there-ness.” Sonics = 4/5; Music = 3.5/5 — Wayne Garcia, The Absolute Sound, January 2013
Duke Ellington Masterpieces By Ellington 2LP 45rpm 180g Analogue Productions Vinyl
Dusty Springfield – Dusty In Memphis – Analogue Productions 45RPM 2 x 180g Vinyl
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